Doing Sensory Ethnography responds to a recent an explosion of interest in the senses across the social sciences. Sarah Pink suggests re-thinking the ethnographic process through reflexive attention to what she terms the 'sensoriality' of the experience, practice and knowledge of both researchers and those who participate in their research. The book provides an accessible discussion and analysis of the theoretical, methodological and practical aspects of doing sensory ethnography, drawing on examples and case studies from the growing literature on sensory ethnographic studies, and from the author's own work. Doing Sensory Ethnography is the first book to concentrate on outlining a sensory ethnographic methodology. It will be of great interest to researchers and students from all disciplines interested in enriching their ethnographic work through a focus on the senses.

This sharp, innovative book champions the rising significance of ethnographic research on the use of digital resources around the world. It contextualises digital and pre-digital ethnographic research and demonstrates how the methodological, practical and theoretical dimensions are increasingly intertwined. Digital ethnography is central to our understanding of the social world; it can shape methodology and methods, and provides the technological tools needed to research society. The authoritative team of authors clearly set out how to research localities, objects and events as well as providing insights into exploring individuals’ or communities’ lived experiences, practices and relationships. The book: Defines a series of central concepts in this new branch of social and cultural research Challenges existing conceptual and analytical categories Showcases new and innovative methods Theorises the digital world in new ways Encourages us to rethink pre-digital practices, media and environments This is the ideal introduction for anyone intending to conduct ethnographic research in today’s digital society.

This book is the definitive guide to understanding and doing visual ethnography. Sarah Pink’s landmark text provides you with both the critical theoretical foundations and the creative tools and techniques you need to conduct your own visual ethnography. Covering the material and the digital, and tying key concepts and ideas to real world contexts throughout, this fully updated fourth edition: Provides clear and critical guidance on research planning and ethics Discusses new and emerging technologies, including digitally connected devices and wearable cameras. Introduces contemporary methods such as futures ethnography, distance ethnography, team ethnography, and the use of documentary. Explores the latest theory and practice in photographic and video ethnography. Shows you how visual ethnography can be applied, participatory, and even interventional. A milestone in visual and ethnographic research, this book is a must-have for students and researchers across the social sciences. It is an essential invitation, and companion, to doing impactful, creative, and critical visual research.

This text explores the use and potential of photography, video and electronic media in ethnographic and social research. The book has a reflexive approach to the theoretical, methodological, practical and ethical issuesfor using media.

This book investigates the popularity and success of contemporary women performers in bullfighting culture, which has been framed by a discourse of 'traditionalist' masculinity. This examination of the changing situation of women in the bullfighting world is used to explore the ways in which gender is represented, enacted and negotiated in contemporary Spain. The bullfight in the 1990s is in an ambiguous position: it is a 'traditional' performance in a changing consumer society. In order to survive, it needs to adapt itself to a wider social context and, in particular, to international media coverage. It is in this context that the current success of women performers is located. However, women performers are a contested phenomenon in the bullfighting world: there is heated debate over their acceptability, much of which focuses on the body. Moreover, the entry of women into the bullfight questions existing definitions of the sport's ritual structure and of gender relations in Spain. Thoroughly researched and compelling to read, Women and Bullfighting addresses these issues and argues that existing traditionalist approaches to gender, bullfighting and ritual in Spain need to be revised in order to locate women bullfighters in the context of a richly varied culture which is increasingly affected by the media and contemporary patterns of consumption. This provocative book will be of interest to researchers and students of anthropology, gender studies, sociology, cultural studies, media studies and Spanish studies.

The study of everyday life is fundamental to our understanding of modern society. This book provides a coherent, interdisciplinary way to engage with everyday activities and environments. Arguing for an innovative, ethnographic approach, it uses detailed examples, based in real world and digital research, to bring its theories to life. Sarah Pink focuses on the sensory, embodied, mobile, and mediated elements of practice and place as a route to understanding wider issues. By doing so, she convincingly outlines a robust theoretical and methodological approach to understanding contemporary everyday life and activism.

"Drawing on an explosion of new, cutting edge research Sarah Pink uses real world examples to bring this innovative area of study to life. She encourages us to challenge, revise and rethink core components of ethnography including interviews, participant observation and doing research in a digital world. The book provides an important framework for thinking about sensory ethnography which stresses the numerous ways that smell, taste, touch and vision can be interconnected and interrelated within research. Bursting with practical advice on how to effectively conduct and share sensory ethnography this is an important, original book."--Page 4 of cover.

Making Homes: Anthropology and Design is a strong addition to the emerging field of design anthropology. Based on the latest scholarship and practice in the social sciences as well as design, this interdisciplinary text introduces a new design ethnography which offers unique and original approaches to research and intervention in the home. Presenting a coherent theoretical and methodological framework for both ethnographers and designers, the authors examine 'hot' topics – ranging from movements and mobilities to im/material environments, to digital culture – and confront the challenges of a research and design environment which seeks to bring about the changes required for a sustainable, resilient, 'safe', and comfortable future. Written by leading experts in the field, the book draws on real-life examples from a wide range of international projects developed by the authors, other researchers, and designers. Illustrations throughout help to convey the methods and research visually. Readers will also have access to a related website which follows the authors' ongoing research and includes video and written narrative examples of ethnographic research in the home. Transforming current understandings of the home, this is an essential read for students and researchers in fields such as design, anthropology, human geography, sociology, and media and communication studies.

From an eminent author in the field, The Future of Visual Anthropology develops a new approach to visual anthropology and presents a groundbreaking examination of developments within the field and the way forward for the subdiscipline in the twenty-first century. The explosion of visual media in recent years has generated a wide range of visual and digital technologies which have transformed visual research and analysis. The result is an exciting new interdisciplinary approach of great potential influence for the future of social/cultural anthropology. Sarah Pink argues that this potential can be harnessed by engaging visual anthropology with its wider contexts, including: the increasing use of visual research methods across the social sciences and humanities the growth in popularity of the visual as methodology and object of analysis within mainstream anthropology and applied anthropology the growing interest in 'anthropology of the senses' and media anthropology the development of new visual technologies that allow anthropologists to work in new ways. This book has immense interdisciplinary potential, and is essential reading for students, researchers and practitioners of visual anthropology, media anthropology, visual cultural studies, media studies and sociology.

Homes are powerfully defined by smells, sounds, textures and objects, all of which reflect how people live their everyday lives. From spray-painting the toilet wall to relaxing in the bath, the products we use speak volumes about who we are, how we relate to others and who we want to be.Based on extensive fieldwork, this fascinating book explores the intimate, material and sensory spaces of the home to uncover how gender roles are performed within our personal, private worlds. Pink shows how everyday items ranging from perfumes to soap powder imprint and reinforce daily experiences and a sense of identity. How has the home been affected by the fact that more and more women now go to work and increasingly more men spend time engaged in domestic tasks? How do more traditional family-centred homes compare with those belonging to diverse family forms and people living alone? What does a study of domestic gender tell us about how change occurs? Answering these questions and many more, Pink combines the most recent approaches in gender studies and material culture to show how everyday activities can be deeply revealing of gender roles in the 21st century.