J.M.W. Turner, James McNeill Whistler, and Claude Monet created some of the most poetic landscapes of the 19th century. This beautiful book, which accompanies a major traveling exhibition, follows the three artists from the Thames to the Seine to the Venetian lagoon and is the first to explore the relationships among their works. Friends, collaborators, and rivals, Monet and Whistler adopted and built on themes first developed by Turner, including the creation of a series of views of the same landscape under different lighting and climatic conditions. Their attempts to imitate in oil the effects that Turner had achieved in watercolor and pastel transformed their style and would prove to be highly influential. In addition, they were inspired by Turner to seek beauty in the modern urban environment. In doing so, they created visionary works that contributed to Impressionism and Symbolism, and remain among the most beloved landscapes of the 19th century.

Offering a significant review of the achievements of celebrated British artist, poet and social reformer Morris (1834-1896) that also encompasses works by Edward Burne-Jones, Dante Gabriel Rossetti, John Everett Millais, William Holman Hunt, Ford Madox Brown and other figures associated with the Arts and Crafts movement, this catalogue provides reproductions and detailed analyses of more than 200 pieces produced from the 1850s to the 1910s, including textiles, wallpaper designs, stained-glass panels, furniture, ceramics and other decorative works as well as paintings, drawings, prints and books. An overview of Morris's career and a discussion of his broad influence on Canadian art and architecture are followed by a 13-part presentation of the featured works arranged by medium, each section prefaced by a summary essay.

This illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the nature and significance of the artist's vision and its relevance to modern audiences.

Donated: The Margaret A. Bailey Art Collection.

Examine les rapports et les relations entre ces trois artistes et amis qui n'ont cessé de se mesurer l'un à l'autre dans leur quête de la représentation de la réalite moderne. Met en avant les stratégies esthétiques des uns et des autres, délaissant le réalisme le réalisme pour contribuer à l'émergence d'un paysage impressionniste et symbolique.