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  • Book cover of Life Rolls On

    Life Rolls On is a non-fiction work about the life of Richard P Mason, post swimming pool injury that left him paralyzed from the neck down. He takes readers through different aspects of his life; the recovery process for him immediately following his accident, travels all across the globe, sports participation, college and some of his bigger life decisions. Rick went on to be a Paralympic swimmer even after he almost drowned. He touches on his relationship with his parents, mostly his dad. Although many expect people in wheelchairs to have limitations, he pushed those limits and details some of his more thrilling adventures - flying an airplane and skydiving, among other things. Life Rolls On showcases Rick's resilience and zest for life. Designed to inform and inspire, this book is perfect for anyone who is a little lost after an accident or life-altering news, or those that love or care about those with differing abilities. Anyone and everyone should read this book.

  • Book cover of History of a Pleasure Seeker
    Richard Mason

     · 2012

    “Just try to resist.... A Continental Downton Abbey plus sex, with a dash of Dangerous Liaisons tossed in.” —Seattle Times Piet Barol has an instinctive appreciation for pleasure and a gift for finding it. When his mother dies, Piet applies for a job as tutor to the troubled son of Europe's leading hotelier—a child who refuses to leave his family’s mansion on one of Amsterdam’s grandest canals. As Piet enters this glittering world, he learns its secrets and finds his life transformed. A brilliantly written portrait of the senses, History of a Pleasure Seeker is an opulent, romantic coming-of-age drama set at the height of Europe’s Belle Époque, written with a lightness of touch that is wholly modern and original.

  • Book cover of Understanding Understanding
    Richard Mason

     · 2012

    How is understanding to be understood? Are there limits to understanding? What of importance, if anything, could lie beyond understanding? And do we need to understand knowledge before we can know about understanding? Richard Mason's argument is that a critical theory of under¬standing, modeled on past theories of knowledge, cannot be workable. Understanding may bring wisdom: an uncomfort¬able thought for many philosophers in the twentieth century. Yet philosophy aims at expanding understanding at least as much as knowledge. How we understand understanding affects how we understand philosophy. If we put aside a narrow view of under¬standing based upon a Cartesian model of knowledge, we may gain a more liberal, open understanding of philosophy. Mason's treatment of these fascinating problems offers a clear and lucid dialogue with a number of contemporary philosophical schools and with philosophy's past. His discussions include the thought of Hume, Henry James, Heidegger, Frege, Charles Taylor, Michael Oakeshott, Wittgenstein, Gadamer, James Joyce, and the Guyaki Indians. This fascinating book contributes to the work of many of these traditions as well as to the nature of understanding in areas as diverse as physics, music, and linguistics.

  • Book cover of The Drowning People
    Richard Mason

     · 2011

    A truly thrilling murder mystery set partly in Cornwall, in the tradition of Du Maurier's REBECCA: dark, English and very much a classic. At 21, James Farrell has the world at his feet. A gifted violinist, his successful career seems assured. Until a chance encounter with Ella changes everything. Ella, bewitching, irresistible, haunted by the ghosts of her family's past - James cannot help falling in love with her, and she with him. But as the power and dangerous fragility of their relationship overwhelm them, James can only watch helplessly as the most beautiful thing in his life is strangled by deception, betrayal and ultimately murder ...

  • Book cover of History of Japan

    A classic of Japanese history, this book is the preeminent work on the history of Japan. Newly revised and updated, A History of Japan is a single-volume, complete history of the nation of Japan. Starting in ancient Japan during its early pre-history period A History of Japan covers every important aspect of history and culture through feudal Japan to the post-cold War period and collapse of the Bubble Economy in the early 1990's. Recent findings shed additional light on the origins of Japanese civilization and the birth of Japanese culture. Also included is an in-depth analysis of the Japanese religion, arts, culture and people from the 6th century B.C.E. to the present. This contemporary classic, now updated and revised, continues to be an essential text in Japanese studies. Classic illustrations and unique pictures are dispersed throughout the book. A History of Japan, Revised Edition includes: Archaic Japan--including Yamato, the creation of a unified state, the Nana Period, and the Heian period. Medieval Japan-- including rule by the military houses, the failure of Ashikaga Rule, Buddhism, and the Kamakura and Muroachi Periods periods. Ealy Modern Japan--including Japanese feudalism, administration under the Tokugawa, and society and culture in early modern Japan. Modern Japan--including The Meiji Era and policies for modernization, from consensus to crisis (1912-1937), and solutions through force. This contemporary classic continues to be a central book in Japanese studies and is a vital addition to the collection of any student or enthusiast of Japanese history, Japanese culture, or the Japanese Language.

