From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

Kenneth Clark's sweeping narrative looks at how Western Europe evolved in the wake of the collapse of the Roman Empire, to produce the ideas, books, buildings, works of art and great individuals that make up our civilisation. The author takes us from Iona in the ninth century to France in the twelfth, from Florence to Urbino, from Germany to Rome, England, Holland and America. Against these historical backgrounds he sketches an extraordinary cast of characters -- the men and women who gave new energy to civilisation and expanded our understanding of the world and of ourselves. He also highlights the works of genius they produced -- in architecture, sculpture and painting, in philosophy, poetry and music, and in science and engineering, from Raphael's School of Athens to the bridges of Brunel.

"Dr. Clark, social psychologist, college professor, a Black man who lived in Harlem for forty years and who has recently been associated with its problems from the top level of Haryou, takes the role of 'involved observer' to approach the combined problems of the confined African American and the slum. The ghetto he analyzes here is the three-and-one-half square miles containing 232, 792 people that make up Harlem (excluding Spanish Harlem). He examines its social dynamics (unemployment and menial jobs result in family instability); psychology (the Black man has a difficult time asserting his manhood in face of white supremacy); pathology--chronic, self-perpetuating (as the influence of gangs has declined, that of drug addiction has increased); schools--separate but unequal (the 'cultural deprivation approach' is seductive: if students were expected to learn and so taught they would progress); the power structure (the effective exercise of power is severely crippled by the inexperience of its own political leaders). The strategy for change must be based on the understanding that the Black America's problems are essentially American and on the empathy of outsiders. Dr. Clark tempers his aims with the re-assurance that 'in contemporary society, no one [Black] or white can be totally free of prejudice'; yet each race needs the other. Most interesting here: the insight into the psycho-social dilemmas of African Americans, the Black response to the wide spectrum of leadership embodied in Adam Clayton Powell and Dr. Martin Luther King, Jr."--Review in Kirkus, 1965 (lightly edited).

A personally compelling introduction to Leonardo's genius, a classic monograph of Leonardo's art and his development.

Kenneth Clark's sweeping narrative looks at how Western Europe evolved in the wake of the collapse of the Roman Empire, to produce the ideas, books, buildings, works of art and great individuals that make up our civilisation. The author takes us from Iona in the ninth century to France in the twelfth, from Florence to Urbino, from Germany to Rome, England, Holland and America. Against these historical backgrounds he sketches an extraordinary cast of characters -- the men and women who gave new energy to civilisation and expanded our understanding of the world and of ourselves. He also highlights the works of genius they produced -- in architecture, sculpture and painting, in philosophy, poetry and music, and in science and engineering, from Raphael's School of Athens to the bridges of Brunel.

Clark's study of Leonardo is generally considered the clearest introduction available to the work of the controversial genius. This edition contains 128 plates, integrated into the text; a revised list of dates; an updated bibliography; and a new introduction.

A history of life-giving beliefs and ideas made visible and audible through tthe medium of art___