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  • Book cover of The Garden of Enid
    Scott Hales

     · 2016

    This edition of The Garden of Enid: Adventures of a Weird Mormon Girl recasts the award-winning webcomic as a two-part graphic novel. With revised and previously unpublished comics, it features the familiar story that captivated thousands online, yet offers new glimpses into Enid's year-long odyssey.

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    Scott Hales

     · 2014

    For much of their nineteenth-century history, Mormons rejected the novel as worldly entertainment that corrupted the young and propagated offensive Mormon stereotypes. This changed, however, when Mormons began to recognize the form's potential for promoting social betterment, teaching wholesome moral values, and using its popular appeal to draw people to the Mormon fold. Interestingly, this shift in attitude toward the novel came at a time when the Mormons, once a militantly separatist people, sought greater assimilation with the American mainstream by abandoning overt utopian practices, like polygamy and communal living, for practices that would no longer alienate them from the nation's Protestant majority. In my dissertation, I explore the relationship between this transitional period and the development of the Mormon novel, arguing that Mormons embraced the novel as a cultural site for mediating their paradoxical desire to separate from and participate in the American mainstream. Indeed, I show how the novel allowed Mormons to express their utopian principles--if not their utopian practices--as mainstream America compelled them to take what I call a "post-utopian" stance toward society. Moreover, I show how adopting the novel form also enabled Mormons to contribute to and engage American literary culture, construct Mormon identities, and explore their ambivalent encounters with others from inside and outside their ranks. Throughout this study, I draw upon utopian theory and Mormon history to understand the Mormon novel as a "post-utopian" product of the ongoing challenges of Mormon assimilation into mainstream American society. Beginning with the first Mormon novels of the late-nineteenth-century, I track how Mormon writers have borrowed from and enriched the American novel in their efforts to preserve and promote Mormonism's utopian principles, construct and define Mormon identities, and explore their ambivalent encounters with others.

  • Book cover of Song of Names

    In 2015, Beirut's district president takes the dangerous road to Damascus once a month to bring the sacrament to Syrian Saints. In 1904, a ward rallies around a mentally ill member in Salt Lake City after he's institutionalized. In 1844, a sister gathers new members on the South Pacific atoll of Anaa and teaches them the gospel by singing hymns from dusk until midnight. The twenty-two poems in Song of Names draw images from the lives of ordinary Latter-day Saints from many times and places to make a mosaic of discipleship. Accompanied by historical introductions, reflective essays, and original fine art sketches, this collaboration between James Goldberg, Ardis E. Parshall, and Carla Jimison is a monument to two centuries of struggle and faith.

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    Scott Hales

     · 2016

    From the creator of the popular webcomic The Garden of Enid: Adventures of a Weird Mormon Girl, Mormon Shorts is a collection of Mormon-themed comics, cartoons, and tweet-length microstories that capture the endearing quirks and curiosities of the Mormon people.

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