2021 Christian Book Award Finalist "Jackson's visionary account is a beautiful model of sacrificial love." -- Publishers Weekly Starred Review The House That Love Built is the quintessential story of one woman's questioning what it means to be an American--and a Christian--in light of a broken immigration system. Through tender stories of opening her heart and home to immigrants, Sarah Jackson shines a holy light on loving our neighbor. Sarah Jackson once thought immigration justice was administered through higher walls and longer fences. Then she met an immigrant--a deported young father separated from his US-citizen family--and everything changed. As Sarah began to know fractured families ravaged by threats in their homeland and further traumatized in US detention, biblical justice took on a new meaning. As Sarah opened her heart--and her home--to immigrants, she experienced a surprising transformation and the gift of extraordinary community. The work she began through the ministry of Casa de Paz joined the centuries-old Christian tradition of hospitality, shining a holy light on what it means to love our neighbor. The dilemma of undocumented people continues to hover over America, and it raises urgent questions for every Christian: What is our responsibility to the "stranger" in our midst? What does God's kingdom look like in the global-political reality of immigration? What difference can one person make? Sarah engages these questions through profound and tender stories, placing readers in the shoes of individuals on every side of the issue--asylum seekers torn from their families, the guards who oversee them, ordinary people with lapsed visas, the families left to survive on their own, the unheralded advocates for immigrants' rights, and the government officials who decide the fates of others. Ultimately, Sarah's journey illuminates how hope can be restored through simple yet radical acts of love.

In a dying Britain, how far will a mother go to save her child? 'Not Alone kept me breathless with tension.' - Emma Donoghue, bestselling author of Room 'Intensely moving, genuinely gripping, plausible and absorbing' - Charlotte Mendelson, author of The Exhibitionist It has been five years since a toxic microplastics storm killed millions and made Katie’s world unrecognizable, but she is determined to create a safe place for her beloved little boy, Harry. His world is their one-bedroom flat, where Katie keeps him indoors at all costs. Even the air outside could be deadly. And then, one day, a man stands at their door, and Katie realizes that her home isn’t the place of safety she thought it was. And so she and Harry begin an impossible journey, in search of the man Katie was meant to marry. It will take them across a devastated country and through terrible danger, but hope drives them on . . . Sarah K. Jackson's astonishing debut is a story of love and hope against all the odds.

In recent decades, advances in deciphering Maya hieroglyphic writing have given scholars new tools for understanding key aspects of ancient Maya society. This book—the first comprehensive examination of the Maya royal court—exemplifies the importance of these new sources. Authored by anthropologist Sarah E. Jackson and richly illustrated with drawings, photographs, and maps, Politics of the Maya Court uses hieroglyphic and iconographic evidence to explore the composition and social significance of royal courts in the Late Classic period (a.d. 600–900), with a special emphasis on the role of courtly elites. As Jackson explains, the Maya region of southern Mexico and Central America was not a unified empire but a loosely aggregated culture area composed of independent kingdoms. Royal courts had a presence in large, central communities from Chiapas to Yucatan and the highlands of Guatemala and western Honduras. Each major polity was ruled by a k’uhul ajaw, or holy lord, who embodied intertwined aspects of religious and political authority. The hieroglyphic texts that adorned walls, furniture, and portable items in these centers of power provide specific information about the positions, roles, and meanings of the courts. Jackson uses these documents as keys to understanding Classic Maya political hierarchy and, specifically, the institution of the royal court. Within this context, she investigates the lives of the nobility and the participation of elites in court politics. By identifying particular individuals and their life stories, Jackson humanizes Maya society, showing how events resulted from the actions and choices of specific people. Jackson’s innovative portrayal of court membership provides a foundation for scholarship on the nature, functions, and responsibilities of Maya royal courts.

