“Remember this night,” he said. “Mark it in your memories because tomorrow everything changes.” One starless night, a girl’s childhood was swept away by the terrors of the Khmer Rouge. Exiled from the city, she and her family were forced to live out in the open under constant surveillance. Each night, people were taken away. Caught up in a political storm which brought starvation to millions, tore families apart, and changed the world forever, she lost everyone she loved. Three decades later, Janie’s life in Montreal is unravelling. Haunted by her past, she has abandoned her husband and son and taken refuge in the home of her friend, the brilliant, troubled scientist, Hiroji Matsui. In 1970, Hiroji’s brother, James, travelled to Cambodia and fell in love. Five years later, the Khmer Rouge came to power, and James vanished. Brought together by the losses they endured, Janie and Hiroji had found solace in each another. And then, one strange day, Hiroji disappeared. Engulfed by the memories she thought she had fled, Janie must struggle to find grace in a world overshadowed by the sorrows of her past. Beautifully realized, deeply affecting, Dogs at the Perimeter evokes totalitarianism through the eyes of a little girl and draws a remarkable map of the mind’s battle with memory, loss, and the horrors of war. It confirms Madeleine Thien as one of the most gifted and powerful novelists writing today.

With delicate language and wisdom, Madeleine Thien explores the longing of families pulled apart by conflicts between generations, cultures, and values.Each of these stories captures a deeply personal world in which characters struggle to reconcile family loyalty with individual desires. In "House," a 10-year-old girl longs for the alcoholic mother who left the house one day never to return. In "Dispatch," a woman tries to hold her marriage together even after finding proof that her husband is in love with someone else. In "A Map of the City, " a young woman's troubled relationship with her father overshadows the course she takes in her adult life. Thien's fresh perspective and spare, haunting prose have already won her prizes and the praise of established masters. "Simple Recipes" is the beginning of a luminous writing career.

#1 NATIONAL BESTSELLER • WINNER OF THE GOVERNOR GENERAL'S LITERARY AWARD • FINALIST FOR THE MAN BOOKER PRIZE • SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • SHORTLISTED FOR THE CANADIAN AUTHORS ASSOCIATION AWARD FOR FICTION • SHORTLISTED FOR THE RATHBONES FOLIO PRIZE Do Not Say We Have Nothing is a breathtaking novel that tells the story of three musicians in China before, during and after the Tiananmen Square protests of 1989. With the ease and skill of a master storyteller, Thien takes us inside an extended family in China, showing us the lives of two successive generations--those who lived through Mao's Cultural Revolution in the mid-twentieth century; and the children of the survivors, who became the students protesting in Tiananmen Square in 1989, in one of the most important political moments of the past century.

Madeleine Thien’s stunning debut novel fulfills all her early promise and introduces a young novelist of vision, maturity, and style. Gail Lim, a producer of radio documentaries in present-day Vancouver, finds herself haunted by events in her parents’ past in wartorn Asia, a past which remains a mystery that fiercely grips her imagination. As a child, Gail’s father, Matthew Lim, wandered the Leila Road and the jungle fringe with his lovely Ani, a girl whose early bond with Matthew will affect his life always. As children, they found themselves together under the terrifying shadow of war in Japanese-occupied Sandakan, Malaysia. The war shatters their families and splits the two apart until years later, when they remeet only to be separated again. The legacy of their connection is later inherited by Matthew’s wife, Clara, in unexpected ways. Gail’s journey to unravel the mystery of her parents’ lives takes her to Amsterdam, where she meets the war photographer Sipke, who tells his story of Ani and their relationship, which began in Jakarta, a story that will bring Gail face to face with the complications in her own life and lead her closer to the truth. Vivid, poignant, wise, at once sweeping and intimate, Certainty is a novel about the legacies of loss, about the dislocations of war and the redemptive qualities of love. Thien reveals herself as a novelist of rare and potent talent.

