The work of Yves Velter (°1967, Ostend) deals with questions that lack answers, fear that masks desires, words that fail to communicate. Anonymous personae are placed in a timeless environment, the silhouette of their faces erased and replaced by materials linked to a certain symbolism. Through these metaphors, Yves Velter creates image codes that communicate the expressiveness of the unreadable.0What prevails for the viewer is an overall sense of unease, incited by Velter?s ability to unveil what we all feel but do not dare to recon. Not in search of answers through the medium of art, Velter finds meaning in the unresolved question.

Delvoye, Wim ; Uytterhaegen, Frank ; Weiwei, Ai.

Ostend and James Ensor are inextricably linked. Ensor loved Ostend: the city served as his muse and inexhaustible source of inspiration. He loved it for its crowds, the tempestuous North Sea, the carnival that painted the streets in festive colours each year. The name of the painter Léon Spillaert, twenty years his junior, is also connected with this Queen of Seaside Resorts. His nocturnal rambles through the city and long walks along the beach spurred him to create his best works, dark and suffused with mystery. Although Ensor and Spilliaert were very different as artists, their names are often mentioned in the same breath. In Two Masters of Ostend, the museum aims, above all, to allow the masterworks that are the highlights of its collection to speak for themselves. Exhibition: Mu.Zee, Ostend, Belgium (30.04.2016 - ).