Oscar Wilde’s classic, alluring novel of a man so obsessed with his appearance that he sacrifices his soul for eternal youth—with an introduction by Jeffrey Eugenides Now a critically acclaimed Broadway play starring Sarah Snook! Nominated as one of America’s best-loved novels by PBS’s The Great American Read Fascinated by his own beautiful portrait, Dorian Gray makes a Faustian pact to exchange his soul for perpetual youth and beauty. Guided by Lord Henry Wotton, he embarks on a life of corruption, satisfying his desires while still appearing as a respectable gentleman to society. Only Dorian's portrait shows the signs of his moral decline. An insightful depiction of a hidden life and a critique of the darker facets of late Victorian society, The Picture of Dorian Gray provides a chilling portrayal of a man confronting the reality of his soul. Shocking in its implications of forbidden transgressions, this novel was later used as evidence against Oscar Wilde during his 1895 trial for indecency.

The Picture of Dorian Gray by Oscar Wilde is a profound exploration of vanity, morality, and the consequences of unchecked hedonism. The novel follows Dorian Gray, a young man whose extraordinary beauty is immortalized in a portrait. Under the influence of Lord Henry Wotton, Dorian embraces a life of pleasure and excess, while his portrait bears the physical and moral decay of his actions, allowing him to remain outwardly unscathed. Wilde crafts a sharp critique of aestheticism and the pursuit of eternal youth, exposing the dangers of living without ethical boundaries. Since its publication, The Picture of Dorian Gray has been celebrated for its wit, philosophical depth, and psychological complexity. The novel's exploration of duality—the conflict between appearance and reality, virtue and vice—has ensured its status as a cornerstone of Gothic and philosophical literature. Wilde's mastery of language and epigrammatic style adds layers of irony and insight, making the work as thought-provoking as it is captivating. The novel's enduring relevance lies in its timeless meditation on self-indulgence, corruption, and the price of vanity. The Picture of Dorian Gray remains a powerful reflection on the human soul, urging readers to question the cost of a life devoted solely to pleasure and the illusions that beauty and youth can sustain.

The Picture of Dorian Gray is the story of one beautiful, innocent young man''s seduction, moral corruption, and eventual downfall. We meet our three central characters at the beginning of the book, when painter Basil Hallward and his close friend, Lord Henry Wotton, are discussing the subject of Basil''s newest painting, a gorgeous young thing named Dorian Gray. Basil and Henry discuss just how perfectly perfect Dorian is--he''s totally innocent and completely good, as well as being the most beautiful guy ever to walk the earth. Lord Henry wants to meet this mysterious boy, but Basil doesn''t want him to; for some reason, he''s afraid of what will happen to Dorian if Lord Henry digs his claws into him. However, Lord Henry gets his wish--Dorian shows up that very afternoon, and, over the course of the day, Henry manages to totally change Dorian''s perspective on the world. From that point on, Dorian''s previously innocent point of view is dramatically different--he begins to see life as Lord Henry does, as a succession of pleasures in which questions of good and evil are irrelevant. Basil finishes his portrait of Dorian, and gives it to the young man, who keeps it in his home, where he can admire his own beauty. Lord Henry continues to exert his influence over Dorian, to Basil''s dismay. Dorian grows more and more distant from Basil, his former best friend, and develops his own interests. One of these interests is Sybil Vane, a young, exceptionally beautiful, exceptionally talented--and exceptionally poor--actress. Though she''s stuck performing in a terrible, third-rate theatre, she''s a truly remarkable artist, and her talent and beauty win over Dorian. He falls dramatically in love with her, and she with him. For a moment, it seems like everything will turn out wonderfully. However, this is just the beginning of Dorian''s story. Once he and Sybil are engaged, her talent suddenly disappears--she''s so overcome with her passionate love for Dorian that none of her roles on stage seem important to her anymore. This destroys Dorian''s love for her, and he brutally dumps her. Back home, he notices a something different in his portrait--it looks somehow crueler. In the meanwhile, the distraught Sybil commits suicide, just as Dorian decides to return to her and take back his terrible words. Sybil''s suicide changes everything. At first, Dorian feels horrible... but he rather quickly changes his tune. On Lord Henry''s suggestion, Dorian reads a mysterious "yellow book," a decadent French novel that makes him reevaluate his whole belief system. The protagonist of the book lives his life in pursuit of sensual pleasures, which intrigues Dorian. From this moment on, Dorian is a changed man. Dorian starts to live as hedonistically as his wicked mentor, Lord Henry, does. The only thing that documents this turn for the worst is the portrait, which alarmingly begins to exhibit the inward corruption of Dorian''s soul; the beautiful image changes, revealing new scars and physical flaws with each of Dorian''s dastardly actions. As years pass, the man in the picture grows more and more hideous, as Dorian himself stays unnaturally young and beautiful. Rumors start to spread about the various people whose lives Dorian has ruined, and his formerly good reputation is destroyed. On Dorian''s 38th birthday, he encounters Basil, who desperately asks his former friend if all the horrifying rumors about him are true. Dorian finally snaps and shows Basil the portrait, in which the horrible truth about his wicked nature is revealed. Basil recoils, and begs Dorian to pray for forgiveness. In response, Dorian murders Basil, stabbing him brutally. He blackmails another of his former friends into disposing of the body. Dorian retreats to an opium den after dealing with all of the evidence, where he encounters an enemy he didn''t know he had--Sybil Vane''s brother, James...

