Fyodor Dostoevsky is known as the author of some of the most important Russian novels of the 19th Century. His greatness is his command of a multitude of human factors, from the most saintly to the most pathological, delineating the deepest emotional states from the perversely criminal and the profoundest sense of evil to a sublime belief in a Christian God. Throughout, as this biography shows, he never became detached from the realities of the Russian world. Book jacket.

Domesticated for thousands of years. Cats and dogs arrive in subtle and dramatic ways. They touch the inhabitants and exiles of ancient Babylon with blessings and curses. Four dogs. One cat. Five original stories of the ancient world Unexpected Companions A Worthless Herder Named by the Gods Racing the Wind Making a Safe Journey And each tale asks the question. Who are the domesticated animals?

Jacob fought desperately to save Jerusalem from the Babylonian invaders. Now, injured and in exile, Jacob builds a new life among his former enemies in the city of Babylon. A life including Miriam, a raven-haired widow who quickly becomes assistant and partner as Jacob rights injustice in the dark undersides of Babylonian society. Follow Jacob and Miriam's adventures in these stories: Sacred Secrets Temple Justice Next Year in Jerusalem The Judah Code Saving Saul Family Harmony If you love historical mysteries with a dash of romance, Beginnings in Babylon is for you.

This introduction to the study of the Russian novel demonstrates how the form evolved from imitative beginnings to the point in the 1860s when it reached maturity and established itself as part of the European tradition. Professor Freeborn considers selected novels by Pushkin, Lermontov, Gogol, Dostoyevsky and Tolstoy. Extended introductory sections to the studies of Dostoyevsk and Tolstoy deal with their earlier works. A final chapter summarises the principal points of contrast between Crime and Punishment and War and Peace, and argues that in certain specific ways, they represent the peaks in the evolution of the form of the Russian novel. Quotations are translated, but key passages are also given in the original. Professor Freeborn treats the novel as a literary form and avoids the overworked formulae on which much historical writing on Russian literature has been based. He is concerned with the literary development of a great form.

It’s Holiday Season. In the spirit of classic Science Fiction, Christmas at the Puzzle Store takes you to places strange, but recognizable. Mostly. Whether it’s chasing a fugitive or fleeing the ghosts of the past, everyone ends up at the Puzzle Store as you'll see in these five original stories, first published here: The Ghost of Christmas Maybe On the Feast of Stephen Christmas on the Village Green How Santa Saved Christmas In Royal David’s City Mac’s having a sale. Be careful which puzzles you look at, because you may never see a jigsaw puzzle the same way again.

Professor Freeborn's book is an attempt to identify and define the evolution of a particular kind of novel in Russian and Soviet literature: the revolutionary novel. This genre is a uniquely Russian phenomenon and one that is of central importance in Russian literature. The study begins with a consideration of Turgenev's masterpiece Fathers and Children and traces the evolution of the revolutionary novel through to its most important development a century later in Pasternak's Doctor Zhivago and the emergence of a dissident literature in the Soviet Union. Professor Freeborn examines the particular phases of the genre's development, and in particular the development after 1917: the early fiction which explored the relationship between revolution and instinct, such as Pil'nyak's The Naked Year; the first attempts at mythmaking in Leonov's The Badgers and Furmanov's Chapayev; the next phase, in which novelists turned to the investigation of ideas, exemplified most notably by Zamyatin's We; the resumption of the classical approach in such works as Olesha's Envy, which explore the interaction between the individual and society. and finally the appearance of the revolutionary epic in Gorky's The Life of Klim Samgin, Sholokhov's Quiet Flows the Don, and Alexey Tolstoy's The Road to Calvary. Professor Freeborn also examines the way this kind of novel has undergone change in response to revolutionary change; and he shows how an important feature of this process has been the implicit assumption that the revolutionary novel is distinguished by its right to pass an objective, independent judgement on revolution and the revolutionary image of man. This is a comprehensive and challenging study of a uniquely Russian tradition of writing, which draws on a great range of novels, many of them little-known in the West. As with other titles in this series all quotations have been translated.

Study of the Russian novel has been the greatest scholarly contribution of Richard Freeborn, and in this volume some of his former colleagues and pupils offer in homage new essays ranging from re-examination of classical texts to analysis of still-neglected twentieth-century works.

Turgenev's first major prose work is a series of twenty-five Sketches: the observations and anecdotes of the author during his travels through Russia satisfying his passion for hunting. His album is filled with moving insights into the lives of those he encounters - peasants and landowners, doctors and bailiffs, neglected wives and bereft mothers - each providing a glimpse of love, tragedy, courage and loss, and anticipating Turgenev's great later works such as First Love and Fathers and Sons. His depiction of the cruelty and arrogance of the ruling classes was considered subversive and led to his arrest and confinement to his estate, but these sketches opened the minds of contemporary readers to the plight of the peasantry and were even said to have led Tsar Alexander II to abolish serfdom. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.