The Profits of Charity examines the contemporary law governing the involvement of charity in commerce and explores the reasons why this involvement is dramatically changing. From a perspective familiar to charity lawyers, NGO managers, and scholars, Kerry O'Halloran identifies the concepts and the law underpinning charities and their profits by tracing legal developments in the field and identifying the resulting opportunities and challenges for the future. At a time when many leading nations are confronting economic recession, the threat of terrorism, and the retreat of the 'welfare state,' this book explores why governments are turning to charities in their quest to cultivate social capital, consolidate civil society, and promote civic engagement. In The Profits of Charity, Professor O'Halloran undertakes a comparative analysis of the balance struck among government, charity, and commerce in five leading common law nations, including the United States, Canada, England andWales, New Zealand, and Australia. He uses analysis of legislation, outcomes of charity law reviews, and recent case law to illustrate jurisdictional differences, and concludes with an assessment of the extent and significance of the recalibrated relationship and considers the overarching issues that arise between charity law and social policy.

Catalog of an exhibition held at the Fine Arts Museums of San Francisco, Legion of Honor, July 9-Nov. 8, 2009, the Palm Springs Museum of Art, Jan.-Mar. 2011 and at the Museum of Contemporary Art, San Diego, Feb.-May, 2012.

Essays by Tracey Bashkoff, John Hanhardt, Frederic Tuten and Russell Ferguson.

Hans Ulrich Obrist met the old master of conceptual and media art several times, joined by, among others, the author Alejandro Cesarco. Baldessari gives insight into his multi-medial work and life. Again and again the discussion is about the interaction between text and image. He expresses himself precisely, critically and, as usual, with wit on issues such as the museum as institution, idea archives and unrealised projects, but also on his exhibitions of the past few years and retrospectives. English text.

John Baldessari, conceptual artist and teacher, has lived and worked in California all his life. Considered a pioneer of postmodern ideas in the 1970s, he came to prominence with his early text paintings and moved on to photographic images paired with text. He has maintained his interest in the relationship of words and imagery, of delighting in the absurd, and pointing out the irony in contemporary art theory for more than 35 years. Baldessari has been active as a printmaker since 1970; The Prints of John Baldessari, A Catalogue Raison marks the first comprehensive accounting of this tremendous body of work and the influence this artist has had on the international art world. AUTHORS: Sharon Coplan Hurowitz is a New York-based art consultant and prints researcher. Wendy Weitman, until 2007, was curator in the Department of Prints and Illustrated Books at The Museum of Modern Art, New York, where she had worked since 1980. In addition to curating a number of important exhibitions, Ms. Weitman has taught and lectured widely on prints in the U.S., Europe, and Japan. SELLING POINTS: The first definitive study of print work of this prolific artist's career that has spanned nearly forty years Baldessari is a recipient of the Americans for the Arts' Lifetime Achievement Award This publication features recently completed work that has never been published 195 colour & 50 b/w illustrations