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  • Book cover of Black Like Me

    THE HISTORY-MAKING CLASSIC ABOUT CROSSING THE COLOR LINE IN AMERICA'S SEGREGATED SOUTH “One of the deepest, most penetrating documents yet set down on the racial question.”—Atlanta Journal & Constitution In the Deep South of the 1950’s, a color line was etched in blood across Louisiana, Mississippi, Alabama, and Georgia. Journalist John Howard Griffin decided to cross that line. Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. What happened to John Howard Griffin—from the outside and within himself—as he made his way through the segregated Deep South is recorded in this searing work of nonfiction. His audacious, still chillingly relevant eyewitness history is a work about race and humanity every American must read.

  • Book cover of Prison of Culture
    John Griffin

     · 2011

    The companion volume to the 50th-anniversary edition of Black Like Me, this book features John Howard Griffin’s later writings on racism and spirituality. Conveying a progressive evolution in thinking, it further explores Griffin’s ethical stand in the human rights struggle and nonviolent pursuit of equality—a view he shared with greats such as Gandhi, Martin Luther King Jr., and Thomas Merton. Enlightening and forthright, this record also focuses on Griffin’s spiritual grounding in the Catholic monastic tradition, discussing the illuminating meditations on suffering and the author’s own reflections on communication, justice, and dying.

  • Book cover of Fishlight
    Cecile Pineda

     · 2001

    Told in the voice of a five-year-old girl who sees more than she understands, this novel chronicles her passage through sickness, the separation of her parents, and a maze of secret lives, all with the richness of her budding imagination.

  • Book cover of Black Like Me

    This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.

  • Book cover of Scattered Shadows

    This never before published memoir by the author of Black Like Me is an extraordinary chronicle of the triumph of the human spirit.

  • Book cover of The John Howard Griffin: Reader
  • Book cover of Follow the Ecstasy

    In 1969, one year after Thomas Merton's tragic (and suspicious) death, John Howard Griffin was invited to write a biography of America's most famous monk, a monk who strangely had become a best-selling theologian. The result was Follow the Ecstasy: The Hermitage Years of Thomas Merton (1983). Both Merton and Griffin were converts to Catholicism, and they had become fast friends during Griffin's occasional retreats to the Trappist Abbey of Gethsemani where Merton was cloistered. As Robert Bonazzi writes in his Foreword, "With natural humility and intense spirituality, they taught each other by example and silence." Merton and Griffin were both photographers as well as writers. Griffin wrote about Merton's painting and photography in A Hidden Wholeness: The Visual World of Thomas Merton (1970). They also shared a fascination with the French theologian Jacques Maritain, as well as French modernists Pierre Reverdy, George Braque, and Albert Camus. Griffin fell ill before he could finish his biography of Merton, and the mantle of official biographer passed to Michael Mott, author of The Seven Mountains of Thomas Merton, an essential compendium of the monk's life. Yet Follow the Ecstasy gets closer to the man—a portrait made by one who shared not only personal histories and interests with Merton, but an "intuitive perspective of solitude."

  • Book cover of Racial Equality
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    Studs Terkel tells us in his Foreword to the definitive Griffin Estate Edition of Black Like Me: "This is a contemporary book, you bet." Indeed, Black Like Me remains required reading in thousands of high schools and colleges for this very reason. Regardless of how much progress has been made in eliminating outright racism from American life, Black Like Me endures as a great human and humanitarian document. In our era, when "international" terrorism is most often defined in terms of a single ethnic designation and a single religion, we need to be reminded that America has been blinded by fear and racial intolerance before. As John Lennon wrote, "Living is easy with eyes closed." Black Like Me is the story of a man who opened his eyes, and helped an entire nation to do likewise.--Publisher information.

  • Book cover of The Church and the Black Man