“[A] dark, funny, deeply relatable Sally Rooney-esque exploration of love, friendship, and zillennial life.” —ELLE Canada For fans of Sally Rooney and Ottessa Moshfegh, A Bit Much is a darkly funny novel about the complexity of friendships, the agony of insecurity, and the beautiful and embarrassing nature of loving someone. Alice is twenty-four and falling apart. She’s lost her job, her appetite, her ability to sleep. And now she’s worried she’s going to lose Mia, her closest friend, who’s being treated for a serious illness. On the days Alice can get herself out of bed, she visits Mia at the hospital. While they sink into familiar patterns—Alice makes Mia laugh, Mia tells Alice she needs to get laid—they know their friendship is changing, and they can’t control what will happen in the days ahead. Still focused on Mia, while trying to convince others she’s a stable, happy person, Alice meets her neighbour James—someone she used to try to avoid. They’re interested in each other, but Alice, who is a lethal combination of judgmental and insecure, is hesitant; she has never had luck with dating, and she thinks now is a weird time since Mia needs her. And Alice figures he probably sucks anyway. Mia encourages Alice to be social, while attempting to hide her own loneliness and fear as her body breaks down. But as Alice tries to push herself to do more, including allowing herself to get close to James, she struggles to move forward knowing Mia can’t. A Bit Much takes an intimate look at female friendships, new relationships, and the disorienting times in which we live. Brilliantly caustic and strangely funny, it introduces Sarah Jackson as a captivating new voice in Canadian literature.

A new critical perspective on the relationship between text and tact in 20th- and 21st-century literature and theory

This “well-researched, nuanced” study of the rise of social media activism explores how marginalized groups use Twitter to advance counter-narratives, preempt political spin, and build diverse networks of dissent (Ms.) The power of hashtag activism became clear in 2011, when #IranElection served as an organizing tool for Iranians protesting a disputed election and offered a global audience a front-row seat to a nascent revolution. Since then, activists have used a variety of hashtags, including #JusticeForTrayvon, #BlackLivesMatter, #YesAllWomen, and #MeToo to advocate, mobilize, and communicate. In this book, Sarah Jackson, Moya Bailey, and Brooke Foucault Welles explore how and why Twitter has become an important platform for historically disenfranchised populations, including Black Americans, women, and transgender people. They show how marginalized groups, long excluded from elite media spaces, have used Twitter hashtags to advance counternarratives, preempt political spin, and build diverse networks of dissent. The authors describe how such hashtags as #MeToo, #SurvivorPrivilege, and #WhyIStayed have challenged the conventional understanding of gendered violence; examine the voices and narratives of Black feminism enabled by #FastTailedGirls, #YouOKSis, and #SayHerName; and explore the creation and use of #GirlsLikeUs, a network of transgender women. They investigate the digital signatures of the “new civil rights movement”—the online activism, storytelling, and strategy-building that set the stage for #BlackLivesMatter—and recount the spread of racial justice hashtags after the killing of Michael Brown in Ferguson, Missouri, and other high-profile incidents of killings by police. Finally, they consider hashtag created by allies, including #AllMenCan and #CrimingWhileWhite.

A mother cardinal teaches her son Preep about the area where their cardinal family has always lived.

We're off to the circus; there's so much to see! With your head in the clouds and a new way to dream. This is a different kind of story where you play a part. You color the characters; you animate your art! Jack & Abby will share their imaginations with you. They celebrate your personality and creativity too!

Love, Murder, Photography and a Librarian? A Strange Combination that makes for an Exciting Mystery! When two people find each other and fall in love, nothing could go wrong...Right? See what happens when Adrian Sims finds out more than she should, and a murderer is on her trail who will stop at nothing. No job, no money, no friends...Adrian Sims is all alone in San Francisco and the YWCA is her only home. Out of money, Adrian answers an ad placed by the head of the university's Art department. He needs a live figure model for his art classes. Adrian gladly accepts the work because she hasn't eaten in several days. Knowing Adrian needs extra money, he also sends her to a photographer who needs a figure model. When a librarian position opens at the university, Adrian finally gets a job in her chosen profession and everything seems to be going great until she discovers a possible murder...and the murderer thinks she knows! A nude picture of Adrian surfaces and her career as a librarian is in jeopardy. What will happen to Adrian's photograph and career? And is her life in danger?Get ready for the ride of your life About the Author: Sarah Jackson is currently working on her next novel A Murder in the Library. She is a full-time writer residing in Grand Rapids, Michigan. Book Webpage: http: //www.strategicpublishinggroup.com/title/RememberTheWind.html Publisher's website: http: //www.strategicpublishinggroup.c