  • Book cover of Oppenheimer's Choice
    Richard Mason

     · 2012

    In 1942, J. Robert Oppenheimer accepted the leadership of the Manhattan Project at the Los Alamos Laboratory, which produced the first atomic bomb three years later. This book examines the ethics of Oppenheimer's choice to take that job and our judgment of his acceptance, leading to the larger question of the meaning of moral judgment itself. Through an analysis of Oppenheimer's choice, Richard Mason explores questions of responsibility, the justification for the pursuit of scientific curiosity, the purity of research, and many other topics of interest in scientific ethics. This unique look at one man's choice brings out the necessary step from personal detail to abstract reflection—it may be easy to praise or condemn Oppenheimer's choice, but less easy to justify our praise or condemnation. Oppenheimer's Choice establishes the possibility of this kind of moral philosophy—neither "applied" nor "practical" ethics, but instead a sustained concentration on a single choice, and what it means.

  • Book cover of Before Logic
    Richard Mason

     · 2000

    2000 CHOICE Outstanding Academic Title Must logic come first? Are philosophical problems really logical? Must we think logically to think at all? Richard Mason's case is that too much comes before logic—too many choices and too much history. Logic has been formed by choices made by philosophers, not just as a subject of study, but in terms of what has mattered: the problems, and the possible solutions. Before Logic contains case studies of crucial choices: on the formation of logical possibility, on truth, on the explanation of necessity, on essentialism, and on the location of logic. For readers with interests in analytical or continental philosophy or in logic, this book shows why and how history matters to logic. Logic then, cannot be the basis for metaphysics—or an important grounding for philosophical investigations—because too many important assumptions precede it. The difficulty this position presents is that it avoids the obvious objections of relativism. This controversial topic strikes at the heart of much post-Wittgensteinian and post-Heideggerian thought.

  • Book cover of The Red Scarf

    In the winter of 1944, eleven-year-old Richard has adventures living on a small farm in Arkansas.

  • Book cover of Who Killed Piet Barol?
    Richard Mason

     · 2017

    A haunting, gloriously imagined novel by the acclaimed author of History of a Pleasure Seeker (“a classic” —The Washington Post), set in early twentieth-century colonial Cape Town, and a forest full of witch doctors, stingless bees, and hungry leopards. It is 1914. Germany has just declared war on France. Piet Barol was a tutor before he came to South Africa, his wife, Stacey, an opera singer. In Cape Town they are living the high life, impersonating French aristocrats—but their lies are catching up with them. The Barols’ furniture business is on the verge of collapse. They need top-quality wood, and they need it cheap. Piet enlists two Xhosa [pron. KO-sa] men to lead him into a vast forest, in search of a fabled tree. The Natives Land Act has just abolished property rights for the majority of black South Africans, and whole families have been ripped apart. Piet’s guides have their own reasons to lead him through the trees, and to keep him alive while he’s useful to them. Far from the comforting certainties of his privileged existence, Piet finds the prospect of riches beyond measure—and the chance to make great art. He is sure he’ll be able to buy what he needs for a few glass trinkets. But he’s underestimating the Xhosa, who believe the spirits of their ancestors live in this sacred forest. Battle lines are drawn. When Piet’s powers of persuasion fail him, he resorts to darker, more dangerous talents to get what he is determined to have. As the story moves to its devastating conclusion, every character becomes a suspect, and Piet’s arrogance and guile put him on a collision course with forces he cannot understand and that threaten his seemingly enchanted existence.

  • Book cover of Spinoza: Logic, Knowledge and Religion
    Richard Mason

     · 2016

    Approaching the central themes of Spinoza's thought from both a historical and analytical perspective, this book examines the logical-metaphysical core of Spinoza's philosophy, its epistemology and its ramifications for his much disputed attitude towards religion. Opening with a discussion of Spinoza's historical and philosophical location as the appropriate context for the interpretation of his work the book goes on to present a non-'logical' reading of Spinoza's metaphysics, a consideration of Spinoza's radical repudiation of Cartesian subjectivism and an examination of how Spinoza wanted religion to be understood in the context of his wider thinking and the influence of his non-Christian background. Mason also assesses Spinoza's significance and importance for philosophy now.