A “winkingly blasphemous retelling of the Old Testament” by the Nobel Prize-winning author of The Gospel According the Jesus Christ (The New Yorker). In José Saramago final novel, he daringly reimagines the characters and narratives of the Old Testament. Placing the despised murderer Cain in the role of protagonist, this epic tale ranges from the Garden of Eden, when God realizes he has forgotten to give Adam and Eve the gift of speech, to the moment when Noah’s Ark lands on the dry peak of Ararat. Condemned to wander forever after he kills his brother Abel, Cain makes his way through the world in the company of a personable donkey. He is a witness to and participant in the stories of Isaac and Abraham, the destruction of the Tower of Babel, Moses and the golden calf, and the trials of Job. Again and again, Cain encounters a God whose actions seem callous, cruel, and unjust. He confronts Him, he argues with Him. “And one thing we know for certain,” Saramago writes, “is that they continued to argue and are arguing still.” "Cain's vagabond journey builds to a stunning climax that, like the book itself, is a fitting capstone to a remarkable career."—Publishers Weekly, starred review This ebook includes a sample chapter of Jose Saramago’s Blindness.

Four years after a bizarre blindness plague hits the capital, the political arena is thrown into turmoil when election day is marked by an unprecedented turnout of blank ballots and rebellious acts that prompt a state of emergency declaration.

A chilling novel of a mysterious epidemic and a society's disintegration. What is it that makes man a social animal and where is the thin line between civilization and barbarity?

A family of Portuguese farmers struggle to survive as world events pass them by in “a novel that resounds with relevance for our own time” (New York Times Book Review). Winner of the City of Lisbon Prize Celebrated author Jose Saramago has delighted readers around the world with his imaginative tales and evocative depictions of life in his native Portugal. His novel Raised from the Ground follows the changing fortunes of the Mau Tempo family—poor landless peasants not unlike Saramago’s own grandparents. Set in Alentejo, a southern province of Portugal known for its vast agricultural estates, the novel charts the lives of the Mau Tempos as national and international events rumble on in the background—the coming of the republic in Portugal, the two world wars, and an attempt on the dictator Salazar’s life. Yet nothing really impinges on the grim reality of the farm laborers’ lives until the first communist stirrings. Raised from the Ground is Saramago’s most deeply personal novel, the book in which he found the signature style and voice that would win him the Nobel Prize in Literature.

From a Nobel Prize winner: “A psychological, even metaphysical thriller that will keep you turning the pages . . . with growing alarm and alacrity.” —The Seattle Times A Washington Post Book World Favorite Book of the Year Senhor José is a low-grade clerk in the city’s Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead him to the woman—but as he gets closer, he discovers more about her, and about himself, than he would ever have wished. The loneliness of people’s lives, the effects of chance, the discovery of love—all coalesce in this extraordinary novel that displays the power and art of José Saramago in brilliant form.

A fictional account of the life of Christ “illuminated by ferocious wit, gentle passion, and poetry”—from the Nobel Prize-winning author of Skylight (Los Angeles Times Book Review). For José Saramago, the life of Jesus Christ and the story of his Passion were things of this earth: a child crying, a gust of wind, the caress of a woman half asleep, the bleat of a goat or the bark of a dog, a prayer uttered in the grayish morning light. The Holy Family reflects the real complexities of any family, but this is realism filled with vision, dream, and omen. Saramago’s deft psychological portrait of a savior who is at once the Son of God and a young man of this earth is an expert interweaving of poetry and irony, spirituality and irreverence. The result is nothing less than a brilliant skeptic’s wry inquest into the meaning of God and of human existence. “Enough to assure [Saramago] a place in the universal library and in human memory.”—The Nation “Fiction that engages the mind as well as the spirit.”—Kirkus Reviews “Mixes magic, myth, and reality into a potent brew.”—Booklist Praise for José Saramago “The greatest writer of our time.”—Chicago Tribune “A literary master.”—The Boston Globe “Saramago is the most tender of writers . . . With a clear-eyed and compassionate acknowledgment of things as they are, and a quality that can only be termed wisdom. We should be grateful when it is handed to us in such generous measure.”—The New York Times “Saramago’s fiction operates in a realm not far from fable: the territory of Kafka, Gogol, and Borges.”—Los Angeles Times

A divorced, depressed history teacher becomes obsessed with pursuing a man who looks exactly like he did five years ago after seeing him in a video recommended by a friend.

This novel by the Nobel Prize-winning author asks what happens when the grim reaper decides to stop reaping: “A novel to die for.”—The Washington Post On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots. Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets, and contemplates her experiment: What if no one ever died again? What if she, death with a small d, were to become human and fall in love? “This novel has many pleasures.”—The New York Times “Arguably the greatest writer of our time.”—Chicago Tribune

An unassuming family struggles to keep up with the ruthless pace of progress in “a genuinely brilliant novel” from a Nobel Prize winner (Chicago Tribune). A Los Angeles Times Best Book of the Year and a New York Times Notable Book Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices. Marçal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such trip, he is told not to make any more deliveries. People prefer plastic, apparently. Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds, and Cipriano and Marta set to work—until the order is cancelled and the penniless trio must move from the village into The Center. When mysterious sounds of digging emerge from beneath their new apartment, Cipriano and Marçal investigate; what they find transforms the family’s life, in a novel that is both “irrepressibly funny” (The Christian Science Monitor) and a “triumph” (The Washington Post Book World). “The struggle of the individual against bureaucracy and anonymity is one of the great subjects of modern literature, and Saramago is often matched with Kafka as one of its premier exponents. Apt as the comparison is, it doesn’t convey the warmth and rueful human dimension of novels like Blindness and All the Names. Those qualities are particularly evident in his latest brilliant, dark allegory, which links the encroaching sterility of modern life to the parable of Plato’s cave . . . [a] remarkably generous and eloquent novel.” —Publishers Weekly Translated from the Portuguese by Margaret Jull Costa

In this richly imagined fable of love, written by a 1998 Novel Prize winner and illustrated by an award-winning artist, a man comes knocking at a king's door to petition a boat. Readers learn where he's bound and who volunteers to be on his crew. Color line art throughout.