Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1844 edition. Auszug: ...die Briefe, die ich Ihnen zu ubergeben bereits die Ehre hatte. Nun waren mir, alleMathsel gelost." Der vermeinte Mr. Hill war, Sn-Richard Brandon, Lord Iames Ihnen, dass ich Grauens nicht unterdruckcnckoiu.HMM diess Gewebe durchblickte;" doch bald.erauisteM, dass Schweigen in diesem Halle Sir Richard's HandlungHreise mochte, noch so unbru-derlich, noch so unmenschlich sein, so ware es doch unmoglich gewesen, ihn/ desswegen rechtlich zu be-langen, denn er hatte nur gegen die Stimme der Natur, aber gegen lein geschriebenes Gesetz gefre-velt. So hatte meine Enthullung dieses Geheim-nisses nur Unheil anrichten konnen, aus dem fur Niemand, nicht einmal fur Lord James, der ge-ringste Vortheil erwachsen ware. Ueberdiess war mir Dieser fast ganzlich fremd, wahrend ich Sir Richard manche Verbindlichkeiten schuldig war und auch fur die Zukunft manche Begunstigung von ihm hoffte. So entschloss ich mich zu schweigen; vorsichtshalber bemachtigte ich mich dieser Papiere und kehrte am nachsten Morgen nach Edinburgh zuruck. Kurz darauf erhielt ich ein Schreiben von Sir Richard, worin er mir anzeigte, dass seine angegriffene Gesundheit ihn nothige, England fur langere Zeit zu verlassen; er uberschickte mir zugleich ein werthvolles Andenken als Beweis seiner Dankbarkeit, wie er sich ausdruckte. Da ich jetzt mit dem Stand der Dinge vertraut war, so erkannte ich, dass er mir mittelst dieses Briefes und dieses Geschenkes meinen Abschied gegeben hatte. Ich dachte in der ersten Zeit hausig und mit seltsamen Gefuhlen an Sir Richard;

Fifth-century Athenian musical and political theorist Damon was the first to study music's psychological, behavioural, and political effects, profoundly influencing debates on music theory throughout antiquity. Considered by Isokrates to be the most intelligent Athenian of his age, Damon worked alongside Perikles during the most vibrant decades of Athens' democracy. Probably using fourth-century BC sources, Olympiodoros records that 'Damon taught Perikles the songs through which Perikles harmonized the city'. However, musical and political entanglements caused this teacher-theorist to be ostracized from Athens for ten years, at the height of Perikles' power. Reconstructing Damon is the first comprehensive study of the most important theorist of music and poetic meter in ancient Athens, detailing his extensive influence, and providing the first systematic collection, translation, and critical examination of all ancient testimonia for him. In doing so, this volume makes an important contribution to a number of key fields, including classical Greek music and music theory, fifth-century philosophy (particularly the sophists), political history including the growth of democracy, and the life and career of Perikles.

Crime Scene Investigation offers an innovative approach to learning about crime scene investigation, taking the reader from the first response on the crime scene to documenting crime scene evidence and preparing evidence for courtroom presentation. It includes topics not normally covered in other texts, such as forensic anthropology and pathology, arson and explosives, and the electronic crime scene. Numerous photographs and illustrations complement text material, and a chapter-by-chapter fictional narrative also provides the reader with a qualitative dimension of the crime scene experience.

Crime Scene Investigation offers an innovative approach to learning about crime scene investigation, taking the reader from the first response on the crime scene to documenting crime scene evidence and preparing evidence for courtroom presentation. It includes topics not normally covered in other texts, such as forensic anthropology and pathology, entomology, arson and explosives, and the electronic crime scene. Numerous photographs and illustrations complement text material, and a chapter-by-chapter fictional narrative also provides the reader with a qualitative dimension of the crime scene experience.

It has been sought to escape from the judgment of Schopenhauer, that "those who, instead of studying the thoughts of a philosopher, make themselves acquainted with his life and history, are like people who, instead of occupying themselves with a picture, are rather occupied with its frame, reflecting on the taste of its carving, and the nature of its gilding."At the time of original publication in 1890, W. Wallace was Whyte's Professor of Moral Philosophy at Oxford University.

This book presents a state-of-the-art debate about the origins of Athenian democracy by five eminent scholars. The result is a stimulating, critical exploration and interpretation of the extant evidence on this intriguing and important topic. The authors address such questions as: Why was democracy first realized in ancient Greece? Was democracy "invented" or did it evolve over a long period of time? What were the conditions for democracy, the social and political foundations that made this development possible? And what factors turned the possibility of democracy into necessity and reality? The authors first examine the conditions in early Greek society that encouraged equality and "people’s power." They then scrutinize, in their social and political contexts, three crucial points in the evolution of democracy: the reforms connected with the names of Solon, Cleisthenes, and Ephialtes in the early and late sixth and mid-fifth century. Finally, an ancient historian and a political scientist review the arguments presented in the previous chapters and add their own perspectives, asking what lessons we can draw today from the ancient democratic experience. Designed for a general readership as well as students and scholars, the book intends to provoke discussion by presenting side by side the evidence and arguments that support various explanations of the origins of democracy, thus enabling readers to join in the debate and draw their own conclusions.

Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.