Offers a cross section of international fringe cinema.

Dusk Stories is here! In Trade Size! 14 tales to entice and excite! First follow the tale of a samurai on the path of blood! Then watch a brother get revenge on . . . death and the devil And many more! Also includes some artist renditions of scenes for your enjoyment! They are yours to enjoy!

Cultural sensibilities about tattooing are discussed within historical context and in relation to broader trends in body modification, such as cosmetic surgery, dieting, and piercing.

For many, Blue Velvet is David Lynch's masterpiece. It represents a unique act of cinema: an 80s Hollywood studio film as radical, visionary and cabalistic as anything found in the avant-garde; a mysteriously symbolic and subterranean 'cult' movie that nevertheless has recognisable stars and was broadly distributed; a genre piece with the ambience of a fearsome, hyper-composed nightmare; an American 'art film' by Hollywood's only reputable 'art film' director. Michael Atkinson's intricate and layered reading of the film shows how crystallises many of Lynch's chief preoccupations: the evil and violence underlying the surface of suburbia, the seedy by-ways of sexuality, the frightening appearance of the adult world to a child's eyes, presenting it as the definitive expression of the traumatized innocence which characterizes Lynch's work. In his afterword to this new edition, Atkinson situates Blue Velvet within a culture that has changed drastically in the 35 years since its release, and in doing so, he considers the film's lasting significance as it slowly turns from contemporary phenomenon to an interpretable artifact.

Many myths surround male bodies and associated bodywork, especially when such bodywork is labelled culturally or socially atypical or 'problematic'. Bodybuilding, for example, has been explained in terms of gender inadequacy and an 'Adonis complex' akin to reverse anorexia, while men electing to undergo aesthetic cosmetic surgery are deemed 'too concerned' about their appearance and thus woman-like. Myths also discredit men and boys who do not engage in appropriate bodywork when this is expected. For instance, amidst public health concerns surrounding a so-called 'obesity epidemic', men and boys who resist physical activity and/or attempts to promote a 'healthy weight' are deemed ignorant, apathetic and in need of correction. Drawing on extensive field research conducted in North America and Britain over a twenty year period, this book challenges such masculine myth making. Mindful of a rich sociological tradition that seeks to understand the social world as lived and experienced, the authors provide insights that are likely to challenge common perceptions of various groups of men and boys, their diverse physical cultures, shared ways of being and identities. Presenting empirically grounded understandings of diverse bodily practices and discourses including bodybuilding, cosmetic surgery, dieting and nightclub security, Challenging Myths of Masculinity will appeal to scholars of sociology, geography and cultural studies, with interests in gender, embodiment and masculinities.

A friend named Jay is a book about a young male, who has become a vile product of his sordid surroundings. The once kind, caring, and loving Michael has finally succumbed to the drugs that surround his grotesque world, and is losing himself within. Alone again, Michael sees an incongruous cloud floating out of the sky toward him. He then meets a stranger with an unshaved face and long hair. Since then, things just have not been the same.

Anthony, on his way from basketball practice with his team mates, is left alone as usual. Not that he minds, he loves his esoteric world. Not tonight, though. He hears sounds emanating from one of Brooklyns sordid alleys, and with nothing better to do, he foolishly goes in to investigate. Now Anthony fi nds himself a witness to . . . He later fi nds out that the victim is an important man, from Washington. The icing on the cake, is that the man he saw committing the violent crime in the alley, is now looking for him, and wants him to be his next victim/trophy. Everyone is in the loop, but not Lorraine. What scares her the most, is that Anthony, her friend from childhood, is acting weird, and looking even worse. An ex-convict, and the nephew of the President of the US of A, Ed is now relishing his new life as a member of the NYPD. His hedonistic mission in life has now changed course, and Ed reluctantly has to use the little police prowess he has to fi nd the witness to his crime. This story is about Brooklyn New York, where two innocent budding high school basketball stars, have to endure the vile and grime that

"What a helpful book! This will be a ′friend ′ to many undergraduate students looking for clarification." - Helen Hazelwood, St Mary′s University College "This is a great book that really helps the students understand research and the complex processes that can often daunt even the most intelligent students." - Phil Barter, Middlesex University "Few can bring research methods to life like Mike Atkinson. His breadth of research interests and experience mean he can introduce you to all you need to know and inspire you to get down to doing some research yourself." - Dominic Malcolm, Loughborough University This book systematically demonstrates the significance and application of research methods in plain language. Written for students, it contains the core methodological concepts, practices and debates they need to understand and apply research methods within the field of sport and exercise. It provides a comprehensive panoramic introduction which will reassure and empower students. Written by a leading academic and drawing on years of teaching experience, it includes carefully cross-referenced entries which critically engage with interdisciplinary themes and data. Each concept includes: clear definitions suggestions for further reading comprehensive examples practical applications Pragmatic, lucid and concise the book will provide essential support to students in sports studies, sport development, sport and exercise science, kinesiology and health.

Screening the Nonhuman draws connections between how animals represented on screen translate into reality. In doing so, the book demonstrates that consuming media is not a neutral act but rather a political one. The images humans consume have real world consequences for how animals are treated as actors, as pets, and in nature. The contributors propose that altering the representations of animals can change the way humans relate to non/humans. Our hope is for humans to generate more ethical relationships with non/humans, ultimately mediating reality both in terms of fiction and non-fiction. To achieve this end, film, television, advertisements, and social media are analyzed through an intersectional lens. But the book doesn’t stop here. Each author creates counter-representational strategies that promise to unweave the assumptions that have led to the mistreatment of humans and non/humans alike.