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  • Book cover of Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy

    Steele MacKaye's 'Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy' is a groundbreaking collection of plays that showcases the development of American drama during the late 19th and early 20th centuries. The featured play, Paul Kauvar; or, Anarchy, takes a deep dive into political turmoil and revolution, exploring themes of social justice and the struggle for freedom. MacKaye's use of language is powerful and evocative, capturing the tension and passion of the characters as they navigate the complexities of their time. This play exemplifies MacKaye's ability to blend historical events with compelling storytelling, making it a must-read for those interested in American theater history. The inclusion of this play in the anthology underscores its importance in the canon of American drama, shedding light on a turbulent period in the nation's history.

  • Book cover of Pride and Prejudice

    Pride and prejudice a play, founded on Jane Austen's novel. This book, "Pride and prejudice a play founded on Jane Austen's novel," by Steele MacKaye, is a replication of a book originally published before 1906. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.

  • Book cover of Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy

    In "Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy," Steele MacKaye intricately weaves a narrative that delves into the socio-political upheavals of late 19th-century America. This thought-provoking play captures the essence of an era shaped by both burgeoning industrialization and persistent systemic inequalities. MacKaye's literary style blends naturalistic dialogue with emotive monologues, inviting readers into the emotional depths of human experience. The play exemplifies the American realist tradition, reflecting the conflicts between individual desires and societal constraints through its complex characters and absorbing plot. Steele MacKaye, a notable American playwright, director, and actor, was deeply influenced by the cultural currents of his time. His involvement in the development of American theater and advocacy for dramatic realism positioned him as a prominent figure in the theatrical landscape. MacKaye's experience with social reform and passionate belief in the transformative power of theater likely fueled the themes of anarchy and reform present in "Paul Kauvar," mirroring his own aspirations for progressive change. Readers interested in the evolution of American drama and the exploration of anarchistic themes will find "Paul Kauvar; or, Anarchy" an essential addition to their literary repertoire. MacKaye's work not only invites critical reflection on societal norms but also serves as a poignant reminder of the power of theater to challenge the status quo.

  • Book cover of Pride and Prejudice

    "Pride and Prejudice" by STEELE MACKAYE is a captivating journey into the social intricacies of 19th-century England. This timeless classic explores the themes of love, class, and societal expectations with wit and keen observation. Follow the spirited Elizabeth Bennet as she navigates the complexities of courtship and family, challenging the conventions of her time. The story unfolds amidst balls, estates, and drawing rooms, painting a vivid picture of a society governed by strict rules and unspoken desires. As Elizabeth clashes with the proud Mr. Darcy, their initial disdain gradually gives way to a deeper understanding, revealing the flaws and prejudices that lie beneath the surface. "Pride and Prejudice" remains a beloved novel, celebrated for its enduring characters, sparkling dialogue, and insightful commentary on human nature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Book cover of The Panchronicon

    Reproduction of the original: The Panchronicon by Harold Steele Mackaye

  • Book cover of Programme for the 250th Presentation of Hazel Kirke at the Madison Square Theatre
  • Book cover of Pride and Prejudice

    Experience Jane Austen's beloved "Pride and Prejudice" in a brand new way with this adaptation for the stage by Mary Keith Medbery Mackaye. This play brings the witty and insightful world of Elizabeth Bennet and 19th-century domestic life to life through dramatic performance. Explore the enduring themes of social class, love, and personal growth that have made "Pride and Prejudice" a cornerstone of classic literature. This meticulously prepared print edition offers a fresh perspective on a timeless story. Discover the nuances of character and plot through the unique lens of theatrical adaptation. Perfect for enthusiasts of classic drama, adaptations, and works by women authors. This edition preserves the historical text for a captivating reading experience. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Book cover of Paul Kauvar; Or, Anarchy

    Steele Mackaye (1842-1894), was an American actor, dramatist, producer, and theater manager. He was born in Buffalo as James Morrison. He studied dramatic expression in Paris under Francois Delsarte and on his return lectured in New York and Boston. He founded the Lyceum Theater, and was father to Percy MacKaye and Benton Mackaye He wrote the plays Monaldi and Marriage. Other works include: The Twins (1876), Won at Last (1877), Through the Dark (1878), Hazel Kirke (1880), and Anarchy (1887), originally called Paul Kauvar; or Anarchy, later shortened to Anarchy, and then again changed to Paul Kauvar.

  • Book cover of Pride and Prejudice

    Pride and Prejudice is the most popular Jane Austen novel and has inspired millions of readers worldwide. More than hundred years after its first publication Mary Steele MacKaye - wife of the famous actor James Steele MacKaye - adapted the love story between Elizabeth Bennet and Mr. Darcy to stage. She created a play that fascinates the audiences as much as the novel does its readers. Reprint of the original edition from 1922.

  • Book cover of The Panchronicon

    The Panchroniconby Harold Steele MacKaye"Don't have to keep count," he replied. "See that indicator?" he continued, pointing to a dial in the ceiling which had not been noticed before. "That reads May 3, 1898, now, don't it? Well, it's fixed to keep always tellin' the right date. It counts the whirls we make an' keeps tabs on every day we go backward. Any time all ye hev to do is to read that thing an' it'll tell ye jest what day 'tis."