Jonathan Hay in his young twenties, is one of the greatest living poets. For many centuries to come his artistry will always be talked about. His unique, rhyming, writing style is unparrael to anything we’ve witnessed before. His poetry is brutality honest, fearless and courageous. Screaming from within is his first book, with many more to follow. While reading this book, he will introduce you to his strong religious beliefs, past drug addictions, past lovers, death, anguish and grieve, and his paranoid view at the world he struggles with. His poems are a reality to so many of us in the world. He is a voice of our new millenium.Screaming from within is a timeless masterpiece. You are about to read a classic, uncanning, relentless and brave book. This is a groundbreaking, remarkable, stunning adventure in poetry. About the author was written by Jessie Owen, the underground author of the classic book, “Spit, Water and Urine”.

With science fiction stories imagining futures and worlds vastly different from our own, and posthuman philosophies radically reconceptualising our species' place within our own world, this book is a deep dive into the similarities between science fiction studies and critical posthumanism and how they can be read together. Both fields fantasise about future technologies, envisage alienness through conversation with everyday life and both anticipate the Anthropocene as a dire source of rupture from the present. Drawing inspiration from these and other consonances, this book establishes a common theoretical ground between the two fields, upon which the two currents of future-oriented thought can meet and begin to share a common language. An investigation that draws critical currency from the everyday condition of our species in relation to technology and our perilous situation in the Anthropocene, the book observes posthumanism not just as a theoretical framework that may be applied to science fictional ideas, but also as an integral part of how it is that science fiction is generated. Featuring case studies of the work of prominent authors Isaac Asimov, Ursula K. Le Guin and Kim Stanley Robinson, alongside the BBC television series Doctor Who and the cult videogame Outer Wilds, Science Fiction and Posthumanism in the Anthropocene formulates a new critical paradigm which recognises the value of such works to posthumanist thought. Addressing those with an interest in either academic discipline, it demonstrates that urgent discourses around our shared future are more imperative now than ever before.

An examination of the work of one of the most famous of Chinese artists.

With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China. Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras.

Bachelor Thesis from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 85.0%, University of Chester, language: English, abstract: This study investigates the way in which Jeanette Winterson's works represent the self and the nature of existence by systematically challenging the authenticity of the construct of reality itself. It lays particular emphasis on the philosophical manner in which Winterson encourages her readers to live their own lives anew, and to learn to manipulate reality to their own ends, through the formation of a self-image which has a predominantly fictional basis. The introduction to the study establishes the eight primary Wintersonian texts upon which the subsequent analysis centres, before proceeding to consider Winterson’s works in the light of Roland Barthes’ "The Death of the Author". Chapter 1.0 considers the impact of Winterson’s postmodern aesthetic upon her work and her reader, and investigates the specifically linguistic manner in which it forms the foundation of her wider philosophy of the self. Chapter 1.5 analyses Winterson’s memoir, particularly in its subversions of the memoir form, arguing that it is just as fictive as her novels. Chapter 2.0 analyses Winterson’s works in terms of gender, and investigates the multiple ways in which her works embody a feminist agenda. Chapter 2.5 provides a short analysis focused solely on Winterson’s fitness book "Fit for the Future", and considers how it relates to her feminist agenda more widely. Chapter 3.0 analyses Winterson’s works through philosophical theories of love, arguing that her works privilege love as the ultimate means to attaining self-actualisation.

Text by Jonathan Hay. Brice Marden, one of the premiere painters of his generation, has long been inspired by Chinese art and calligraphy. This book accompanies an exhibition of two new paintings, each nearly eight feet square, and the five ancient Chinese stone memorial tablets and their covers which served as the paintings' inspiration.