Trina Robbins has spent the last thirty years recording the accomplishments of a century of women cartoonists, and Pretty in Ink is her ultimate book, a revised, updated and rewritten history of women cartoonists, with more color illustrations than ever before, and with some startling new discoveries (such as a Native American woman cartoonist from the 1940s who was also a Corporal in the women’s army, and the revelation that a cartoonist included in all of Robbins’s previous histories was a man!) In the pages of Pretty in Ink you’ll find new photos and correspondence from cartoonists Ethel Hays and Edwina Dumm, and the true story of Golden Age comic book star Lily Renee, as intriguing as the comics she drew. Although the comics profession was dominated by men, there were far more women working in the profession throughout the 20th century than other histories indicate, and they have flourished in the 21st. Robbins not only documents the increasing relevance of women throughout the 20th century, with mainstream creators such as Ramona Fradon and Dale Messick and alternative cartoonists such as Lynda Barry, Carol Tyler, and Phoebe Gloeckner, but the latest generation of women cartoonists―Megan Kelso, Cathy Malkasian, Linda Medley, and Lilli Carré, among many others. Robbins is the preeminent historian of women comic artists; forget her previous histories: Pretty in Ink is her most comprehensive volume to date.

Various stories of women in the comic book industry and how they got started in it.

Born on the cusp of WWII in 1938, at a time when other little girls dreamed of being nurses and secretaries, Trina Robbins’s ambition was to be a bohemian; and indeed she did. She chronicles a life of sex, drugs, rock ’n’ roll — and comics — in Last Girl Standing. Robbins describes her upbringing in Queens, New York, reading comics through her childhood in the 1940s; visiting the EC offices and becoming part of SF fandom (dating Harlan Ellison at age 16); and posing nude for men’s magazines in the 1950s; living in the Village, over her own boutique where she made clothes for and interacted with rock royalty like David Crosby, Donovan, Cass Elliot; her close relationship with Paul Williams; entering the orbit of underground cartoonists like Art Spiegelman, R. Crumb, Vaughn Bodé, and Bill Griffith, when she started contributing comics to The East Village Other; and, in the ’70s, moving to San Francisco, contending with the phallocentric underground scene, marrying Kim Deitch, co-founding Wimmen’s Comix, and being invited into Felch Comics (she declined); her work for the National Lampoon, Marvel Comics, and Eclipse in the 1980s; and her crisis as a cartoonist and transformation into an historian and lecturer in the ’90s and 2000s. From science fiction to the Sunset Strip, from New York’s underground newspapers to San Francisco’s underground comix: Trina Robbins broke the rules and broke the law. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones’s first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, this former Lady of the Canyon takes no prisoners in this heavily illustrated memoir.

When Megan, Raf, and talking dog Bradley get their first real case, they find themselves tracking a puppy that is not as adorable as it seems, and trying to end an ancient curse.

Poor Megan—history's repeating itself. She's been booted from Stepford Prep, and her father is sending her to visit Pine Lake Academy . . . a boarding school. This could mean the end of the Chicagoland Detective Agency! Raf and Bradley come along to get a sniff at the new school, but when Megan ducks into a restroom marked do not enter and Raf takes a sip from an old fountain, school becomes the least of their problems. Something spooky is knocking around in the pipes, and now it has its hooks in them. Have Raf and Megan really been taken over by a ghost from a hundred years ago? Can Bradley dig up the mystery that's dogged Pine Lake Academy for a century? What deeply buried dastardly deeds will bubble to the surface?

Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Poor Megan—history's repeating itself. She's been booted from Stepford Prep, and her father is sending her to visit Pine Lake Academy . . . a boarding school. This could mean the end of the Chicagoland Detective Agency! Raf and Bradley come along to get a sniff at the new school, but when Megan ducks into a restroom marked do not enter and Raf takes a sip from an old fountain, school becomes the least of their problems. Something spooky is knocking around in the pipes, and now it has its hooks in them. Have Raf and Megan really been taken over by a ghost from a hundred years ago? Can Bradley dig up the mystery that's dogged Pine Lake Academy for a century? What deeply buried dastardly deeds will bubble to the surface?

Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! Raf knows Megan is trouble from the moment she steps into his mom's pet food store asking for a tarantula. But there's one thing you can count on in Chicagoland: weird things happen several times a day. Megan is a vegetarian, manga-reading haiku writer. She definitely doesn't fit in at Stepford Academy, her new summer school. The other students are happy to be in class. Too happy. And everyone looks and acts exactly alike. That's weird. Megan is determined to dig into Stepford's secrets, but soon she's in way too deep. Raf may be the only human being she knows who can help. But with zombified students, very mad scientists, and the school psychiatrist on their trail, they're going to need a whole lot more help. We did say that Chicagoland is weird. . .

Robbins began her cartooning career in the underground in 1966, and has become not only a major artist but the foremost pop historian of women in comics. To keep her survey to a reasonable size, she has neglected cartoons writers unless they were working with a cartoonist, and defines cartoons as two or more panels, continuity, or speech balloons inside the panel. c. Book News Inc.

Fantagraphics celebrates The Flapper Queens, a gorgeous collection of full-color comic strips. In addition to featuring the more well-known cartoonists of the era, such as Ethel Hays, Nell Brinkley, and Virginia Huget, Eisner award-winning Trina Robbins introduces you to Eleanor Schorer, who started her career in the teens as a flowery art nouveau Nell Brinkley imitator but, by the '20s, was drawing bold and outrageous art deco illustrations; Edith Stevens, who chronicled the fashion trends, hairstyles, and social manners of the '20s and '30s in the pages of The Boston Globe; and Virginia Huget, possibly the flappiest of the Flapper Queens, whose girls, with their angular elbows and knees, seemed to always exist in a euphoric state of Charleston.

Raf knows Megan is trouble from the moment she steps into his mom's pet food store asking for a tarantula. But there's one thing you can count on in Chicagoland: weird things happen several times a day. Megan is a vegetarian, manga-reading haiku writer. She definitely doesn't fit in at Stepford Academy, her new summer school. The other students are happy to be in class. Too happy. And everyone looks and acts exactly alike. That's weird. Megan is determined to dig into Stepford's secrets, but soon she's in way too deep. Raf may be the only human being she knows who can help. But with zombified students, very mad scientists, and the school psychiatrist on their trail, they're going to need a whole lot more help. We did say that Chicagoland is weird. . .