From the award-winning author of Dogs at the Perimeter, a stunning debut now repackaged as a Vintage Canada trade paperback. Longing, familiarity, and hope fill the pages of this new edition of Madeleine Thien's collection of stories, which explore the subtle dimensions of personal connections and the bonds that are fraught with tension--deftly weaving in conflicts between generations and cultures. With a masterful insight into the relationships that define us, Thien creates a cast of true-to-life characters who are all looking for ways to make amends and come to terms with the events that have shaped their lives: whether a woman searching her past for the moment when her family lost faith in itself, two sisters who keep watch outside their former home in the hope that their long-absent mother will return, a wife who helps her husband grieve for the woman he has loved since childhood, or a daughter who reflects on the simple ritual she shared with her father and when her unconditional love for him was called into question. Compassionate and revealing, delicate and wise, these stories chart the uneven progress of love and expose the heartbreaking truths at the core of our closest bonds.

Named 2025's Most Anticipated Release by Toronto Star • Literary Hub • Esquire • The Washington Post • Esquire One of Electric Literature's '48 Books by Women of Color to Read in 2025'. The sublime, long-awaited, major new novel from the beloved author of the GG Award-winning, Booker Prize-shortlisted bestseller Do Not Say We Have Nothing. In "The Sea," a sprawling, mysterious building-complex that endlessly receives migrants from everywhere and seems to exist somewhere outside of normal space and time, adolescent Lina cares for her ailing father. Having landed at The Sea with only what could be carried by hand, Lina grows up with nothing but a trio of books to read—three volumes in a series about the lives of famous "voyagers" of the past. Soon, however, she discovers three eccentric neighbours in the building who have stories of their own to share. These neighbours are Bento (who bears an uncanny resemblance to Baruch Spinoza), a Jewish scholar in seventeenth-century Amsterdam who was excommunicated for his radical thought; Blucher (whose life mirrors Hannah Arendt), a philosopher whose academic promise in 1930s Germany became a quest to survive Nazi persecution; and Jupiter (or shades of Du Fu), a poet of Tang Dynasty China whose brilliance went unrecognised by the state, and whose dependence on fickle patrons barely sustained him while lesser artists thrived. As she grows up in the building, Lina spends many hours listening to the fascinating tales of these friends. But it is only when she is finally told her father’s account of how the two of them came to reside in The Sea that she truly understands the unbearable cost of betrayal in her own life. And the combined force of these stories soon sets her on her own path into the unknown future. An adventurous, voyaging novel in which time occupies space uniquely, The Book of Records holds a mirror to the idea of fate in history, interrogates questions of legacy, explores how the political factors of a collective moment may determine an individual's future, and beautifully shows the infinite joys of art and intellectual endeavour. This is the great novelist Madeleine Thien at her most remarkable, exciting, engrossing, and enriching.

From the award-winning Canadian novelist Madeleine Thien comes a powerful and starkly beautiful novel about Cambodia - an extraordinary act of empathy for those who suffered under the Khmer Rouge.

From Canada's global cities to its Arctic Circle - from the country's ongoing story of civil rights movements to languages under pressure - the writers in this issue upend the ways we imagine land, reconciliation, truth and belonging, revealing the histories of a nation's future. Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chlo Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavongsa, Larry Tremblay. Guest-edited by Catherine Leroux and Madeleine Thein: Catherine Leroux is a novelist, translator and journalist. Le mur mitoyen won the 2014 France-Quebec Prize and its English translation, The Party Wall, was nominated for the Giller Prize in 2016. Madeleine Thien is the author of the story collection Simple Recipes, and three novels, including Certainty and Dogs at the Perimeter. Her most recent book, Do Not Say We Have Nothing, was shortlisted for the Man Booker Prize, won the Scotiabank Giller Prize and the Governor-General's Literary Award for Fiction.

A vital collection of essays on the power of literature and the craft of writing from an international array of writers of color, sharing the experiences, cultural traditions, and convictions that have shaped them and their work “Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once.”—Laila Lalami, author of Conditional Citizens Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. Featuring: • Taymour Soomro on resisting rigid stories about who you are • Madeleine Thien on how writing builds the room in which it can exist • Amitava Kumar on why authenticity isn’t a license we carry in our wallets • Tahmima Anam on giving herself permission to be funny • Ingrid Rojas Contreras on the bodily challenge of writing about trauma • Zeyn Joukhadar on queering English and the power of refusing to translate ourselves • Myriam Gurba on the empowering circle of Latina writers she works within • Kiese Laymon on hearing that no one wants to read the story that you want to write • Mohammed Hanif on the censorship he experienced at the hands of political authorities • Deepa Anappara on writing even through conditions that impede the creation of art • Plus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, and Sharlene Teo The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.