An accessible anthology of the greatest ancient Greek myths and legends for readers of all ages by the celebrated classicist and historical novelist. According to the myths, gods and goddesses of ancient Greece lived on Mount Olympus and ruled the world of mortals. Famous heroes shaped the course of history, beautiful women drew the gazes of gods and men alike, and the gods were both fickle in their favors and breathtakingly generous to those they smiled upon. From Midas's tragic gift to the exploits of Hercules and the curse of Pandora, Robert Graves brings the legends of ancient Greece to life in a way that's sure to appeal to everyone; from children to adults, and from casual readers to serious scholars. "Directly told, with no attempt to oversimplify them, a good deal of the symbolism and the association with the pattern of ancient Greece survives." — Kirkus Reviews (starred review).

Translated from the Latin by the poet and author of I, Claudius, this ancient Roman novel follows the many adventures of a man who transforms into an ass. Driven by his all-consuming curiosity, a young man of good parentage named Lucius Apuleius takes a trip to Thessaly. Along the way, amidst a series of bizarre adventures, he inadvertently offends a priestess of the White Goddess, who promptly turns him into an ass. How Lucius responds to his new misfortune, and ultimately finds a way to become human again, makes for a funny and fascinating tale. The Metamorphosis of Apuleius, referred to by St. Augustine as The Golden Ass, is the oldest novel written in Latin to survive in its entirety. Originally written by Lucius of Patrae, this translation by Robert Graves highlights the ribald humor and vivid sense of adventure present in the original. Providing a rare window into the daily lives of regular people in ancient Greece, Robert Graves's translation of this classic tale is at once hilarious, informative, and captivating.

This work examines poetry from a psychological point of view.

The poet’s “account of trench life . . . still grips the reader,” making his WWI memoir “a classic of English autobiography, and a subversive tour de force” (The Guardian). Goodbye to All That is English poet and soldier Robert Graves’s “bitter leave-taking” of England after his experiences during World War I. A testimony to the shifts in society following the war, the book offers an unsentimental and often satiric account of life as a British Army officer facing the intensity of battle, as well as the personal history that led to his becoming a poet. Finding refuge in Majorca, Graves wrote Goodbye to All That in eleven weeks. His accounts of trench warfare and his descriptions of war atrocities incited controversy, making the book a literary sensation and funding Graves’s vow to “never make England my home again.” Consisting of Graves’s memorable encounters with fellow writers and poets such as Siegfried Sassoon and Thomas Hardy, and the changing societal views on married life, Goodbye to All That, is a classic war memoir and a candid portrait of artistic life.

Though he lived most of his life in the remote village of Deya on the island of Mallorca, Robert Graves (1895--1985) was conversant with the most important issues of this century and was acquainted with many of the most powerful people. Jorge Luis Borges called him "a soul above." Graves wrote almost restlessly on subjects of great diversity: myths of the Greeks, Romans, Hebrews, and Celts; modern science and economics; contemporary society and culture as well as of ancient Greece and Rome, of Celtic Wales and Ireland, of the time of Milton, and of the American Revolution. He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars. He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars.

In "The Pier-Glass," Robert Graves masterfully weaves a tale that explores the complex interplay between love, deception, and the search for identity. Set against the backdrop of early 20th-century England, the narrative is rich with lyrical prose and introspective depth, characteristic of Graves' style. The novel oscillates between reality and surrealism, employing a fragmented narrative that invites readers to question the authenticity of perceptions, ultimately reflecting the tumultuous cultural landscape of its time, influenced by the aftermath of World War I and evolving societal norms. Robert Graves, renowned poet and novelist, is recognized for his adventurous spirit and profound literary contributions. His experiences on the front lines during World War I left an indelible mark on his worldview, imparting a sense of disillusionment that permeates his writing. Drawing from his own quest for self-identity amidst chaos and transformation, Graves infuses "The Pier-Glass" with autobiographical elements, mirroring his psychological struggles and philosophical inquiries that echo throughout his oeuvre. This compelling narrative is recommended for readers interested in psychological depth and historical context, as well as those seeking to understand the intricacies of human relationships. Graves' poignant exploration of self-deception and the quest for truth makes "The Pier-Glass" an essential read for both literary enthusiasts and those intrigued by the human condition.

In this autobiography, first published in 1929, poet Robert Graves traces the monumental and universal loss of innocence that occurred as a result of the First World War. Written after the war and as he was leaving his birthplace, he thought, forever, Good-Bye to All That bids farewell not only to England and his English family and friends, but also to a way of life. Tracing his upbringing from his solidly middle-class Victorian childhood through his entry into the war at age twenty-one as a patriotic captain in the Royal Welsh Fusiliers, this dramatic, poignant, often wry autobiography goes on to depict the horrors and disillusionment of the Great War, from life in the trenches and the loss of dear friends, to the stupidity of government bureaucracy and the absurdity of English class stratification. Paul Fussell has hailed it as "the best memoir of the First World War" and has written the introduction to this new edition that marks the eightieth anniversary of the end of the war. An enormous success when it was first issued, it continues to find new readers in the thousands each year and has earned its designation as a true classic.

Gravess text has been fully corrected and revised in this volume as part of the "Robert Graves Programme". The book describes the dynamic of Gravess creative imagination. Grevel Lindop restores to the text its proper order and adds introductory material, as well as notes. This edition should lead to a re-evaluation of Gravess entire oeuvre.