Death Stalks the Fire Child is the fourth and final book of the Fire Child series. In Return of the Fire Child, T.J. grudgingly accepts his destiny as the Fire Child, protector of the Inner World, a civilization located within the core of the Earth. Along with his three teen friends, Scott, Chad and Crash, he returns to the land of his birth to battle the evil that threatens not only his world, but also the surface world where he had been raised. Pursued by a Gorgon and her legion of cats, his friends soon learn that the Inner World is a land filled with strange creatures and dangerous beasts such as the boys had never imagined. In Quest of the Fire Child, T.J. seeks to establish himself as the protector of his world and faces new dangers from ruthless men and creatures that wish to destroy him. Once again he calls upon his three friends who, along with the wolf boy, Criton, risk their lives attempting to bring peace to a world in turmoil. It is during this time that T.J. learns that Scott is his half-brother and the bond between the two boys becomes stronger than ever as they see how their fates are intertwined. Fortress of the Fire Child finds T.J. and his friends facing further dangers in the form of Aquatis, a ruthless shape shifter who once battled the Fire Childs father and who seeks revenge against the son. Intrigue also continues as Mathias, T.J.s arch enemy, reappears and attempts to regain the throne of Stonemass, the chief city of the Inner World. Additional danger ensues as an army of mercenaries attempts to attack the Fortress, the home of the Fire Child. Now in Death Stalks the Fire Child, T.J. finds himself battling enemies on two separate fronts and he must rely upon the strength of his friends and their newly acquired powers to face one enemy while he faces the other. While Scott and the others hurry to protect Stonemass from a horde of mutant lizards, T.J. travels to the swampland to face the evil Slurpus who controls Liviatin, the most powerful creature the Fire Child has ever had to face.

Drawn from personal recollections, historical records, and biographical research, Capitan Chiquito: A Personal History of an Apache Chief, 1821–1919 relates the little-known life and career of a leader of the Aravaipa band of Apaches during the late nineteenth and early twentieth centuries. During his nearly 100 years of life, Chief Capitan Chiquito spent time in prison with Geronimo; defended his home territory in Aravaipa Canyon from the depredations of Anglo-Americans, Mexicans, and rival Native American tribes; suffered the brutal massacre and abduction of many of his people; and ultimately won from the federal government the right to live on and cultivate his canyon homestead. He died in 1919 at the age of 98 from complications of influenza while caring for ill members of his clan. In the opening pages, author John Paul Hartman reminisces about some of the people he has loved—and lost—during his time on the San Carlos Reservation in southeastern Arizona. His wife, Velma Bullis, great-granddaughter of Chief Capitan Chiquito; her father, Lonnie, the chief’s grandson; and many others have preceded him through “the Western portal,” departing this life. “There is nothing for me here in San Carlos now,” he writes. “It is time for me to leave . . . But before they will let me go, I have a story to tell.” As Hartman ends this work, he explains that he undertook the research and writing about his wife’s ancestor as a means of closure for his two decades of life on the San Carlos Reservation. With the care of a historian and the dedication of an enthusiast, he has followed the trail of this notable leader, affording readers a unique view of a previously little-known yet intensely revealing historical narrative.

In Return of the Fire Child, T.J. grudgingly accepted his destiny as the Fire Child, protector of the Inner World, a civilization located within the core of the Earth. Along with his three teen friends, Scott, Chad and Crash, he returned to the land of his birth to battle the evil that threatened not only his world but also the surface world where he had been raised. Pursued by a Gorgon and her legion of cats, they quickly learned that the Inner World was a land of myth filled with strange creatures and dangerous beasts such as the boys had never imagined. In Quest of the Fire Child, T.J. sought to establish himself as the protector of his world and faced new dangers from ruthless men and creatures that wished to destroy him. Once again he must call upon his three friends who, along with the wolf boy, Criton, risk their lives attempting to bring peace to a world in turmoil. T.J. learned that his mother was still alive and he set out to rescue her from the brutish Mordraves. He also discovered that Scott is his half-brother and the bond between the two boys becomes stronger than ever before. Now, in Fortress of the Fire Child, T.J. and his friends face further danger in the form of Aquatis, a ruthless shape shifter who once battled the Fire Child's father and who now seeks revenge against the son. Intrigue continues as Mathias, the T.J.'s arch enemy, reappears and attempts to regain the throne of Stonemass, the chief city of the Inner World. Further danger ensues as an army of mercenaries march forward to attack the Fortress, home of the Fire Child, and T.J. begins to doubt his own power pitted against such formidable odds.

With political disinformation rampant and antisemitism on the rise across the world, it is vital for a healthy society to better understand both racism and the propaganda that promotes it. This study highlights the role of the feature film in promoting an ideology that supports the identification of a racial enemy that can lead to political persecution and social violence. The author presents a psychological model as an explanatory framework for understanding the emotional appeal of racist propaganda. Illustrative evidence for the psychological model will be provided primarily through three feature films made by the National Socialist (Nazi) regime in Germany (1933-1945). These films provide evidence of different ways in which film was utilized to aid in the regime’s intent to wage war against its perceived enemies. The book addresses address five major questions related to the role of propaganda in the promotion of racist ideology and social violence: 1) how can we understand the emotional basis of the ideology of racism? 2) How are these ideas translated into mass media like films, television, and the internet? 3) What is the emotional appeal of this propaganda to the committed follower and to the average citizen? 4) What is the role of propaganda in moving people from an ideology to social action including violence? 5) What might be antidotes to racist propaganda? The book will be of interest to students and researchers in film studies, history, sociology, and cultural studies, as well as specialist Jewish Studies and Holocaust Studies centers.

In this third collection of short stories, you will be introduced to characters that find themselves in unique situations. In After the Fall, Boris Pastornis army defeated the small village, but find their weapons useless against a rampant sickness. the plague will come to our island. The breeze may scoop it up and bring it here, or it may hitch a ride upon the feathers of the birds that ferry back and forth on a daily basis. You will be unable to control the breeze and you cannot kill every bird. No, the plague will visit soon enough. Perhaps even the dead themselves will bring it to you. Other tales will feature a variety of characters such as the young boy who is convinced that evil is following his family even as they move to a new town and it waits for him in a local farmers cornfield. And then there is Cameron, a product of one mans imagination who becomes all too real, and Logan, an actor who discovers that playing the role of a vampire is not as much of a fantasy as he imagines. There are also ghosts roaming these pages, and other unnatural beings waiting for you. Come, have an adventure and enjoy your visit to the supernatural.

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