Essays on Telugu and South Indian literature and culture by distinguished Telugu scholar Narayana Rao. Velcheru Narayana Rao’s contribution to understanding Indian cultural history, literary production, and intellectual life—specifically from the vantage of the Andhra region—has few parallels. He is one of the very rare scholars to be able to reflect magisterially on the precolonial and colonial periods. He moves easily between Sanskrit and the vernacular traditions, and between the worlds of orality and script. This is because of his mastery of the “classical” Telugu tradition. As Sanjay Subrahmanyam puts it in his Introduction, “To command nearly a thousand years of a literary tradition is no small feat, but more important still is VNR’s ability constantly to offer fresh readings and provocative frameworks for interpretation.” The essays and reflections in Text and Tradition in South India bring together the diverse and foundational contributions made by Narayana Rao to the rewriting of India’s cultural and literary history. The book is for anyone interested in the history of Indian ideas, the social and cultural history of South India, and the massive intellectual traditions of the subcontinent.

The book looks at the three major Nayaka states--ruled from Senji, Tanjavur and Madurai, Tiruccirappalli--as well as at minor states located at their periphery. While these states had differing life-spans, developmental patterns, geo-ecological environments, and distinct forms of historical experience, they also shared salient structural and cultural features. At their height, in the early seventeenth century, they encompassed the greater part of the Tamil country. Early chapters set out the fundamental tensions of the period: the social flux caused by the resurgence of certain groups, which had either intruded into the area from the Telugu country, or entered the mainstream of Nayaka society from a marginal position. Related to this is the central paradox of Nayaka kingship-- the tension between inflated claims and the limited scale of kingship. Later sections set out these themes in some detail, and also delineate how such states were founded, what their resource base was, and how this base was portrayed and managed. The book's ambit extends considerably beyond the economic and political, to consider how the social flux of the epoch also found its counterpart in the central themes of Nayaka literature. Specifically, there is a focus on perceptions of the body and bodily mutilation and regeneration (here termed Nayaka anthropology), and on the parodic dialectic that underpins the rhetoric of kingship. Other chapters deal with contestation and war. The final chapter looks to the post-Nayaka transition, focusing once again on the kingdom that appears most of all to epitomize the Nayaka spirit: Tanjavur. What is distinctive about the Nayakas? How do they fit into the wider realities of their time? From what do they derive? How can we understand the emergence of new institutional patterns, of the striking artistic and especially literary creations at the Nayaka courts, of a novel historiography and culture? Supplementing standard sources by an imaginative use of Dutch, Portuguese, Tamil, Sanskrit, and Telugu sources, the authors show how the Nayakas witnessed, and partly produced, a profound shift in the conceptual and institutional bases of South Indian civilization.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. Their study, which includes extensive translations of Srinatha's major works, shows the poet's place in a great classical tradition in a moment of profound cultural transformation.

Nearly a thousand years ago, the great scholar Al-Biruni complained that, "unfortunately, the Hindus do not pay much attention to the historical order of things. They are very careless in relating the chronological succession of kings, and when pressed for information ... invariably take to tale-telling." Until now this had been the received wisdom of the West, repeated with little variation by post-colonial historians.".

This collection of essays by outstanding scholars of South India introduces the work of Velcheru Narayana Rao, who has revolutionized our understanding of classical literary theory and culture. The essays provide an overview of recent research in various fields--Telugu literature and religion, South Indian history, Indian folklore and mythology, Dravidian linguistics, temple architecture.

Since The Rediscovery Of The`Kridabhiramamu` At The Beginning Of The Twentieth Century, The Book Has Been The Subject Of Intense Controversy Among Telugu Scholars And Critics, Some Of Whom Attacked It As Obscene. The Translators Discuss This Controversy And Suggest A New Way Of Closely Reading The Text In The Light Of The Vibrant Literary Milieu In Which It Was Composed.

This volume deals with the political culture of the NAyaka period in medieval South India, an era which extends from the early sixteenth century to the early eighteenth century. The book looks at the three major Nayaka states --- ruled from Senji, Tanjavur, and MAadurai/Tiruccirapalli --- as well as at minor states located at their periphery. While these states had differing life-spans, devlopmental patterns, geo-ecological environments, as well as distinct forms of historical experience,they shared salient structural and cultural features. At their height, in the early seventeenth century, they encompassed the greater part of the Tamil country. Supplementing standard sources by an imaginative use of Dutch, Portugese, Tamil, Sanskrit, and Telugu sources, the authors show how the Nayakas witnessed, and partly produced, a profound shift in the conceptual and institutional bases of South Indian civilization.