This dazzling introductory textbook encompasses the full range of today's important renewable energy technologies. Solar thermal, photovoltaic, wind, hydro, biomass and geothermal energy receive balanced treatment with one exciting and informative chapter devoted to each. As well as a complete overview of these state-of-the-art technologies, the chapters provide: clear analysis on their development potentials; an evaluation of the economic aspects involved; concrete guidance for practical implementation; how to reduce your own energy waste. If we do not act now to stop climate change, the consequences will be catastrophic. The current world situation is demonstrated here with the aid of full-colour figures and photographs, data diagrams and simple calculations and results. A multiplicity of impressive examples from countries across the globe show international 'alternative' energy in action. With its easy-to-read approach, this is an essential textbook for students on renewable energy courses, also environment and sustainability courses. Planners, operators, financers and consultants will find this an excellent manual for planning and realizing climate protection. Furthermore, this book makes great background reading for energy workers, designers, politicians and journalists, and anyone who is interested in the topic of climate change. Looking for further study? Visit the complimentary website; it hosts many useful related internet sites: www.wiley.com/go/quaschning_renewable

Edited by Alexander Tolnay. Essays by Bernard BlistAne and Bruce Hainley.

Along with Robert Gober and Jeff Koons, New York-based Haim Steinbach is one of the most renowned exponents of the late 70s art movement which endeavored to revamp the post-Duchamp tradition of ready-mades in the face of a rising wave of neo-expressionism. Steinbach has become known for his "thing altars," carefully manufactured shelves containing borrowed or purchased objects that take on new meaning in the context of their surroundings, recalling Robert Smithson's notions of "site" and "non-site." This new book in the Cantz Series documents a Berlin-specific installation by the artist. Steinbach, born to German-Jewish parents in Israel, stayed in the former East Germany for the first time, visiting families all over Berlin and borrowing individual objects or arrangements which he then transferred to an art space. In doing so the artist became the curator of a sort of group exhibition of "collected collections" which interact in surprising ways in their new space.