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  • Book cover of I, Afterlife

    Poetry. Essays. Much admired by her contemporaries for her experiments in poetic form, Kristin Prevallet now turns those gifts to the most vulnerable moments of her own life, and in doing so, has produced a testament that is both disconsolate and powerful. Meditating on her father's unexplained suicide, Prevallet alternates between the clinical language of the crime report and the lyricism of the elegy. Throughout, she offers a defiant refusal of east consolations or redemptions. Driven by "the need to extend beyond the personal and out the toward the intolerable present," Prevallet brings herself and her readers to the chilling but transcendent place where, as she promises, "darkness has its own resolutions." According to Fanny Howe, here elegy and essay "converge and there is left a beautiful sense of the poetic itself as all that is left to comfort a person facing a catastrophic loss." "This is the quietest and most intimate book by one of our best poets"--Forest Gander.

  • Book cover of Shadow Evidence Intelligence

    Poetry. "Prevallet's third (and boldest) book of poems, SHADOW EVIDENCE INTELLIGENCE, is a fierce and direct confrontation of political insanity and poetic form. Drawing inspiration from the news, these poems seek to create epiphany out of the fallacious, tormented, and violent logic that is currently being used to justify war, injustice, and torture. These poems bring together multiple frames of reference that logically cannot add up to a single thought; they restore to poetry the bold experimentation of form and content necessary to imagine a saner world."--Sandy Schmitz

  • Book cover of Perturbation, My Sister

    "Perturbation, My Sister", Kristin Prevallet employed surrealist Max Ernst's notorious collage novel, The Hundred Headless Woman, to find a new work, a narrative carrying the insistence and vividness of dream without dream's privacy circumscribing it.

  • Book cover of Third Mind

    Making the connection between writing and visual art can activate what William Burroughs called "The Third Mind"--from the confluence of the two art forms, something new, or other, emerges. This new anthology of essays about the challenges and rewards of uniting art and writing not only demonstrates how visual art can spark wonderful student writing, but goes much further, offering novel insights into the creative process. The result, editors Foster and Prevallet demonstrate, produces a new spirit of collaboration, one which in turn opens up dramatic possibilities for teachers, students, and the classroom dynamic. The 20 essays in Third Mind--by teachers, poets, writers, artists, and museum educators from across the country--offer ideas on a diverse array of artistic disciplines, among them, quilt-making, Chinese calligraphy, abstract painting, and photographic portraiture. Third Mind also features 20 pages of gorgeous color plates, as well as an inspiring bibliography of works on visual art and creative writing.

  • Book cover of Highway 14
  • Book cover of Scratch Sides

    Poetry. Art. The poems in SCRATCH SIDES, which Prevallet refers to as her Image-Text Projects, address wide-ranging topics, from love and politics to chance encounters on the street. Prevallet has been contemplating these themes throughout her many years as a poet and co-editor of the literary magazine 'Apex of the M'. "Walking down the street, one inevitably encounters a wide range of passers-by. Eye contact usually results in an immediate lowering of the eyes, to assure the person with whom eye contact was made that the glance was absolutely accidental" - from "Passers-by." Accompanied by documentary style photographs as well as charts and graphs.

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    Poetry. "Kristin Prevallet has made a work of beautiful seriousness by her variation on, homage to, shadowing of, and critical intelligence about T. S. Eliot's Four Quartets. EVERYWHERE HERE AND IN BROOKLYN re-examines Eliot's premises about time, eternity, stillness, consciousness, suffering, and attentiveness while intently exploring our world today its ecological, social, and political disasters, one's sense of feeling and meaning, one's grief and hope. This is accomplished with a temperate casualness, in neighborly and local imagery, with wise aphorisms, and an overall meditative intransigence. Prevallet has accomplished something far beyond any quietist resignation or non-secular redemption. This is a moving and rich cultural intervention." Rachel Blau DuPlessis"

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    No author available

     · 2002

    Web site offers online texts of Prevallet's work as well as biographical and bibliographical notes.

  • Book cover of Trance Poetics

    Access heightened states of consciousness to enliven and expand your creative process. "Trance Poetics poses neurological frameworks for entering such mysterious realms as divine inspiration, epiphany, metaphor, free association and automatic writing. As Prevallet takes the reader on a wild brain-mapping adventure, she continuously traces a history of language that reifies the power of poetic intelligence." - Marissa Perel Trance Poetics is a magnificent guide to hidden sources of linguistic happiness. Kristin Prevallet gives inspiring, practical advice on how to invigorate one's creative practice, and how to rediscover the delight of unfettered play. This book-a magical toolkit-has the power to reawaken dormant verbal resources in all of us. Rapture and gratitude are logical responses to the gift that Trance Poetics bestows on its lucky readers. - Wayne Koestenbaum Drawing from the fields of clinical hypnosis, neuroscience, energy psychology, and poetics TRANCE POETICS: YOUR WRITING MIND will stimulate your creative and intellectual processes and give you new ways to access the images, memories, feelings, and language that lie beneath the surface of your conscious awareness. You will learn how to use your creative processes to communicate with your body to both generate creative material and move through emotional blocks. A guide into the world of poetry, language, and consciousness this book will bring a freshness and authenticity to your writing process. "Is there a more important -- or more necessary -- vocation for poets today than showing others a way to process for themselves the epiphanic possibilities of our beautiful, difficult existence? To experience these beautiful difficulties, as Kristin suggests in these pages, in ways that reconfigure one's most deeply-held beliefs regarding self and world? Trance Poetics: Your Writing Mind is more than just a navigational tool for poets; it is handbook of epiphanic possibilities for absolutely everyone interested in living fully alive." - Sharon Mesmer

  • Book cover of Songs of the Shattered World
    John T. Allen

     · 2016

    A collection of decadent poetry as seen through the eyes of Robert W. Chambers "Yellow King". The poetry of Kristin Prevallet, Eric Basso, Don Webb, Jason V Brock, Leigh Blackmore, Christina Zawadiwsky, and other inhabitants of Carcosa combine.