"All the works presented in "Spaceliner" started from a mode of thinking rooted in drawing, which differentiated the artistic results here from spatial installations in general. This approach manifested itself in both the choice of materials as well as in their use. Above all, however, it was manifested in the works' graphic intensity and how the lines were used in, and with, the space. Thus, the works reflected on the one hand a persistent attempt to fathom the epistemological quality of the medium of drawing. On the other, the aspect of motion was substantially integrated into the works' conception, which led to a fundamental discussion of the tension between spatial image and actual experience in space. All the works moved in the transitional zones between lines drawn and the actual physical spatial environment, and all were concerned with both the constructed spaces we live in as well as with visions of interiority."--Publisher description.