Reissued with a new preface by the author on the fiftieth anniversary of the Apollo 11 journey to the moon The years that have passed since Neil Armstrong, Buzz Aldrin, and Michael Collins piloted the Apollo 11 spacecraft to the moon in July 1969 have done nothing to alter the fundamental wonder of the event: man reaching the moon remains one of the great events—technical and spiritual—of our lifetime. In Carrying the Fire, Collins conveys, in a very personal way, the drama, beauty, and humor of that adventure. He also traces his development from his first flight experiences in the Air Force, through his days as a test pilot, to his Apollo 11 space walk, presenting an evocative picture of the joys of flight as well as a new perspective on time, light, and movement from someone who has seen the fragile earth from the other side of the moon.

In this book, Francis Costello allows Michael Collins to speak in his own words. He traces Collins' career from his schooldays to his tragic death at the age of 31, through a series of edited extracts from Collins' writings, speeches, letters and memoranda.

Based on the adult bestseller Carrying the Fire In time for the 50th anniversary of man's first landing on the moon, this re-release of Michael Collins's autobiography is a bold, sparkling testament to exploration and perseverance. In this captivating account, space traveler Collins recalls his early days as an Air Force test pilot, his training at NASA, and his unparalleled experiences in orbit, including the Apollo 11 mission, the first manned lunar landing. The final chapter to this autobiography is an exciting and convincing argument in favor of mankind's continued exploration of our universe. Originally published in 1976 and updated for this new edition, including an introduction from astronaut Scott Kelly, Collins's voice and message are sure to resonate with a new generation of readers.

Collins became the first commander-in-chief of the Irish Army while still in his twenties. This book--published to coincide with the release of the film The Big Fellow, based on Collins' life, starring Liam Neeson and Julia Roberts--contains 30 of Collins' articles and speeches in which he evaluates Ireland's heritage and charts its future.

It looked for a while like Michael Collins would spend his life breaking concrete and throwing rocks for the Vittorio Scalese Construction Company. He liked the work and he liked the pay. But a chance remark by one of his coworkers made him realize that he wanted to involve himself in something bigger, something more meaningful than crushing rocks and drinking beer. In his acclaimed first memoir, Hot Lights, Cold Steel, Collins wrote passionately about his four-year surgical residency at the prestigious Mayo Clinic. Blue Collar, Blue Scrubs turns back the clock, taking readers from his days as a construction worker to his entry into medical school, expertly infusing his journey to become a doctor with humanity, compassion and humor. From the first time he delivers a baby to being surrounded by death and pain on a daily basis, Collins compellingly writes about how medicine makes him confront, in a very deep and personal way, the nature of God and suffering—and how delicate life can be.

The last of a manufacturing dynasty in a dying industrial town, Bill lives alone in the family mansion and works for the Truth, the moribund local paper. He yearns to write long philosophical pieces about the American dream gone sour, not the flaccid write-ups of bake-off contests demanded by the Truth. Then, old man Lawton goes missing, and suspicion fixes on his son, Ronny. Paradoxically, the specter of violent death breathes new life into the town. For Bill, a deeper and more disturbing involvement with the Lawtons ensues. The Lawton murder and the obsessions it awakes in the town come to symbolize the mood of a nation on the edge. Compulsively readable, The Keepers of Truth startles both with its insights and with Collins's powerful, incisive writing.

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For Robert Pendleton, a professor clinging to tenure and living in the shambles of his once-bright literary career, death seems to be the only remaining option. But his suicide attempt fails, halted at the last moment by the intervention of Adi Wiltshire, a graduate student battling her own demons of failure and thwarted ambition. During Pendleton's long convalescence, Adi discovers a novel hidden in his basement: a brilliant, semi-autobiographical story with a gruesome child-murder at its core. The publication of Scream causes a storm of publicity: a whirlwind into which Adi, Horowitz and the still-incapacitated Pendleton are thrust. The novel is treated as an existential masterpiece and looks set to bring its author the success he's always sought – when, ironically, he is no longer in a condition to appreciate it – until questions begin to be asked about its content: in particular about the uncanny resemblance between Pendleton's fictional crime and a real-life, unresolved local murder. Enter Jon Ryder, a world-weary detective who could have walked off the pages of a police thriller, and the hunt for the murderer is on.