In Spirit and in Truth encapsulates the idea that God wants to be our friend as well as the God we worship. It looks at what stops us from entering into a one-on-one relationship with Him and how this can be overcome, as well as the concept of living a lifestyle of pouring out our love (worship) to Him. The book also looks at worship and its true meaning, and to what extent music has to do with worshiping our God. In Spirit and in Truth is written with a scriptural outlook toward the reality of how God's manifested presence can reside within us and the outcome this can have on our society when we walk through life with the realization of this truth. This book is a short, easy read for all people who have a desire to know God more. It will either confirm your walk with Him or stretch you right out of your comfort zone and into the presence of God.

Examines how the emerging discipline of experimental philosophy reacted to the Biblical Genesis to interpret the physical origin, present status, and final destination of Earth. Looks at the role of the Royal Society of London and men such as Isaac Newton, Robert Hooke, Edmond Halley, and Thomas Burnet in the developing separation of religion and science.

In the African-American Culture, What Makes Preachers and/or Pastors Great? By: J. William Poole What makes preachers and/or pastors in the African American culture great is that they lead by example. Utilizing the talents of others through challenging, inspiring, not enabling, modeling and encouraging. To illustrate these leadership techniques, J. William Poole’s In the African-American Culture, What Makes Preachers and/or Pastors Great? examines the characteristics of “great pastors and/or preachers.” Thus, John provides a section were the lives and work of four renowned Afro-American preachers and/or pastors are presented. The lives of the four exemplify personal integrity and flexibility, great team builders with a sense of direction with great faith, commitment and great joy in ministry. Through the Holy Spirit, they found and followed God’s Plan for their lives. The four are Dr. Benjamin E. Mays, Dr. L. Venchael Booth, Dr. Edward Victor Hill and Dr. Gardner C. Taylor. Thus, preaching the faith, for many the faithful is exemplified.

In Paradise Lost (1667), Milton produced the most magnificent poetic account ever written of the biblical Fall of man. In this wide-ranging study, William Poole presents a comprehensive analysis of the origin, evolution, and contemporary discussion of the Fall, and the way seventeenth-century authors, particularly Milton, represented it. Poole first examines the range and depth of early modern thought on the subject, then explains and evaluates the basis of the idea and the intellectual and theological controversies it inspired from early Christian times to Milton's own century. The second part of the book delves deeper into the development of Milton's own thought on the Fall, from the earliest of his poems, through his prose, to his mature epic. Poole distinguishes clearly for the first time the range and complexity of contemporary debates on the Fall of man, and offers many insights into the originality and sophistication of Milton's work.

“An authoritative, and accessible, introduction to Milton’s life and an engaging examination of the process of composing Paradise Lost” (Choice). In early 1642 Milton promised English readers a work of literature so great that “they should not willingly let it die.” Twenty-five years later, the epic poem Paradise Lost appeared in print. In the interim, however, the poet had gone totally blind and had also become a controversial public figure―a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast. William Poole devotes particular attention to Milton’s personal life: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this intensely visual work? Poole opens up the world of Milton’s masterpiece to modern readers, first by exploring Milton’s life and intellectual preoccupations and then by explaining the poem itself―its structure, content, and meaning. “Poole’s book may well become what he shows Paradise Lost soon became: a classic.” —Times Literary Supplement “Smart and original . . . Demonstrates with astonishing exactitude how Milton’s life and―most impressively of all―his reading enabled this epic.” ―The Spectator “This deeply learned and lucidly written book . . . makes this most ambitious of early modern poets accessible to his modern readers.” ―Journal of British Studies