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  • Book cover of The Silver Snarling Trumpet
    Robert Hunter

     · 2024

    Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier. “Strange to think back on those days when it was perfectly natural that we all slept on the floor in one small room.... These were the days before practical considerations, matters of ‘importance,’ began to eat our minds. We were all poets and philosophers then, until we began to wonder why we had so few concrete worries and went out to look for some.” So wrote Robert Hunter in The Silver Snarling Trumpet, both a novelistic singular work of art and the missing piece of the Grateful Dead origin story. In these pages, readers are privy to the early days of Hunter, Garcia, and their cohorts, who sit at coffee shops passing around a single cup of bottomless coffee because they lacked the funds for more than one. Follow these truth-seeking souls into the stacks at Kepler’s Books, renting instruments at Swain’s House of Music, and through the countryside on mind-expanding road trips. Witness impromptu jams, inspired intellectual pranks, and a dialogue that is, by turns, amusing and brilliant and outrageous. Hunter shares his impressions of his first gig with Garcia for a college audience, along with descriptions of his most intense dreams and psychedelic explorations. All of it, enlivened by Hunter’s visionary spirit and profound ideas about creativity and collaboration. The lost manuscript is augmented with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier, who was part of their scene in the San Francisco Bay Area that served as a bridge from the beatniks to the hippies. Also included is Hunter’s own 1982 assessment of his work—about how he shared it with close confidants but then decided to leave it unpublished. Five years after Hunter’s death, the text has been found, so readers and fans of Hunter’s indelible poetry and song can explore the origin of his genius and his craft.

  • Book cover of A Box of Rain
    Robert Hunter

     · 1993

    "Robert Hunter is an essential member of the Grateful Dead, an offstage presence who has written the lyrics for most of their songs for nearly three decades, primarily working in partnership with guitarist Jerry Garcia."--Jacket.

  • Book cover of Why We Fail as Christians
  • Book cover of Sentinel and Other Poems
    Robert Hunter

     · 1993

    This collection of poems by the rock lyricist Robert Hunter, best known for his songwriting contributions to legendary performers such as Bob Dylan and The Grateful Dead, features rhythmic, philosophical meditations on art, authenticity, public perception, and love. Hunter delivers his lines with effective and deceptively simple language, the ideal vehicle for his timeless, wide-ranging observations about the relationships we have with our expectations, our mythology, and each other as we navigate modern life and ephemera.

  • Book cover of Poverty
  • Book cover of The Links
  • Book cover of Methods of Early Golf Architecture

    Methods of Early Golf Architecture features selected writings from premier architects C.B. Macdonald, George C. Thomas, and Robert Hunter. With precision and detail, these visionaries discuss each element of golf course design, and no detail is left untouched. Methods of Early Golf Architecture Includes: • Characteristics of a Golf Architect • Psychology of Design • Deciding Where to Build • The Design Process • Utilizing Natural Features • Teeing Grounds • Through the Green • Hazards • Greens and Greenkeeping • Ideal Holes • The Construction Process • Overseeing Construction Characteristics of a Golf Architect “A golf architect must be a student of agriculture, understand nature, have a knowledge of soils, knowledge of implements, drainage, and above all the particular character of the layout which tantalizes a lover of the game and holds him spellbound.” – C.B. Macdonald Psychology of Design “How deadly dull are two or three holes of the same character when they follow each other! A drive and pitch followed by a drive and pitch is a good deal like serving a watery pudding after a watery soup.” – Robert Hunter The Design Process “The ability to create is to consider all the problems of a golf course. The architect must visualize the effect his work will produce from all angles of the game.” – George C. Thomas Utilizing Natural Features "Now and then one finds a hole of real distinction which nature herself has modeled, and to add anything artificial would be a crime.” – Robert Hunter

  • Book cover of The Greenpeace to Amchitka
    Robert Hunter

     · 2004

    In this vivid memoir, based on a manuscript originally written over 30 years ago, Robert Hunter depicts the first protest voyage in 1971 by the group that was later to become known as Greenpeace - now the most powerful ecological activist group in the world. The mission was in protest at nuclear testing the US government was carrying out on the small island of Amchitka in the Aleutian Islands - a geographically unstable area, highly prone to earthquakes, as well as a refuge of many endangered species. Includes photos of the mission by another original crew member.

  • Book cover of Egypt Under the Khedives, 1805-1879

    Robert Hunter's Egypt Under the Khedives, brought back into print in this paperback edition, was a pioneering work when first published in the 1980s, as Western scholars began to comb Egypt's national archives for an understanding of the social and economic history of the country. It is now recognized as one of the fundamental books on nineteenth-century Egypt: it is so archivally based and empirically solid that it forms the starting-point for all research. Hunter used land and pension records in Dar al-Mahfuzat, in addition to published archival collections like those of Amin Sami Pasha, to enlarge our understanding of the social dimensions of the politics of the period. A secondary and very important contribution of the work is its explanation of the way in which "collaborating bureaucrat-landowners" aided in the country's subordination to European political and economic dominance in the reign of Ismail. The big chapter on the unraveling of khedivial absolutism is a splendid piece of storytelling, as it explores the wild fluctuations in Egypt's finances, Ismail's desperate gambits to ward off European administrative scrutiny, and the defection of key officials in his regime to the European side. Egypt Under the Khedives appears on Oxford University's 'Best Thirty' list of "must-read" books in the field of Middle East history.

  • Book cover of The Imperial Encyclopaedic Dictionary