A two-sided look at modern love-- and lust-- by two bestselling writers at the top of their form. Two rambunctious, romantic flameouts. One boring wedding. One heated embrace in a quiet coatroom. This is not exactly the recipe for true love. John and Jane's lusty encounter at a friend's wedding isn't really the beginning of anything with any weight to it; even they know that. When they manage to pull back, it occurs to them that they might start this whole thing over properly. They might try getting to know one another first, through letters. What follows is a series of traded confessions-- of their messy histories, their past errors, their big loves, their flaws, and their passions. Each love affair, confessed as honestly as possible, reveals the ways in which Jane and John have grown and changed-- or not changed-- over the years; the people they've hurt, the ones still bruised. The ones who bruised them.Where all of this soul-baring will take them is the burning question behind every letter-- a question that can only be answered when they meet again, finally, in the flesh.

The stunning conclusion to the trilogy that began with Pure, recommended by People for those who loved The Hunger Games. With his father now dead, Partridge has assumed leadership of the Dome, one of the last few refuges from the ravaged wastelands of the outside world. At first, Partridge is intent on exposing his father's lies, taking down the rigid order of the Dome, and uniting its citizens with the disfigured Wretches on the outside. But from his new position of power, things are far more complex and potentially dangerous than he could have ever imagined. On the outside, a band of survivors faces a treacherous journey to Dome. Pressia carries with her the key to salvation. If she can get it to the Dome, the Wretches could one day be healed and everyone might be able to put the horrors of the past behind them. Bradwell, the revolutionary, cannot forgive so easily. Despite Pressia's pleas, he is determined to bring down the Dome and hold its citizens accountable for leaving the rest of the world to burn. El Capitan, the former rebel leader, wants to help Pressia save as many lives as possible--but he's struggling to reconcile his newfound compassion with his vicious past. As former allies become potential enemies, the fate of the world is more uncertain than ever. Will humanity fall to destruction? Or will a new world rise from the ashes?

Bestselling author Julianna Baggott delivers her mind-bending debut short-story collection, featuring an array of genres populated by deeply human characters, and with film rights to the stories already having been sold to Netflix, Paramount, Amblin, Lionsgate, and others! In the title story, set five minutes in the future where you not only have a credit score but also a dating score, a woman who’s been banished from all dating apps attends a weekly help group with others who have been “banned for life,” and finds herself falling in love. In “Backwards,” a twist on Benjamin Button, a woman reconnects with her estranged father as he de-ages ten years each day they spend together. In “Welcome to Oxhead,” all the parents in a gated community “shut off” when the power goes out. In “Portals,” a small town deals with hope and loss when dozens of portals suddenly open. In “How They Got In,” a grieving family starts to see a murdered girl in all of their old home videos. This fantastical collection from a unique voice contains a myriad of stories of the weird and wonderful. Julianna Baggott is a talented and clever guide, and I’d Really Prefer Not to Be Here with You will take the reader on a journey unlike anything they’ve experienced.

In "The Virtual Swallows of Hog Island," a programmer finds himself working for the self-proclaimed "Bad-Boy of Virtual-Reality Therapy.” While his boss is breaking new ground and breaking the rules and his coworkers are engaging in questionable uses of the latest technology, the lonely programmer is in a state of mourning over his deep personal losses and must figure out his own form of therapy. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Truman and his twin sister, Camille, have just met their grandmother. She whispers a tale about something called the Ever Breath, an amber orb that maintains the balance between our world and a dreamy one of imagination--and evil.

West Virginia, 1924: Alma works in a hosiery mill where the percussive roar of machinery has far too long muffled the engine that is her heart. When Alma's husband decides that they should set out to find their fortune in Florida, Alma has little choice but to leave her three children and ailing mother behind. But when Alma is then abandoned at a Miami dock, she is suddenly forced to make her own way in the world. With the help of a gentle giantess and an opium-addicted prostitute, Alma reclaims her children from the orphanage and forges ahead with an altogether new sort of family. As an act of survival, she chooses to run a house of prostitution, a harvest that relies on lust and weakness in men, of which "the world has a generous, unending supply." The Madam is the story of a house of sin. It is here where Alma's children will learn everything there is to know about "love and loss, sex and betrayal." Based on the real life of the author's grandmother, The Madam is a tale of epic proportions, one that will haunt readers long after its stunning conclusion.

