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  • Book cover of The Back Channel

    “A masterful diplomatic memoir” (The Washington Post) from CIA director and career ambassador William J. Burns, from his service under five presidents to his personal encounters with Vladimir Putin and other world leaders—an impassioned argument for the enduring value of diplomacy in an increasingly volatile world. Over the course of more than three decades as an American diplomat, William J. Burns played a central role in the most consequential diplomatic episodes of his time—from the bloodless end of the Cold War to the collapse of post–Cold War relations with Putin’s Russia, from post–9/11 tumult in Afghanistan, Iraq, and the Middle East to the secret nuclear talks with Iran. In The Back Channel, Burns recounts, with novelistic detail and incisive analysis, some of the seminal moments of his career. Drawing on a trove of newly declassified cables and memos, he gives readers a rare inside look at American diplomacy in action. His dispatches from war-torn Chechnya and Qaddafi’s bizarre camp in the Libyan desert and his warnings of the “Perfect Storm” that would be unleashed by the Iraq War will reshape our understanding of history—and inform the policy debates of the future. Burns sketches the contours of effective American leadership in a world that resembles neither the zero-sum Cold War contest of his early years as a diplomat nor the “unipolar moment” of American primacy that followed. Ultimately, The Back Channel is an eloquent, deeply informed, and timely story of a life spent in service of American interests abroad. It is also a powerful reminder, in a time of great turmoil, of the enduring importance of diplomacy.

  • Book cover of The Back Channel

    A powerful case for the enduring value of diplomacy from one of America's most distinguished statesmen.

  • Book cover of The Masked War
  • Book cover of The Argyle Case

    New National Theatre, direction W.H. Rapley, business management W.H. Fowler, Klaw & Erlanger present Robert Hilliard in "The Argyle Case" by Harriet Ford and Harvey J. O'Higgins, written in ccoperation with Detective William J. Burns. The play produced under the direction of Gustav von Seyffertitz and Robert Hilliard.

  • Book cover of The Crevice

    The Crevice is a captivating anthology that weaves together a tapestry of mystery and intrigue through its carefully curated collection of literary works. The collection explores the crevices of human experiences, probing into the complexities of truth and deception. The diversity of literary styles within this anthology underscores its thematic breadth, offering readers an array of narratives that delve into suspense and the human psyche. The inclusion of standout pieces propels the collection into a realm where each work challenges and complements the others, providing varied interpretations of the central themes without overshadowing the anthology's cohesive exploration of human enigmas. The authors contributing to The Crevice, including esteemed figures like Isabel Ostrander and William J. Burns, bring a wealth of literary prowess and narrative depth to the anthology. Their backgrounds in creating compelling, character-driven stories add layers of historical and cultural resonance to the collection. Emphasizing the intricacies of post-industrial society and psychological realism, the anthology aligns with literary movements that sought to unravel societal norms and personal ideologies. The collaboration of these seasoned writers enriches the anthology, creating a vibrant dialogue that exposes readers to multifaceted interpretations of the mysterious and the unknown. For readers seeking an intellectually stimulating experience, The Crevice offers a unique opportunity to traverse a landscape of diverse perspectives and literary styles. This anthology not only entertains but educates, as it invites readers to interpret and engage with its narratives, fostering a deeper understanding of the human condition. By immersing themselves in this collection, readers will find a treasure trove of insights, poised to challenge and expand their perceptions of narrative fiction and its potential to explore the shadows of human existence.

  • Book cover of The Crevice
  • Book cover of The Irometer

    1949 a simplified method of irisdiagnosis. a pocket manual and ready book for the student and busy diagnostician.

  • Book cover of The Masked War; the Story of a Peril That Threatened the United States

    During the tumultuous years leading up to World War I, America faced a secret threat from an unknown enemy. In this thrilling account of espionage and adventure, Burns recounts the efforts of a small band of agents tasked with uncovering the truth behind the masked war and preventing a catastrophic attack on American soil. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Book cover of The Masked War; The Story of a Peril That Threatened the United States, by the Man Who Uncovered the Dynamite Conspirators and Sent Them to Jail

    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Book cover of Economic Aid and American Policy toward Egypt, 1955-1981

    Gamal Abdel Nasser's 1955 decision to barter Egyptian cotton for Soviet bloc weaponry thrust Egypt onto center stage in the Cold War in the Middle East. What Egypt needed most, and what the United States was uniquely equipped to provide, was economic aid. For the Egyptian government--eager to take rapid strides toward economic development but crippled by a burgeoning population, a paucity of arable land, and a meager reserve of foreign exchange--American economic aid promised to serve as an enormously important crutch. For American policymakers, economic assistance appeared to be an ideal means of developing American influence in Egypt. Few aid relationships in the last three decades can match the drama and significance of the U.S.-Egyptian experience. This study shows how the American government attempted to use its economic aid program to induce or coerce Egypt to support U.S. interests in the Middle East in the quarter century following the 1955 Czech-Egyptian arms agreement. William J. Burns has analyzed recently released government documents and interviews with former policymakers to throw light on the use of aid as a tool of American policy toward the Nasser regime. He also offers valuable observations on the role of the American economic assistance program in the Sadat era.