"Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and London in the later nineteenth century."--BOOK JACKET.

"James Tissot (1836-1902), the wry and urbane observer of manners and fashions, painted scenes from the life of "society" that simmer with undercurrents of sexual drama. This book presents nearly a hundred paintings, prints, and watercolors from every phase of Tissot's career, including such signature paintings as The Ball on Shipboard, Hush! (The Concert), and London Visitors." "Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and London in the later nineteenth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

London was the quintessential modern city of the 19th century, and its artists were the first to rise to the challenge of depicting the many facets of this new world. From the 1850s to 1900, the city underwent vast changes, resulting in rapid urbanization, a dramatic increase in population, and the creation of dramatic contrasts between the "gold" of its wealth and splendor and the "mud" of its squalor and poverty. Artists sought to make sense of this novel and exciting--but often bewildering--environment in images not only of the pageantry, parks, and rituals of the city but also of its newly visible street types: minstrels and chimney sweeps, street urchins, shoe-black boys, and flower girls. City of Gold and Mud raises questions about the Victorian metropole in terms of how these popular paintings of modern life portrayed national and imperial identities; relationships of race, class, and gender; and the values, desires, and fears of their makers and users. Nancy Rose Marshall draws on artists' writings, arts criticism, popular poetry, news reports, cartoons, tourist guides, religious tracts, and more to paint a vivid and multifaceted picture of London during this critical time in its economic and artistic development.