From Damon Runyan's colorful tough guys in black shirts and white ties to recent media coverage of John Gotti, the `dapper don', public depictions of racketeers in the United States have drawn attention away from the true nature of organized crime and its extensive penetrations into mainstream business. The Upperworld and the Underworld: Case Studies of Racketeering and Business Infiltrations in the United States strips away the romantic patina and reveals the significant impact of racketeering on vital segments of American industry. In this informative study Robert Kelly explores two fundamental questions: `Why is organized crime a serious problem in some businesses and industries, and not in others?' and `What are the consequences of racketeering activities for labor organizations and businesses tainted by a criminal presence?' He examines the blurred demarcation between the legitimate and illegitimate sectors of society and explains the reasons for this occurrence. In the process, Kelly provides a distinct vantage point for understanding organized crime, not just as an `outlaw fringe' preying on society, but as a disturbingly integral element of our social and economic structure. Moreover, he confirms a widely held thesis that organized crime is not merely parasitic but an institutional component of American society. The Upperworld and the Underworld affords a fascinating view of the current state of organized crime in the United States and the rise of nontraditional criminal organizations in new immigrant communities. The volume is an essential resource for students and scholars concerned with issues of crime and its effects on the economy.

Comprehensive and objective, this study argues that organized crime in the United States results from the struggle to attain the elusive American Dream to achieve success at any cost by any means. The authors examine the social, economic, political, and cultural conditions that fostered growth of criminal groups and organizations in African American communities from the post-Civil War era to the ghettoes of today.

A detailed survey of a growing scourge of the global economy—the smuggling of people, materials, and money. Smuggling used to be a family business. Today it is big business. Illicit Trafficking: A Reference Handbook offers a thorough introduction to the problems of illegal trafficking that have emerged from and been intensified by globalization. This title provides an examination of how criminal enterprises have exploited opportunities to enrich themselves and broadened their involvement in many areas of illegal trafficking while compromising or evading legal authorities. The coverage includes a brief history of illicit trafficking, analyzes current problems, and examines local and global containment policies such as Presidential Decision Directive 42. It also explores key international agreements on money laundering, bank secrecy laws, extradition treaties, and technologies that have exploited legitimate business opportunities to enrich their profits while compromising or evading legal authorities.

​This book demonstrates how social distress or anxiety is reflected, modified, and evolves through the medium of the motion picture. Tracing cinema from its earliest forms, the authors show how film is a perfect medium for generating and projecting dreams, fantasies, and nightmares, on the individual as well as the societal level. Arising at the same time as Freud’s influential ideas, cinema has been intertwined with the wishes and fears of the greater culture and has served as a means of experiencing those feelings in a communal and taming environment. From Munsterberg’s original pronouncements in the early 20th century about the psychology of cinema, through the pioneering films of Melies, the works of the German expressionists, to James Bond and today’s superheroes this book weaves a narrative highlighting the importance of the social dream. It develops the idea that no art form goes beyond the ordinary process of consciousness in the same way as film, reflecting, as it does, the cognitive, emotional, and volitional aspects of human nature.​

Covers major underworld figures and key criminal events as well as the Mafia, La Cosa Nostra, African American organized crime, Chinese triads, the Colombian drug cartels, ecocrime, Russian organized crime, and Latin gangs.

Smuggling used to be a family business. Today it is big business. Illicit Trafficking: A Reference Handbook offers a thorough introduction to the problems of illegal trafficking that have emerged from and been intensified by globalization. This title provides an examination of how criminal enterprises have exploited opportunities to enrich themselves and broadened their involvement in many areas of illegal trafficking while compromising or evading legal authorities. The coverage includes a brief history of illicit trafficking, analyzes current problems, and examines local and global containment policies such as Presidential Decision Directive 42. It also explores key international agreements on money laundering, bank secrecy laws, extradition treaties, and technologies that have exploited legitimate business opportunities to enrich their profits while compromising or evading legal authorities.

​This book demonstrates how social distress or anxiety is reflected, modified, and evolves through the medium of the motion picture. Tracing cinema from its earliest forms, the authors show how film is a perfect medium for generating and projecting dreams, fantasies, and nightmares, on the individual as well as the societal level. Arising at the same time as Freud’s influential ideas, cinema has been intertwined with the wishes and fears of the greater culture and has served as a means of experiencing those feelings in a communal and taming environment. From Munsterberg’s original pronouncements in the early 20th century about the psychology of cinema, through the pioneering films of Melies, the works of the German expressionists, to James Bond and today’s superheroes this book weaves a narrative highlighting the importance of the social dream. It develops the idea that no art form goes beyond the ordinary process of consciousness in the same way as film, reflecting, as it does, the cognitive, emotional, and volitional aspects of human nature.​