Essays discuss television criticism, science fiction, horror, women's humor, sports novels, country music, comic strips, and television programs

The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergre of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes. Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more. The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

Going beyond a biography, this text uses the life of blacklisted Hollywood writer and director Abraham Lincoln Polonsky to help us understand the relationship between art and politics in American culture and to uncover the effects of US anticommunism and anti-Semitism.

Adapted from the critically acclaimed chronicle of U.S. history, a study of American expansionism around the world is told from a grassroots perspective and provides an analysis of important events from Wounded Knee to Iraq.

C.L.R. James was a protean 20th century Marxist intellectual, widely recognized as a pioneering scholar of slave revolt; a leading voice of Pan-Africanism; a peripatetic revolutionary and scholar who was active in US and UK radical movements; a novelist, playwright, and critic; and one of the premier writers on cricket and sports. This intellectual portrait was written by James's longtime interlocutor and comrade Paul Buhle, and initially published in 1988. With a new final chapter, updated bibliography, a new foreword by historian Robin D.G. Kelley and a new afterword by philosopher Lawrence Ware, this long-awaited revised edition of a classic biography will be a key resource in the James revival.

Looks at the inner workings of Hollywood, offering an inside study of the making of famous films and the personal lives of left-wing screenwriters, directors, and actors.

A crown jewel of New Left historiography, this overview of U.S. Marxism was hailed on its first publication for its nuanced storytelling, balance and incredible sweep. Brimming over with archival finds and buoyed by the recollections of witnesses and participants in the radical movements of decades past, Marxism in the United States includes fascinating accounts of the immigrant socialism of the nineteenth century, the formation of the CPUSA in the wake of the Bolshevik Revolution, the rise of American communism and of the hugely influential Popular Front in the 1920s and '30s, the crisis and split of the '50s, and the revival of Marxism in the '60s and '70s. This revised and updated edition also takes into account the last quartercentury of life in the U.S., bringing the story of American Marxism up to the present. With today's resurgent interest in radicalism, this new edition provides an unparalleled guide to 150 years of American left history.

John Chapman, aka Johnny Appleseed, made himself the stuff of legend by spreading the seeds of apple trees from Pennsylvania to Indiana. Along with that, he offered the seeds of nonviolence and vegetarianism, good relationships with Native Americans, and peace among the settlers. He was one of the New World’s earliest followers of the Swedish theologian Emanuel Swedenborg. The story of John Chapman operates as a counter-narrative to the glorification of violence, conquest, and prevailing notions of how the West was Won. It differentiates between the history and the half-myths of Johnny Appleseed’s life and work: His apples, for instance, were prized for many reasons, but none more so than for the making of hard cider. He was also a real estate speculator of sorts, purchasing potentially fertile but unproven acres and then planting saplings before flipping the land. Yet, he had less interest in financial gain―and yes, this is an accurate part of the mythology―than in spreading visions of peace and love. Johnny Appleseed brings this quintessentially American story to life in comics form.

A lively, extensively illustrated history of the widespread influence of Jews on American popular culture through the twentieth century.

Williams' controversial volumes, The Tragedy of AmericanDiplomacy, Contours of American History, and other works have established him as the foremost interpreter of US foreign policy. Both Williams and others deeply influenced by him have recast not only diplomatic history but also the story of pioneer America's westward movement, and studies in the culture of imperialism. At the end of the Cold War, when the US no longer faces any great enemy, the lessons of William Appleman Williams' life and scholarship have become more urgent than ever before. This study of his life and major works offers readers an opportunity to introduce, or re-introduce, themselves to a major figure of the last half-century.