A rebel and feminist, the Switzerland-born Miriam Cahn is one of the major artists of her generation. Widely known for her drawings and paintings, she also experiments with photography, moving images, sculptures, and performance art. Cahn’s diverse body of work is disturbing and dreamlike, filled with striking human figures pulsing with an energy both passionate and violent. These pieces, along with Cahn’s reflections on artistic expression, have always responded to her contemporary moment. In the 1980s, her work addressed the feminist, peace, and environmental movements, while the work she produced in the 1990s and early 2000s contains allusions to the war in the former Yugoslavia, the conflict in the Middle East, and the September 11 terrorist attacks. Her recent production tackles ever-evolving political conflicts, engaging with the European refugee crisis and the “#metoo” movement. Miriam Cahn: I as Human examines different facets of the artist’s prolific and troubling oeuvre, featuring contributions from art historians, critics, and philosophers including Kathleen Bühler, Paul B. Preciado, Elisabeth Lebovici, Adam Szymczyk, Natalia Sielewicz and .

Themes of exile and alienation in the early work of Soutine Inspired by Rembrandt, Chardin and Courbet, Chaïm Soutine forged a new Expressionist idiom that bridged art history and modernity in its articulation of human vulnerability and existence on society's margins. His impasto portraits, executed in broad brushstrokes, his agitated, frenetic landscapes and his famous paintings of slaughtered animals all express, in vivid colors, an intense hunger for life and profound alienation in an uncertain world. Despite the recognition his work received, Soutine remained an outsider throughout his life, a stranger to the social manners of his adopted home in France. This catalog focuses on his early masterpieces and series created between 1919 and 1925. Addressing the overarching theme of emigration and dislocation, essays reveal the traces of Soutine's Jewish origins in his work; illuminate the significance of his motifs and the metaphorical resonances of his animal carcasses; and show the influences of Soutine's art up to the present day. Chaïm Soutine (1893-1943) grew up in a shtetl near Minsk. In 1913 he arrived in Paris and moved into the legendary artist residence La Ruche (the Beehive), working alongside artists such as Chagall and Modigliani. Fleeing the Nazis, he died in 1943. His work has proved enduringly influential for artists such as de Kooning, Pollock, Bacon and Dubuffet.