'One of the best books in years of an artist’s writings: elegant, pithy and full of insights' — Sir Nicholas Serota, Director, Tate Celebrated artist and influential teacher Michael Craig-Martin’s first book is a lively mix of reminiscence, personal manifesto, anecdote and advice for the aspiring artist. Craig-Martin's life has been as colourful and varied as his distinctive work. From an early childhood that took him from wartime Dublin to postwar Washington D.C. and Bogotà, and student life in New York and at Yale University, he has gone on to enjoy a successful international career, feted around the world with major exhibitions, high-profile commissions and numerous honours. In On Being An Artist, Craig-Martin reflects with both wit and candour on the many people, ideas and events that have shaped his professional life. In a series of short and entertaining episodes, he recounts his time studying under the influence of legendary artist Josef Albers at Yale University School of Art alongside Chuck Close, Richard Serra and other soon-to-be-famous radicals; his memories of meeting personal heroes such as Andy Warhol, Jasper Johns and John Cage for the time; his efforts to explain his art to a bewildered astrophysicist at high table at King's College, Cambridge; his astonishment at seeing the house and art collection of Charles Saatchi for the first time; and his surreal experience of staking out Christine Keeler at the height of the Profumo scandal. He recalls, too, his first tentative steps as a practising artist and emergence as a key figure of early conceptual art in Britain. He also looks back on his achievements as a teacher at Goldsmiths, where he nurtured two generations of students, among them Damien Hirst and Sarah Lucas, earning himself the sobriquet 'the godfather of the YBAs'. As he considers the development of his own career and the evolution of the art world over the last half century, he offers the benefit of insights gained from his professional highs and lows, revealing the essential attributes and knowledge that one needs as an artist today. He also tackles controversial issues such as the fashionability of contemporary art, the enduring status of painting, the relevance of life drawing and practical skills, the qualities of art schools, the role of commercial dealers, the importance of speaking clearly about art, and the judgment of what is good and bad in art. More than the life of one of the most creative minds of our age, On Being An Artist provides lesson after valuable lesson to anyone wishing to know what it means and what it takes to be an artist today.

Published to accompany an exhibition held at Irish Museum of Modern Art, Dublin, 4 October 2006 - 14 January 2007.

Accompanied exhibition at Whitechapel Art Gallery, London, 10 Nov 1989 - 7 Jan 1990.

Agnes Strickland (1796–1874) and her sister Elizabeth collaborated on many biographical projects. They were pioneering historical biographers and key figures in the development of women's history. Writing from a female perspective, they included coverage of domestic matters that male historians had previously ignored. Although much of the work is Elizabeth's, she preferred to avoid publicity and her sister Agnes appeared as the sole author. This eight-volume series (originally published between 1850 and 1859) was the sequel to their hugely popular Lives of the Queens of England and allowed Agnes to indulge her passionate interest in Mary, Queen of Scots, to whom five volumes are devoted. Volume 2 (1851) continues the account of Mary of Lorraine and moves on to her sister-in-law Lady Margaret Douglas, Countess of Lennox. Thoroughly researched and referenced, it describes both the personal and political aspects of their lives.

Craig-Martin is one of the most influential artists of the contemporary times, as a key figure in appropriation as art, and as a teacher and prime figure behind the international success of the Young British Artists generation. This work is published to accompany the exhibition Arp - Craig-Martin - Arp at Arp Museum, Bahnhof Rolandseck.

Published on the occasion of ‘Relics’, Hirst’s first retrospective exhibition in Doha, Qatar, this illustrated book offers a different perspective on the work of one of the best-known artists working today. Tracing Hirst’s career from his emergence on the art scene in the Young British Artists movement to his present status as one of the most controversial and highly regarded artists of his generation, the catalog gathers over one hundred works, combining historic oeuvres with more recent projects: from ‘The Kingdom’ to The ‘history of pain’, from ‘Pharmacy to For the Love of God’, to the spot, spin and butterfly paintings.0Exhibition: Quatar Museum, Doha, Quatar (10.10.2013-22.01.2014).