King Lear is a tragedy by William Shakespeare written between 1603 and 1606 and later revised. Shakespeare's earlier version, The True Chronicle of the History of the Life and Death of King Lear and His Three Daughters, was published in quarto in 1608. The Tragedy of King Lear, a more theatrical version, was included in the 1623 First Folio. The title character descends into madness after disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological pre-Roman Celtic king. Life of William Shakespeare is a biography of William Shakespeare by the eminent critic Sidney Lee. This book was one of the first major biographies of the Bard of Avon. It was published in 1898, based on the article contributed to the Dictionary of National Biography. William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. Sir Sidney Lee (1859 – 1926) was an English biographer and critic. He was a lifelong scholar and enthusiast of Shakespeare. His article on Shakespeare in the fifty-first volume of the Dictionary of National Biography formed the basis of his Life of William Shakespeare. This full-length life is often credited as the first modern biography of the poet.

This edition tells the story of Hamlet in production, from Burbage at the Globe to Branagh on film, relating stage interpretations to developments in the theatre, in literary criticism and in society. The detailed stage history records an ongoing process of discovery, as successive performers have found what it is in the play that will speak most powerfully to the audiences of their own times. The introduction focuses not only on star Hamlets, but on whole productions of the play including supporting players and, in this century, direction and design.

As You Like It has sometimes seemed a subversive play that exposes the instability of gender roles and traditional values. In other eras it has been prized - or derided - as a reliable celebration of conventional social mores. The play's ability to encompass these extremes tells an interesting story about changing cultural and theatrical practices. This edition provides a detailed history of the play in production, both on stage and on screen. The introduction examines how changing conceptions of gender roles have affected the portrayal of Rosalind, one of Shakespeare's greatest comic heroines. The striking differences between the British tradition and the freer treatment the play has received abroad are discussed, as well as the politics of court versus country. The commentary, printed alongside the New Cambridge Shakespeare edition of the text, draws on primary sources to illuminate how costuming, stage business, design, and directorial choices have shaped the play in performance.

Romeo and Juliet (1597) is a tragedy by William Shakespeare. Inspired by an Italian tale adapted for an English audience in 1562 by Arthur Brooke and in 1567 by William Painter, Shakespeare wrote Romeo and Juliet sometime between 1591 and 1595. Alongside Hamlet, it is one of Shakespeare’s most performed plays and has served as source material for countless film and television adaptations. “Two households, both alike in dignity, / In fair Verona, where we lay our scene, / From ancient grudge break to new mutiny, / Where civil blood makes civil hands unclean.” For his wit and wordplay alone, William Shakespeare is often considered the greatest writer to ever work in the English language. Where he truly triumphs, however, is in his ability to portray complex human emotions, how these emotions contribute to relationships, and how these relationships interact with politics, culture, and religion. In Romeo and Juliet, a “pair of star-cross’d lovers” risk their lives for one another. Because Romeo is a Montague, he cannot love Juliet, a Capulet, the sworn enemies of his family and their major rival in the city of Verona. As is often the case, their hearts refuse the limits of history, leading them to their tragic, unforgettable end. With a beautifully designed cover and professionally typeset manuscript, this edition of William Shakespeare’s Romeo and Juliet is a classic of English literature reimagined for modern readers.

Shakespeare's famous tragedy is helpfully annotated and framed within several exciting contexts: contemporary accounts of a spirit world, purgatory, revenge, and suicide, and reports of readers and critics fascinated with the character and dramatic performance of this most famous of Shakespeare's heroes. Elaborating upon the historical setting and the cultural ideas that helped shape "Hamlet", Constance Jordan summons the issues and anxieties of the early sixteenth century to show why the play, and especially its hero, speaks so powerfully and so vitally to our own time. -- From publisher's description.

Describes the volatile courtship between the shrewish Katherine and the canny Petruchio, who is determined to subdue Katherine's legendary temper and win her dowry.