The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 in Dublin Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Dublin, then at Oxford. With his education complete Wilde moved to London and its fashionable cultural and social circles. With his biting wit, flamboyant dress, and glittering conversation, Wilde became one of the most well-known personalities of his day. His only novel, The Picture of Dorian Gray was published in 1890 and he then moved on to writing for the stage with Salome in 1891. His society comedies produced enormous hits and turned him into one of the most successful writers of late Victorian London. Whilst his masterpiece, The Importance of Being Earnest, was on stage in London, Wilde had the Marquess of Queensberry, the father of his lover, Lord Alfred Douglas, prosecuted for libel. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency. He was convicted and imprisoned for two years' hard labour. It was to break him. On release he left for France, There he wrote his last work, The Ballad of Reading Gaol in 1898. He died destitute in Paris at the age of forty-six sipping champagne a friend had brought with the line 'Alas I am dying beyond my means'. Here we publish a collection of short stories that whilst generally known as stories for Children are equally at home in the imaginations of adults.

Dorian Gray doesn't look a day over twenty-two. Once upon a time, Dorian really was young, handsome, and charming. To preserve Dorian's charm, his friend Basil Hallward the artist painted his portrait. Soon, the picture -- and Dorian's close friendship with Basil -- On the inside, every wicked deed he commits leaves its mark -- or does it? The portrait that Basil painted hangs in a special room in Dorian's house, covered completely. Underneath the cover lies an image that has changed and aged, just as Dorian has not.

Spellbound before his own portrait, Dorian Gray utters a fateful wish. In exchange for eternal youth he gives his soul, to be corrupted by the malign influence of his mentor, the aesthete and hedonist Lord Henry Wotton.

The Picture of Dorian Gray is a philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine.In the wealthy and vain hedonist Dorian Gray, London painter Basil Hallward has found his muse. Only when the portrait of Dorian begins to age, while the man himself remains untouched by time, do they realize they may have made a deal with the devil. Oscar Wilde's only novel takes a witty, philosophical, and harrowing look at our obsession with youth and the price we pay for it.

Dorian Gray is arrogant. He is pompous, selfish, devastatingly narcissistic, and for much of his life he has never had to think twice about the ramifications of his actions. When the arrival of artist Basil Hallard forces Gray to confront his deepest insecurities, Dorian’s most vulnerable self is imminently revealed. After having traded his righteousness for riches, Dorian Gray becomes faced with many regretable truths. Needing to own up to his actions, Gray must finally learn to deal with the consequences of living a life completely self-obsessed. Gripping with prose so relateable to the many connundrums of growing up, Wilde weaves a narrative of self-desire and self-actualization. A true coming of age tale in a time where the glamour of appearance was as heavy as the currency in your pocket.