This edition provides up-to-date information on the latest techniques and advances in neuro-opthalmology. New chapters include: principles and techniques of the examination of visual sensory system; traumatic optic neuropathies; complications of cancer chemotherapy; and degenerative diseases.

As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical expression, scoring, voice-over narration, and ambient noise affect identity formation and subjectivity. Lowering the Boom also analyzes how shifting modulation of the spoken word in cinema results in variations in audience interpretation. Introducing new methods of thinking about the interaction of sound and music in films, this volume also details avant-garde film sound, which is characterized by a distinct break from the narratively based sound practices of mainstream cinema. This interdisciplinary, global approach to the theory and history of film sound opens the eyes and ears of film scholars, practitioners, and students to film's true audio-visual nature. Contributors are Jay Beck, John Belton, Clark Farmer, Paul Grainge, Tony Grajeda, David T. Johnson, Anahid Kassabian, David Laderman, James Lastra, Arnt Maasø, Matthew Malsky, Barry Mauer, Robert Miklitsch, Nancy Newman, Melissa Ragona, Petr Szczepanik, Paul Théberge, and Debra White-Stanley.

A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life. In Good Music for a Free People, author Nancy Newman examines the activities and reception of the Germania Musical Society, an orchestra whose members emigrated from Berlin during the Revolutions of 1848. These two dozen "Forty-Eighters" gave nearly a thousand concerts in North America during the ensuing six-year period, possibly reaching a million listeners. Drawing on a memoir by member Henry Albrecht, Newman provides insights into the musicians'desire to bring their music to the audiences of a democratic republic at this turbulent time. Eager to avoid the egotism and self-promotion of the European patronage system, they pledged to work for their mutual interests both musically and socially. "One for all, and all for one" became their motto. Originally published in German, Albrecht's memoir is presented here in for the first time in translation. Nancy Newman is Associate Professor in the Music Department at the University at Albany, SUNY.

Unfelt emotions from our childhood, past life trauma and our lack of self-worth affects our emotional and physical health and holds us back in life. Through reminders and exercises, Nancy Newman shows you how to be authentic, restore your self-worth and heal past wounds to create a positive, fulfilled and healthy life for yourself. Hypnotherapist and teacher to youth prison inmates, Newman will show you how to gain a new respect for yourself.

Upstate New York's Anti-Rent Movement is considered the last struggle over feudalism in the United States. Tenant farmers in the Hudson-Mohawk region engaged in organized protest throughout the 1840s to contest monopoly ownership of the land they worked. Arguing their cause in newspapers, on broadsides, and at rallies, their aspirations also took shape in poetry and song. More than twenty sets of lyrics (and one instrumental composition) were written at various stages of the conflict. Some of their musical sources, such as "Old Dan Tucker" and "Bruce's Address," are still well known. Each fully contextualized song offers insight into the role vernacular music played in one of the nineteenth century’s major social reform movements. This is the first book to gather the poetry and corresponding tunes into one publication. It provides detailed analysis of the repertory, followed by new musical scores of the songs, reconstructed from contemporary historical sources for study and performance. It also examines the movement’s later dramatization in novels, film, and public commemorations as successive generations grapple with its meaning.

On the eve of her thirty-fifth birthday, Sarah Bridges, despite her wonderful career and romance, begins to feel that something is missing and embarks on an odyssey through New York City in search of her birth mother.

This new brief, thematic reader helps students add depth and interest to their writing by showing them how to "transend" the personal essay to produce more thoughtful, scholarly papers. The readings in each chapter move from personal to professional to academic essays, engaging students in deeper levels of inquiry and encouraging their own writing of argumentative, and documented essays. Centered around compelling contemporary themes, each chapter begins with works drawn from popular magazines like Glamour, Harpers, and online publications such as Salon followed by selections drawn from sources like Discover and Scientific American that provide more detailed information, alternate perspectives, and research. The final reading in each chapter comes from scholarly or near-scholarly writing that provides direction for student research. Visuals in each chapter allow students to analyze the persuasive power of images and their role in supporting and directing contemporary culture.

Abstract.