A mosaic of memories, the poems of This Country of Mothers recollect Julianna Baggott’s experiences as both mother and daughter. With wit, compassion, aggression, and anxiety, Baggott examines her maternal history. She recalls moments of creation and destruction in her life, times of elation and of desperation that mold her as both a woman and a poet. This affecting study of motherhood is framed in issues of Catholicism and of poetry itself, challenging and espousing the roles of both. Throughout her poems, Baggott’s personal experiences embrace universal themes to birth poems in a language and style that is both powerfully feminine and accessibly human.

Bestselling author Julianna Baggott presents the second volume in her new post-apocalyptic, dystopian thriller trilogy. We want our son returned. This girl is proof that we can save you all. If you ignore our plea, we will kill our hostages one at a time. To be a Pure is to be perfect, untouched by Detonations that scarred the earth, and sheltered inside the paradise that is the Dome. But Partridge escaped to the outside world, where Wretches struggle to survive amid smoke and ash. Now, at the command of Partridge's father, the Dome is unleashing nightmare after nightmare upon the Wretches in an effort to get him back. At Partridge's side is a small band of those united against the Dome: Lyda, the warrior; Bradwell, the revolutionary; El Capitan, the guard; and Pressia, the young woman whose mysterious past ties her to Partridge in ways she never could have imagined. Long ago a plan was hatched that could mean the earth's ultimate doom. Now only Partridge and Pressia can set things right. To save millions of innocent lives, Partridge must risk his own by returning to the Dome and facing his most terrifying challenge. And Pressia, armed only with a mysterious Black Box containing a set of cryptic clues, must travel to the very ends of the earth, to a place where no map can guide her. If they succeed, the world will be saved. But should they fail, humankind will pay a terrible price . . .

In this inventive collection, Julianna Baggott invites readers to reconsider basic assumptions about language, faith, motherhood, and love. With a sharply honed voice featuring parentheticals that often comment on and sometimes undercut what has come before, these poems whirl through contemporary America, engaging with topics as diverse and timely as Russian mail-order brides, Internet bullying, and school shootings. Alongside her cultural commentary, the speaker frankly confronts love and sex, as well as the beauty and brutality of having children. Still other poems reflect questions and considerations of faith: the speaker ponders St. Thomas in a pet store and imagines Jesus explaining to God how it feels to have a body. Baggott’s use of obsolete Old English words subverts common language and creates new ways of interrogating the world around us. There is heartache on these pages, but Baggott also offers humor, such as a complaint about a lover’s eating habits or an extended discourse on a baby’s rattle. Baggott’s latest proves to be a rollicking book sui generis.

The Miss America Family In this stunning follow-up to the acclaimed Girl Talk, a fading beauty-pageant veteran and her sixteen-year-old son team up as the delightfully nimble co-chroniclers of one family's soulful, mordantly funny remembrance of things past. With her irreverent evocation of suburban dissolution, Julianna Baggott gives us a fictional world whose emotional complexity and comedic dysfunction closely resemble our own. It's 1987 in Greenville, Delaware. Ezra Stocker is the son of an insomniac ex-Miss New Jersey named Pixie and a gay, absentee father; the stepson of an ex-quarterback dentist with a taste for turtle-patterned golf pants; and the grandson of a superstitious, stroke-addled woman with a passion for birds and some truly odd notions about fish and the family ancestry. He has created for himself a specific goal this summer vacation: to make a list of "Rules to Live By," his own set of guidelines to take him through life. A boy whose chief distinguishing traits include webbed toes and a knack for standardized aptitude tests, Ezra has no reason to expect that by the end of this particular summer, due largely to a doomed romance with a wealthy podiatrist's daughter and a fateful episode with a gun, every one of those rules will be tossed out the window. It's 1987 in Greenville, Delaware, but Pixie Stocker is consumed by the past. When she was Ezra's age, she too sought the secret rules and how-to's for negotiating life and attaining her dream of the all-American family. Pixie had found her answers in the comfortingly black-and-white strictures of Emily Post -- and later in the rigid absolutes of the beauty pageant circuit. Such certainties have long since vanished, replaced by the relentless haunting of her memory, and the ceaseless reverberations of a long-ago act of brutal violation. When Ezra's grandmother, disoriented from her stroke, reveals to her daughter an explosive and longburied family secret, she spurs Pixie toward a series of bizarre and dangerous choices in an endeavor to reclaim her tragic past and, for better or worse, start anew. In the pages of The Miss America Family Julianna Baggott creates as unique a voice -- and as idiosyncratic a sensibility -- as any novelist has managed in years, extending her range and craft with dazzling, high-wire mixtures of absurdity and pathos, hilarity and darkness.