The two authors complement each other beautifully, one a visionary and gutsy politician, the other a gifted academic with a deep rooted social conscience. With the benefit of a century of post Letchworth Garden City knowledge and the lessons of two World Wars, their timely released book re-brands the Garden City from a social as well as a technical point of view. It says it's a manifesto for 21st Century Garden Cities of To-Morrow, but it could equally be a manifesto for decent human urban survival on our cherished Planet. It concentrates on the role of each citizen - his or her responsibilities and opportunities. It advocates restoring basic human values back to ordinary people, away from the `I'm doing you a favour' private pro-bono benefaction and/or cash-starved governmental institutions that seem to know the cost of everything, but the value of nothing.

Thomas Hanner Lyle, like so many other southerners, finds himself embroiled in a war that will change his life forever. As a Confederate soldier, he fights in battle while trying to retain his humanity and not damn his soul. During in-between times, he tries to find the beauty in life beneath the shade of cottonwoods by breezy riverbeds. An incident in battle ushers Thomas from the rank of private to sergeant, but the glory is short-lived as he is soon wounded. He gets help from a woman who reminds him so much of his wife, Jenny. In and out of consciousness, he flashbacks to his safe, happy life in Tennessee and makes it his mission to return home to his beloved—but will war let him go so easily?

This book investigates the biblical and theological basis for the classical division of biblical law into moral, civil, and ceremonial. It highlights some of the implications of this division for the doctrines of sin and atonement, concluding that theologians were right to see it as rooted in Scripture and the Ten Commandments as ever-binding.

When students leave the classroom, interesting things can happen, especially when they write. These sophomores from Waverly High venture out of their comfort zones in rural eastern Nebraska and do a kind of multi-genre research project by interviewing people, learning about various businesses, and researching native species, local events, and write even a little bit of poetry when they look at the landscape. The results are enjoyable and interesting.

The mob offers the young mayor of Fort Lee, New Jersey, a $500,000 bribe to rezone land adjacent to the George Washington Bridge. Risking his life, the mayor pretends to go along with the plan but wears a wire. His efforts lead to the convictions of seven people.

Andrey Platonovich Platonov (1899-1951) is increasingly regarded as one of the greatest writers of the Soviet period. His linguistic virtuosity, philosophical rigour and political unorthodoxy combined to create some of the most captivatingly absurd works of literature in any language. Unsurprisingly, many of these remained unpublished in his lifetime, and indeed for many years thereafter. In this lively and original study, Philip Bullock traces the development of feminine imagery in Platonov's prose, from the seemingly misogynist outrage of his early works to the tender reconciliation with domesticity in his final stories, and argues that gender is a crucial feature of the author's audacious utopian vision.

When Pyotr Ilyich Tchaikovsky died of cholera in 1893, he was without a doubt Russia’s most celebrated composer. Drawing extensively on Tchaikovsky’s uncensored letters and diaries, this richly documented biography explores the composer’s life and works, as well as the larger and richly robust artistic culture of nineteenth-century Russian society, which would propel Tchaikovsky into international spotlight. Setting aside clichés of Tchaikovsky as a tortured homosexual and naively confessional artist, Philip Ross Bullock paints a new and vivid portrait of the composer that weaves together insights into his music with a sensitive account of his inner emotional life. He looks at Tchaikovsky’s appeal to wealthy and influential patrons such as Nadezhda von Meck and Tsar Alexander III, and he examines Russia’s growing hunger at the time for serious classical music. Following Tchaikovsky through his celebrity up until his 1891 performance at New York’s Carnegie Hall and his honorary doctorate at the University of Cambridge, Bullock offers an accessible but deeply informed window onto Tchaikovsky’s life and works.

Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jank, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi

She had been missing for fourteen years... Sarah Kleinhagen. Her involvement with student anti-war activists in the 1970s and their bombing of an Air Force SAC base had forced her underground. Not even the FBI could locate her. Now James Marley needed to find her and bring her back to the child she'd had fourteen years ago... a child who desperately needed her. All he had to go on was a picture taken fourteen years ago. A picture of a strikingly beautiful girl with searching, intelligent eyes that pierced into your soul. Her child needed her. But someone else was looking for Sarah Kleinhagen, someone vicious with a killing instinct. Marley had to find her — if they didn't kill him first.