Investigative journalist Michael Gross delves into the history of models and takes us into the private studios and hidden villas where models play and are preyed upon, going beyond modeling’s carefully constructed facade of glamour to expose the scandal and untold truths that permeate the seemingly glamorous business. Here for the first time is the complete story of the international model business—and its evil twin: legalized flesh peddling. It’s a tale of vast sums of money, rape both symbolic and of the flesh, sex and drugs, obsession and tragic death. At its heart is the most unholy combination in commerce: beautiful, young women and rich, lascivious men. Fashion insider Michael Gross has interviewed modeling’s pioneers, survivors, and hangers–on, and he tells the story of the greats: Lisa Fonssagrives; Anita Colby, Candy Jones; Dorian Leigh and her sister Suzy Parker; Jean Shrimpton and Twiggy; Veruschka and Lauren Hutton; and today’s supermodel trinity, Christy, Naomi and Linda.

“Michael Gross’s new book…packs [in] almost as many stories as there are apartments in the building. The Jackie Collins of real estate likes to map expressions of power, money and ego… Even more crammed with billionaires and their exploits than 740 Park” (Penelope Green, The New York Times). With two concierge-staffed lobbies, a walnut-lined library, a lavish screening room, a private sixty-seat restaurant offering residents room service, a health club complete with a seventy-foot swimming pool, penthouses that cost almost $100 million, and a tenant roster that’s a roll call of business page heroes and villains, Fifteen Central Park West is the most outrageously successful, insanely expensive, titanically tycoon-stuffed real estate development of the twenty-first century. In this “stunning” (CNN) and “deliciously detailed” (Booklist, starred review) New York Times bestseller, journalist Michael Gross turns his gimlet eye on the new-money wonderland that’s sprung up on the southwest rim of Central Park. Mixing an absorbing business epic with hilarious social comedy, Gross “takes another gossip-laden bite out of the upper crust” (Sam Roberts, The New York Times), which includes Denzel Washington, Sting, Norman Lear, top executives, and Russian and Chinese oligarchs, to name a few. And he recounts the legendary building’s inspired genesis, costly construction, and the flashy international lifestyle it has brought to a once benighted and socially déclassé Manhattan neighborhood. More than just an apartment building, 15CPW represents a massive paradigm shift in the lifestyle of New York’s rich and famous—and is a bellwether of the city’s changing social and financial landscape.

Fifteen families. Four hundred years. The complex saga of the White Anglo-Saxon Protestant elite in America’s history. For decades, writers from Cleveland Amory to Joseph Alsop to the editors of Politico have proclaimed the diminishment of the White Anglo-Saxon Protestants, who for generations were the dominant socio-cultural-political force in America. While the WASP elite has, in the last half century, indeed drifted from American centrality to the periphery, its relevance and impact remain, as Michael Gross reveals in his compelling chronicle. From Colonial America’s founding settlements through the Gilded Age to the present day, Gross traces the complex legacy of American WASPs—their profound accomplishments and egregious failures—through the lives of fifteen influential individuals and their very privileged, sometimes intermarried families. As the Bradford, Randolph, Morris, Biddle, Sanford, Peabody and Whitney clans progress, prosper and periodically stumble, defining aspects in the four-century sweep of American history emerge: our wide, oft-contentious religious diversity; the deep scars of slavery, genocide, and intolerance; the creation and sometime mis-use of astonishing economic and political power; an enduring belief in the future; an instinct to offset inequity with philanthropy; an equal capacity for irresponsible, sometimes wanton, behavior. “American society was supposed to be different,” writes Gross, “but for most of our history we have had a patriciate, an aristocracy, a hereditary oligarchic upper class, who initiated the American national experiment.” In previous acclaimed books such as 740 Park and Rogues’ Gallery, Gross has explored elite culture in microcosm; expanding the canvas, Flight of the WASP chronicles it across four centuries and fifteen generations in an ambitious and consequential contribution to American history.

Can life exist in the Antarctic ice, in the deep subsurface, in dilute sulfuric acid, in hot springs-even on Mars? What degree of high or low temperature, pressure, or salt concentration can living cells tolerate? In recent years, scientists have discovered many single-cell creatures that exist in-in fact, are perfectly adapted to-extreme environments that were considered uninhabitable just one or two decades ago. In Life on the Edge, author Michael Gross explores how microorganisms adapt to their hostile environments and how they affect our current definition of the "normal" conditions for life. He also describes the vast implications of these extremophiles and other amazing creatures-from potential breakthroughs in medicine and biotechnology to the search for life elsewhere in the universe.

Fashion photographers sold not only clothes but ideals of beauty and visions of perfect lives. Gross provides a rollicking account of fashion photography's golden age-- the wild genius, ego, passion, and antics of the men (and a few women) behind the camera, from the postwar covers of Vogue to the triumph of the digital image. He takes you behind the scene of revolutionary creative processes-- and the private passions-- of these visionary magicians.

A compelling call to action to focus on what connects us in nature to solve today's problems. In nature, everything is connected: from microscopic bacteria and soaring trees to animals struggling for survival amid thriving humanity. Yet many of today's toughest problems, from environmental destruction to divisive politics, stem from fundamental disconnections. In Intertwined, science writer Michael Gross explains how the natural world can be a powerful reminder of our interdependence. Using examples based on recent scientific discoveries across a broad range of ecosystems and species, Gross shares important—and often surprising—stories about the sophisticated web of connections in nature. From plant cooperation to turtle communication, he highlights crucial lessons we can apply to solve complex problems caused by human disturbances to these connections. Gross provides ample evidence of the far-reaching impacts of both natural and anthropogenic phenomena, from coevolution and nutrient cycles to species domestication and extinction. We live in a complex world endangered by simplistic thinking, as the escalating climate crisis and loss of biodiversity demonstrate. To address these issues, we must recognize the wonder and ubiquity of the self-regulating network that enables life on Earth. These thought-provoking stories from nature illustrate why it is so vital to respect and protect the connections that tie us to our world and each other.

We are living in days when, as Mike Breen says, we are in a "discipleship crisis...in the Western Church." George Barna's studies have shown that there is currently no discernible difference between the lifestyles of many believers and non-believers. This is the reason for this book: to help you fulfill Jesus' command to "make disciples." The book is helpful in (at least) two ways. First, the believer can and will grow spiritually by taking on the sessions, one at a time, to learn what it means to follow Jesus. These sessions are meant to be nothing less than opportunities for an encounter with the living Lord Himself. You can begin to monitor your own spiritual progress as Christ and His Book become more meaningful to you day by day. Secondly, the book is a guide to help a disciple-maker take a disciple through it step-by-step, so that together they can work through the stages of follow-up and the beginnings of discipleship. As Josh Hunt, a leading guru of the micro-church, says of the book, "This book will take you step-by-step in laying the foundation every Christian needs to live a fruitful, abundant Christian life." Special attention is given to having assurance at three levels: Promise-Assurance from the guarantees of God's Word, Proof-Assurance from the evidences salvation gives in your life, and Personal Assurance from the Holy Spirit. Author Bio: Dr. Edward Michael Gross is President of Vanguard Global Network, a pastoral training mission in Columbia, SC which helps to equip the world's churches to fulfill the Great Commission in disciple-making. Ed was a pastor for 22 years, and has served in world missions for the last 15 years. Ed is married to Maxine; they have 6 grown children, and 11 grandchildren. The Grosses live in Lexington, SC. keywords: Church Growth, Spiritual Growth, Discipleship, Bible Study, Attributes Of God, Holy Spirit, Prayer, Evangelism, Church Leadership, Church Workbook

“Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation.