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  • Book cover of The Only Good Indians

    A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

  • Book cover of Wait for Night

    Read award-winning author Stephen Graham Jones's horror story, "Wait for Night", a Tor.com Original A day laborer hired to clean up a flooded creek outside of Boulder, Colorado uncovers what could be a valuable find—if it doesn't kill him first. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

  • Book cover of Mongrels

    Nominated for both the Shirley Jackson and Bram Stoker Awards, and a Best of 2016 selection of Tor.com and Book Riot, acclaimed horror writer Stephen Graham Jones' (The Only Good Indians and My Heart is a Chainsaw) Mongrels goes beyond your typical werewolf story to show a young boy, mired in poverty and always on the run, coming-of-age in a world that fears him and hates his family...but may just be more monstrous than he could ever be. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten years, he and his family have lived a life of late-night exits and narrow escapes—always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will finally know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast now. Everything is about to change. A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story— funny, bloody, raw, and real—told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly, novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.

  • Book cover of Don't Fear the Reaper

    "Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. . . . However, that same day, convicted serial killer Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer as a blizzard descends just outside of Proofrock"--Provided by publisher.

  • Book cover of Mapping the Interior

    The New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, brings readers a spine-tingling journey through a young boy's haunted home. Winner of the 2017 Bram Stoker Award for Long Fiction! "A triumph. So emotionally raw, disturbing, creepy, and brilliant." —Paul Tremblay, New York Times bestselling author of Horror Movie Walking through his own house at night, a young boy thinks he sees another person stepping through a doorway. The figure reminds him of his long-dead father, who drowned mysteriously before his family left the reservation. When he follows, it he discovers his house is bigger and deeper than he ever knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his younger brother in the worst danger, and puts him in the position to save them . . . at a terrible cost. "Brilliant." —The New York Times Also by Stephen Graham Jones: Night of the Mannequins At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

  • Book cover of The Faster Redder Road

    This collection showcases the best writings of Stephen Graham Jones, whose career is developing rapidly from the noir underground to the mainstream. The Faster Redder Road features excerpts from Jones's novels--including The Last Final Girl, The Fast Red Road: A Plainsong, Not for Nothing, and The Gospel of Z--and short stories, some never before published in book form. Examining Jones's contributions to American literature as well as noir, Theodore C. Van Alst Jr.'s introduction puts Jones on the literary map.

  • Book cover of The Least of My Scars

    The New York Times–bestselling author “shows how a serial killer’s paradise and a serial killer’s hell are really the same place” (Brian Evenson, O. Henry Award–winning author). When a serial killer hits the top of his game, where does he go from there? William Colton Hughes finds out. Not interested in notoriety, Hughes just wants to do what he’s good at: torture and murder. It never occurs to him that he could make a living at it . . . until the yoga instructor. She happens to be the girlfriend of a powerful and cunning crime boss who catches Hughes literally red-handed. In a twist even Hughes never sees coming, he’s not immediately put down. Instead, he’s set up in a warren of apartments. Hughes’s own private high-rise sanctuary, where his new benefactor feeds victims to him. He couldn’t ask for more. But when his supplies stop coming, Hughes begins to lose his already tenuous grip on reality—and learns that even monsters have their own boogeymen to deal with . . . “A grim, funny, stylish hallucination of a book—murderous insanity seen from the inside out. You’ll be revolted by this guy, but he’ll fascinate you too.” —Jack Ketchum, Bram Stoker Award–winning author “[Jones’s] writing is hallucinogenic, varied, fascinating. . . . Big names in writing [come] to mind: Pynchon, David Foster Wallace, even Faulkner.” —New Pages

  • Book cover of Night of the Mannequins

    From the New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, comes a slasher story where a teen prank goes very wrong and all hell breaks loose in a small town. Winner of both the 2020 Bram Stoker and Shirley Jackson Awards! We thought we'd play a fun prank on her, and now most of us are dead. One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing. Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first. "A fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

  • Book cover of The Ones Who Got Away

    Thirteen stories of monsters, murder, and mayhem from a master of horror, the New York Times–bestselling author of I Was a Teenage Slasher. Stephen Graham Jones takes familiar horror tropes—zombies, camping mishaps, damaged children—and intertwines them with the dark forces of human nature to create unique and unforgettable short fiction. These thirteen tales run the gamut, immersing you in worlds you think you’ve seen before, but with outcomes you’ll never see coming. In “Father, Son, Holy Rabbit,” a dad and his child are lost in a snowstorm and learn what the true cost of survival is. A snake-oil salesman makes his way across Arizona territory, peddling his wares to unsuspecting customers—and leaving ghost towns in his wake—in “Lonegan’s Luck.” While in “Raphael,” four twelve-year-old outcasts, seemingly invisible to everyone around them, make up a “scare” club, pushing themselves further and further into the unthinkable. As Laird Barron says in his introduction, “The Ones Who Got Away is a slippery collection; it resists and gnaws at the bonds of genre, yet may be the most pure horror book I’ve come across.” Jump in and hold on for your life . . . “The twisty endings, villainous characters, and truly shocking scenarios make several of these disturbing stories truly unforgettable.” —Publishers Weekly “Readers looking for horror can’t go wrong with Stephen Graham Jones and diving into these thirteen collected short stories is the perfect way to countdown to Halloween night.” —Bookish “The Ones Who Got Away is the perfect showcase for [Jones’s] wide-array of literary acrobatics.” —Dark Scribe Magazine

  • Book cover of My Heart Is a Chainsaw

    Protected by horror movies -- especially the ones where the masked killer seeks revenge on a world that wronged them, Jade Daniels, an angry, half-Indian outcast, pulls us into her dark mind when blood actually starts to spill into the waters of Indian lake--