Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).

“A moving evocation of the small-town South in the mid-twentieth century” that “belongs on the shelf with the works of Flannery O’Connor, Carson McCullers, and Eudora Welty” (Orlando Sentinel). John Kennedy Toole—who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces—wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole’s heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole’s suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication. “Heartfelt emotion, communicated in clean direct prose . . . a remarkable achievement.” —Michiko Kakutani, The New York Times “John Kennedy Toole’s tender, nostalgic side is as brilliantly effective as his corrosive satire. If you liked To Kill A Mockingbird you will love The Neon Bible.” —Florence King “Shockingly mature. . . . Even at sixteen, Toole knew that the way to write about complex emotions is to express them simply.” —Kerry Luft, Chicago Tribune

Ignatius J. Reilly of New Orleans, --selfish, domineering, deluded, tragic and larger than life-- is a noble crusader against a world of dunces. He is a modern-day Quixote beset by giants of the modern age. In magnificent revolt against the twentieth century, Ignatius propels his monstrous bulk among the flesh posts of the fallen city, documenting life on his Big Chief tablets as he goes, until his maroon-haired mother decrees that Ignatius must work.

After four decades, the peerless wit and indulgent absurdity of A Confederacy of Dunces continues to attract new readers. Though the manuscript was rejected by many publishers during John Kennedy Toole’s lifetime, his mother successfully published the book years after her son’s suicide, and it won the 1981 Pulitzer Prize for fiction. This literary underdog and comic masterpiece has sold more than two million copies in over two dozen languages. A Confederacy of Dunces features one of the most memorable protagonists in American literature, Ignatius J. Reilly, whom Walker Percy dubbed “slob extraordinaire, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one.” Set in New Orleans with a wild cast of characters including Ignatius and his mother; Miss Trixie, the octogenarian assistant accountant at Levi Pants; inept, wan Patrolman Mancuso; Darlene, the Bourbon Street stripper with a penchant for poultry; and Jones, the jivecat in space-age dark glasses, the novel serves as an outlandish but believable tribute to a city defined by its parade of eccentric denizens. The genius of A Confederacy of Dunces is reaffirmed as successive generations embrace this extravagant satire. Adulation for Toole’s comic epic remains as intense today as it was at the time of its initial publication.

" Écrit au début des années soixante par un jeune inconnu qui devait se suicider en 1969, à l'âge de trente-deux ans, parce qu'il se croyait un écrivain raté, La Conjuration des imbéciles n'a été éditée qu'en 1980. Le plus drôle dans cette histoire, pour peu qu'on goûte l'humour noir, c'est qu'aussitôt publié, le roman a connu un immense succès outre-Atlantique et s'est vu couronné en 1981 par le prestigieux prix Pulitzer. Une façon pour les Américains de démentir à retardement le pied de nez posthume que leur adressait l'écrivain, plaçant en exergue à son livre cette citation de Swift : "Quand un vrai génie apparaît en ce bas monde, on peut le reconnaître à ce signe que les imbéciles sont tous ligués contre lui." " Bernard Le Saux, Le Matin

David, el protagonista de La Biblia de neón, es un adolescente que vive en una población miserable del profundo Sur. Una Biblia de neón ilumina el cielo por las noches, y durante el día el fanatismo religioso y la malevolencia hacen estragos en la vida de los ciudadanos. El padre de David pierde su trabajo, no puede seguir pagando su contribución a la Iglesia, y esto marca el inicio de una decadencia que les convertirá en parias dentro de la pequeña comunidad. No hay muchas alegrías en la vida de David, excepto las que llegan de la mano de tía Mae, una hermana de su madre que tras una fantasmal carrera como cantante, y ya con sesenta años, escandaliza a los biempensantes con su pelo teñido de rubio, sus vestidos de colores chillones y sus decrépitos novios. Tras una decepción amorosa y un sangriento y escalofriante episodio, el joven David se apresta a una nueva vida en otros horizontes.

David is a young boy growing up in a small Southern town in the 1940s. From his porch, David can see the whole valley, including the neon Bible that lights up the sky, emblem of the God-fearing folk who snub his family because Poppa can't afford the church dues.

John Kennedy Toole, auteur de la Conjuration des imbéciles, chef-d'œuvre qui lui a valu en 1981, à titre posthume, le prix Pulitzer, a écrit la Bible de néon à l'âge de seize ans. Une voix juste, désarmante, drôle et poignante s'impose dans ce roman d'une enfance déshéritée, qui recèle une émotion venue du fond du cœur. Rien de plus authentique que ce testament d'un écrivain qui avait du génie, et dont l'œuvre et à classer aux côtes de celles de Flannery O'Connor et de Carson McCullers.

A spectacular, Pultizer Prize-winning novel by a master of comedy, beloved by readers and critics alike. The place is the French Quarter, the characters, denizens of New Orleans's lower depths.