Don Jenkins wants a divorce from the United States. He’s tired of a government that can't balance its budget but thinks it can dictate how much soda he should drink. Combining political intrigue and political theory, Free Dakota explores the new possibilities when Don follows the call of a charismatic diner owner who promises a libertarian paradise on the prairie. After years of struggle they have the votes for a peaceful secession, but the feds say it's 'til death do us part. Stopping the feds may cost more in integrity than in blood, however, when Don has to decide whether to stay after an assassination changes everything.

Education is currently a foremost concern for many Americans. Education, however, is about more than teaching children skills for earning a living and how to function in life. It is really a means of transmitting both a culture and a heritage. William Irwin Thompson, one of today's most innovative interdisciplinary thinkers, talks about how to transform a cultural legacy in the course of transmitting it. His visionary approach takes education far beyond the bland, watered-down curricula so many students face today in public and private schools. Thompson offers us a mind-rattling tour of our potential as human beings, from the Gilgamesh epic of 2000 B.C.E. to Disney, popular music, current politics and social crises, and beyond. He not only presents a far-reaching system of knowledge and teaching, but also suggests how we can stimulate the best and healthiest patterns of development in our children and teenagers. Transforming History will enlighten today's educators and anyone concerned with improving our legacy and our children's place in it. CONTENTS: Foreword One: Cultural History and Complex Dynamical Systems Two: Transforming History Notes Appendix: An Outline of the Curriculum Index

A stunning New Age tour through literature, sculpture, and science that looks at the archetype of the human ascent to the heavens

Uncertainty is the essence of the human condition, and nothing is more uncertain than God. Yet passions run hot when it comes to God, both among believers and non-believers. God is a Question, Not an Answer aims to unsettle readers on both sides of the issue. William Irwin argues that because belief occurs along a continuum of doubt and we can never reach full certainty, believers and non-believers can find common ground in uncertainty. Beginning with the questions of what we mean when we talk about God and faith, Irwin shows that from a philosophical perspective, the tendency to doubt is a virtue, and from a religious perspective there is no faith without doubt. Rather than avoid uncertainty as an uncomfortable state of emotional despair, we should embrace it as an ennobling part of the human condition. We do not have to agree about the existence of God, but we do need to practice intellectual humility and learn to see doubt as a gift. By engaging in civil discourse we can see those who disagree with us as not only fully human but capable of teaching us something.

Incisive and engaging, The Free Market Existentialist proposes a new philosophy that is a synthesis of existentialism, amoralism, and libertarianism. Argues that Sartre’s existentialism fits better with capitalism than with Marxism Serves as a rallying cry for a new alternative, a minimal state funded by an equal tax Confronts the “final delusion” of metaphysical morality, and proposes that we have nothing to fear from an amoral world Begins an essential conversation for the 21st century for students, scholars, and armchair philosophers alike with clear, accessible discussions of a range of topics across philosophy including atheism, evolutionary theory, and ethics

In this volume of poems written over thirty-five years, William Irwin Thompson presents a remarkable range of work--from the personal and lyrical, through the narrative and mythological, to the scientific and cosmological--that traces many of the major themes that have affected contemporary culture for the past half century. His book opens with a mythological sequence on Quetzalcoatl, "Blue Jade from the Morning Star," which john Bierhorst has called "a fresh reading." In the words of Kathleen Raine: "There is a great difference between merely academic translation and the imaginative participation which Dr. Thompson has brought to these 'versions' and verse commentaries on the great vision of Quetzalcoatl." Books Two and Three contain mostly lyrical work, while Book Four concludes with a vision of the evolution of life that extends the lyrical into the cosmological in a sequence built on and addressed to the work of his four scientific friends: Ralph Abraham, James Lovelock, Lynn Margulis, and Francisco Varela.

By taking us back to a period when Niagara Falls was appreciated as much for its utopian promise as for its natural beauty, The New Niagara reveals America's remarkable romance with technology and its faith in human mastery of the environment.

In the opening passages of his classic book, The Time Falling Bodies Take to Light, William Irwin Thompson asks the question, "But what is myth that it returns to mind even when we would most escape it?" Acknowledging the pervasive power of myth to create and inform culture, Thompson answers this question by weaving descriptions of the human abilities to create life and to communicate through symbolic myths based on male and female forms of power. Taking us from the earliest periods of prehistory through the time of female goddess worship to the rise of the male-dominated warrior state, Thompson shows the passage of humankind's relationship to nature from initial awe to persistent conquest. At the end of his journey, Thompson finds an answer to his original question: myth is the history of the soul; its creation is ongoing and its power is never-ending. This is a beautiful and fascinating book now being reissued for a new generation of readers, as well as for those it inspired originally.

Join Professor Irwin as he traces the lyrical development of the “thinking man’s” metal band and uses the themes in Metallica’s work to illuminate topics such as truth, identity, questions of life and death, the mind-body problem, justice, and more…. More than 40 years since their formation, and 125 million album sales later, Metallica is as relevant as ever. Much has been written about the band, but The Meaning of Metallica is the first book to focus exclusively on their lyrics. Their mighty guitar riffs and pounding drums are legendary, but Metallica’s words match the intensity of their tunes. Lead singer James Hetfield writes rock poetry dealing with death, war, addiction, alienation, corruption, freedom, religion, and other weighty topics. Painting a rainbow of emotions with a deft palette, subtle but not obscure, Hetfield’s lyrics deserve careful attention. A master of narrative, Metallica makes listeners care about a vast array of characters, from a vengeful God, to a suicidal teenager, to a man in mid-life crisis. The Meaning of Metallica is like a riveting conversation with a close friend. A thematic tour de force that traces Hetfield’s lyrical development across the decades, this companion examines everything from deep cuts like “Confusion” to megahits like “Enter Sandman.” Sure to spark debate and discussion, The Meaning of Metallica provides a close reading of lyrics dense with details and rich with allusions.