This resource provides a weekly reflection piece for teens that aims specifically at helping them to integrate their faith into their lives more fully. Each weekly resource includes a scripture reflection, a challenge for action, and reflection questions. This resource speaks to the third goal of the USCCB’s “Renewing the Vision: A Framework for Catholic Youth Ministry”: “To foster the total personal growth of each young person.” Parents, Catholic high school teachers, and catechists often find that teens compartmentalize themselves, and may demonstrate faith-filled actions within the church or youth ministry setting, but behave very differently in other areas of their lives. Teens often mold their actions to obtain the approval of those around them, and may be one way at church, another way at home, and another way with their friends. This resource aims to help them to see the importance and rewards of integrating their faith into their life at home, school, church, in sports and activities, with friends, and even online.

Every two years the fall issue of The Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2022–2024 include the monumental handscroll painting Streams and Mountains without End, a masterwork by the Qing-dynasty painter Wang Yuanqi; the nineteenth century painting Bélizaire and the Frey Children which offers a rare depiction of an identified Black teenager with the children of his enslaver; Helene Schjerfbeck’s The Lace Shawl, which is a layered, dramatic portrait of the artist’s friend and landlady. Meanwhile, Leopoldo Méndez’s linocut depiction of the great Mexican printmaker José Guadalupe Posada expands the already distinguished collection of twentieth-century Mexican graphic arts in the Department of Drawings and Prints. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.

The second volume in a special two-part edition of Recent Acquisitions, this Bulletin celebrates works acquired by the Museum in 2019 and 2020, many of which were gifts bestowed in honor of the Museum’s 150th anniversary year. Highlights of this volume include Jean-Baptise Carpeaux’s astonishing portrayal of an African woman in the marble sculpture Why Born Enslaved!, a monumental storage jar by African American potter and poet David Drake, an exquisite lacquer mirror case depicting an 1838 meeting between the crown prince of Iran and the tsar of Russia, and Carmen Herrera’s abstract work dating to 1949, Iberic. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met's collection.

Numbering over 1,600 works, the collection of Richard Brown Baker, begun in the 1940s and extending over five decades, stands as a time capsule of international postwar art. With essays on each decade of Baker's collecting and entries on such seminal artists as Jean-Michel Basquiat, Jean Dubuffet, Franz Kline, Roy Lichtenstein, Agnes Martin, Jackson Pollock, Robert Rauschenberg, and James Rosenquist, this publication presents Baker as a key figure in the dynamic New York art scene of the day.--Back cover.

The bold graphic images made by artists affiliated with Vorticism, British Futurism, and the Grosvenor School of Modern Art capture the optimism and anxiety of early twentieth-century Britain. This richly illustrated volume features rare British prints from the Leslie and Johanna Garfield collection dating between 1913 and 1939—a period marked by two world wars, a global pandemic, the Great Depression, and the rise of Fascism and Communism, but also new technologies, women’s suffrage, and a growing focus on public access to art. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. At the heart of the catalogue are the colorful linocuts made by artists associated with London’s celebrated Grosvenor School. The visually striking compositions by Sybil Andrews, Claude Flight, Cyril E. Power, and Lill Tschudi, among others, convey the vitality of quotidian life during the machine age.

Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

This book explores the ill-defined and oft-underestimated relationship between the World Trade Organization (WTO) and taxation. By adopting a two-pronged approach, the relationship is examined in terms of the extent to which the WTO legal framework exerts influence upon domestic tax law and international tax policy, and whether it is appropriate for the WTO to play a regulatory role in the field of taxation. The book begins with an examination of the historical development of international trade law and international tax law, and demonstrates that these two separate areas of law are closely linked in terms of their underlying principles and historical evolution. The work then goes on to offer a doctrinal analysis of the tax content found in the WTO legal texts and highlights ambiguities therein.

No modern culture has remained untouched by the genius of William Shakespeare. He lived during the turbulent transition from feudalism to early capitalism that laid the foundation of today's society. Jenny Farrell explores in very accessible detail four of the playwright's greatest tragic plays. Placing Hamlet, Othello, King Lear and Macbeth in the context of ideas prevalent in his time, her lucid and vivid account reveals the reasons for their universal appeal. "Fear Not Shakespeare's Tragedies" shows clearly the great contemporary relevance of Shakespeare's plays.