Wade Whitehouse, divorced, estranged from his young daughter, spends his days as a well-driller, snow-plow operator, and policeman, his nights in a wind-swept trailer park. But when a union boss is killed in an apparent hunting accident near Wade's home, and he is convinced that it is murder, he seizes the event as a chance to right many wrongs—unaware that as he unravels the mystery he himself will become unravelled. Soon his hunger for justice and self-respect become inseparable from a desperate violence.

Chappie is a punked-out teenager rejected by his mother and abusive stepfather. Out of school and in trouble with the police, he drifts through crash pads, doper squats, and malls until he finally settles in an abandoned school bus with Rose, a seven-year-old child, and I-Man, an exiled Rastafarian who will dramatically change his life. Together they begin an amazing journey...

In the aftermath of the Second World War, Churchill sought to lead Europe into an integrated union, but just over seventy years later, Britain is poised to vote on leaving the EU. Benjamin Grob-Fitzgibbon here recounts the fascinating history of Britain's uneasy relationship with the European continent since the end of the war. He shows how British views of the United Kingdom's place within Europe cannot be understood outside of the context of decolonization, the Cold War, and the Anglo-American relationship. At the end of the Second World War, Britons viewed themselves both as the leaders of a great empire and as the natural centre of Europe. With the decline of the British Empire and the formation of the European Economic Community, however, Britons developed a Euroscepticism that was inseparable from a post-imperial nostalgia. Britain had evolved from an island of imperial Europeans to one of post-imperial Eurosceptics.

Throughout his career as a novelist, Banks has also been a master of the short form, publishing four story collections, and winning O. Henry and Best American Short Story Awards and other prizes. Now with The Angel on the Roof, he offers readers an astonishing collection of thirty years of short fiction, resonant with irony and compassion, honesty and insight, extending into the vast territory of the heart and world, from working-class New England to Florida, the Caribbean and Africa. Along with nine new stories that are among the finest fiction he has ever written, he has selected the best from his collections and revised them for this volume.

In this compelling novel – a cross between Lady Chatterley’s Lover and The Aviator – the acclaimed modern master takes us to riveting new territory. Part love story, part murder mystery, Russell Banks’s The Reserve is as gripping as it is beautifully written, set in a pre-WWII world of class, politics, art, love and madness. Vanessa Cole is a stunningly beautiful and wild heiress, her parents’ adopted only daughter. Twice-married, she has been scandalously linked to rich and famous men. On the night of July 4, 1936, inside the Cole family’s remote Adirondack Mountain enclave, known as the Reserve, Vanessa will lose her father to a heart attack – and meet Jordan Groves, a seductively carefree local artist whose leftist political loyalties to his working class neighbours are undercut by his wealth and his clientele. Jordan is easy prey for Vanessa’s electrifying charm. But the heiress carries a dark family secret. Unhinged by her father’s unexpected death, she begins to spin out of control, manipulating and destroying the lives of all who cross her path. Moving from the secluded beauty of the Adirondacks to war-torn Spain and fascist Germany, filled with characters that pierce the heart, The Reserve is a passionately romantic novel of suspense and drama that adds a new dimension to this acclaimed author’s extraordinary repertoire.

“After many years of believing that I never dream of anything, I dreamed of Africa.” Over a decade after leaving her three sons behind in Liberia, Hannah Musgrave realizes she has to leave her farm in the Adirondacks and find out what has happened to them and the chimpanzees for whom she created a sanctuary. The Darling is the story of her return to the wreckage of west Africa and the story of her past, from her middle-class American upbringing to her years in the Weather Underground. It is also one of the most powerful novels of the decade, an unforgettable tale of growth and loss, and an unstinting exploration of some of the most troubling issues of our time: terrorism, race, and the contact between the first world and the third. Hannah Musgrave, the narrator of The Darling, tells us she first travelled to Africa in the mid-1970s, to escape prosecution for her radical political activities with the Weathermen. Arriving in Liberia to work in a medical research lab, Hannah – also known by her alias, Dawn Carrington – meets Woodrow Sundiata, an official in the ministry of public health, and they fall immediately in love. Courting with Woodrow, an intelligent, ambitious man, means encountering his other life in his ancestral village of Fuama – a life that could scarcely be more different from Hannah’s affluent childhood as the daughter of a bestselling pediatrician. Hannah and Woodrow start a family, but she feels herself to be somehow estranged from her life in Liberia and curiously detached from her husband and three sons. Still in search of herself as her children grow older, Hannah develops a closer and closer bond with the chimpanzees at the lab, whom she calls “dreamers.” During the early 1980s, Liberian society grows more unstable, until an illiterate soldier named Samuel Doe brutally overthrows and assassinates the president. Hannah’s courageous intervention with Doe leads to Woodrow’s release from detention, but at a price: she must return to the US, leaving her family behind. Hannah feels that her dreamers will feel her absence more deeply than her family will. In the US Hannah briefly reconnects with her parents after years of estrangement before returning to her friends from her underground years. One of them, Zack Procter, is involved with a plan to spring Charles Taylor – an attractive Liberian politician – from jail, and Hannah involves herself with the plot, genuinely believing that Taylor will bring social democracy to west Africa. Hannah gets permission to return to her family in the mid-1980s, and decides that this time things will be different: she will take charge of her home life, ousting Woodrow’s young cousin Jeanette, and she will build a sanctuary for her chimpanzees. But Charles Taylor has also returned, and his slow and bloody rebellion against Doe leads, eventually, to a night of horrific violence in which Woodrow is murdered and Hannah’s teenaged children disappear. Amidst chaos and almost unbelievable bloodshed, Hannah has time only to move her dreamers to Boniface Island before facing the heartrending decision to escape Liberia, leaving her children behind. More than ten years will pass before she can return to discover their fate, and understand her own.

A collection of short stories from the contemporary American master whom the New York Times declared "the most compassionate fiction writer working today." Suffused with Russell Banks’s trademark lyricism and reckless humor, the twelve stories in A Permanent Member of the Family examine the myriad ways we try—and sometimes fail—to connect with one another, as we seek a home in the world. In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. “A Former Marine” asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative “Veronica,” a mysterious woman searching for her daughter may not be who she claims she is. Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, Banks’s acute and penetrating collection demonstrates the range and virtuosity of both his narrative prowess and his startlingly panoramic vision of modern American life.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

A cinquante-neuf ans, Hannah Musgrave revient sur sa vie de jeune bourgeoise américaine contrainte par son engagement révolutionnaire à prendre la fuite vers l'Afrique au début des années 1970. Ayant tenté sa chance au Liberia, elle s'y est mariée à un bureaucrate local appartenant à une tribu puissante et promis à une brillante carrière politique. Quelques années plus tard, elle a, en catastrophe, repris le chemin de l'Amérique, laissant là leurs trois enfants, fuyant la guerre civile qui enflammait le pays. Au moment où commence ce livre, Hannah quitte sa ferme "écologique" des Adirondacks, car ce passé sans épilogue la pousse à retourner en Afrique... Evocation passionnante d'une turbulente période de l'histoire des Etats-Unis comme du destin d'un pays méconnu, le Liberia, le roman de Russell Banks tire sa force exceptionnelle de la complexité de son héroïne, et d'un bouleversant affrontement entre histoire et fiction.

A complex portrait of a 19th-century rural American family. The novel tells the story of one man's passage from slavery abolitionist to guerilla fighter to terrorist and martyr. Narrated by the abolitionist's son, Owen, the book recreates the political and social landscape of pre-Civil War America.