The Matrix meets an Afro-futuristic retelling of Persephone set in a science fiction underworld of aliens, refugees, and genetic engineering in Jennifer Marie Brissett's Destroyer of Light Kirkus—Best Fiction Books of the Year 2021 Tor.com—Best of the Year 2021 New York Public Library—Nine New Sci-Fi & Fantasy Reads Bookriot—20 Must Read Space Fantasy Books for 2021 Book Bub—The 24 Best Science Fiction and Fantasy Books of Fall 2021 BiblioLifestyle—Most Anticipated Fall 2021 Sci-fi, Fantasy & Horror Having destroyed Earth, the alien conquerors resettle the remains of humanity on the planet of Eleusis. In the four habitable areas of the planet—Day, Dusk, Dawn, and Night—the haves and have nots, criminals and dissidents, and former alien conquerors irrevocably bind three stories: *A violent warlord abducts a young girl from the agrarian outskirts of Dusk leaving her mother searching and grieving. *Genetically modified twin brothers desperately search for the lost son of a human/alien couple in a criminal underground trafficking children for unknown purposes. *A young woman with inhuman powers rises through the insurgent ranks of soldiers in the borderlands of Night. Their stories, often containing disturbing physical and sexual violence, skate across years, building to a single confrontation when the fate of all—human and alien—balances upon a knife’s-edge. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Matrix meets an Afro-futuristic retelling of Persephone set in a science fiction underworld of aliens, refugees, and genetic engineering in Jennifer Marie Brissett's Destroyer of Light. Download a FREE sneak peek today! Having destroyed Earth, the alien conquerors resettle the remains of humanity on the planet of Eleusis. In the three habitable areas of the planet--Day, Dusk, and Night--the haves and have nots, criminals and dissidents, and former alien conquerors irrevocably bind three stories: *A violent warlord abducts a young girl from the agrarian outskirts of Dusk leaving her mother searching and grieving. *Genetically modified twin brothers desperately search for the lost son of a human/alien couple in a criminal underground trafficking children for unknown purposes. *A young woman with inhuman powers rises through the insurgent ranks of soldiers in the borderlands of Night. Their stories skate across years, building to a single confrontation when the fate of all—human and alien—balances upon a knife’s-edge. Warning: This book is designed for audiences 18+ due to scenes of physical and sexual violence, and themes that some may find disturbing. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The May/June 2020 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Arkady Martine, Jennifer Marie Brissett, Emma Törzs, A.T. Greenblatt, Meg Elison, and Suzanne Walker. Reprint fiction by Sonya Taaffe. Essays by Fran Wilde, Kelly Lagor, Khairani Barokka, and Ada Palmer, poetry by Valerie Valdes, Ali Trotta, Roshani Chokshi, and T.K. Lê, interviews with Emma Törzs and Meg Elison by Caroline M. Yoachim, a cover by Julie Dillon, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson.

A computer program etched into the atmosphere has a story to tell, the story of two people, of a city lost to chaos, of survival and love. The program's data, however, has been corrupted. As the novel's characters struggle to survive apocalypse, they are sustained and challenged by the demands of love in a shattered world both haunted and dangerous.

The May/June 2020 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Arkady Martine, Jennifer Marie Brissett, Emma Törzs, A.T. Greenblatt, Meg Elison, and Suzanne Walker. Reprint fiction by Sonya Taaffe. Essays by Fran Wilde, Kelly Lagor, Khairani Barokka, and Ada Palmer, poetry by Valerie Valdes, Ali Trotta, Roshani Chokshi, and T.K. Lê, interviews with Emma Törzs and Meg Elison by Caroline M. Yoachim, a cover by Julie Dillon, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson.