The Tejano superstar Selena and the tango revival both in the dance clubs and on Broadway are only the most obvious symptoms of how central Latin music is to American musical life. Latino rap has brought a musical revolution, while Latin and Brazilian jazz are ever more significant on the jazz scene. With the first edition of The Latin Tinge, John Storm Roberts offered revolutionary insight into the enormous importance of Latin influences in U.S. popular music of all kinds. Now, in this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last twenty years. From the merengue wave to the great traditions of salsa and norteña music to the fusion styles of Cubop and Latin rock, Roberts provides a comprehensive review. With an update on the jazz scene and the careers of legendary musicians as well as newer bands on the circuit, the second edition of The Latin Tinge sheds new light on a rich and complex subject: the crucial contribution that Latin rhythms are making to our uniquely American idiom.

Layman's introduction to black music.

Examines in depth the long-standing influence of Latin music on jazz. Details the early influence of Latin styles on the birth of the musical form, and the continuing cross- pollination of Brazilian, Cuban, Argentinean, and Mexican music with American jazz. Profiles such key Latin jazz musicians as Tito Puente, Astrid Gilberto, Chick Corea and others, as well as Anglo and Black musicians who were deeply influenced by Latin music, such as Stan Getz and Dizzy Gillespie. Annotation copyrighted by Book News, Inc., Portland, OR

Black Music of Two Worlds is a classic text showing the vast influence of African music on musical cultures throughout the world. First published in 1972, the book forecast today's interest in world music and the cross-pollination of musical cultures. In this new edition, the author has thoroughly revisited the text, adding new information about recent musical styles. The book begins with a study of African roots, and then shows how these musics were preserved and transformed on the North American continent, in the Caribbean, and in South and Central America. It then traces the flow of musical styles back from the New World to Africa. This is the only book to show the pervasive influence of African styles on a wide variety of musics, from traditional folk and blues to jazz to salsa, calypso, reggae, and rap. Book jacket."--Jacket.

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