The first women representatives in the United States were elected in 1894 when Colorado votes sent three women to the state legislature. Now, a century later, women almost everywhere are the majority of voters but a distinct minority of elected officials. This discrepancy is a puzzle for those who thought democratic institutions would incorporate newly enfranchised women, and a problem for those working to expand democratic representation. Darcy, Welch, and Clark examine women candidates and candidacies in the United States and several other democratic nations. Their careful analysis reveals that male voters and political elites are not the barriers to women's election that common wisdom suggests. Instead, they find that a party's ability to determine candidate selection, along with election procedures that benefit incumbents, produces slow turnover of elected officials and few opportunities for new women candidates. In addition, the authors analyze nomination procedures and election systems to document both the conditions that lead political parties to nominate more women and the mechanisms that yield more victories by women candidates. Women, Elections, and Representation is an extensively revised and expanded edition of a successful text that provides a thorough and up-to-date account of research on women and politics.

"The authors take a unique approach: they reject the view that women should accommodate themselves to the system and argue instead that the system has an inherent obligation to accommodate itself to women. Using data from local, state, and national levels they formulate a model of elections. The authors contend that as the number of qualified women increases, more will run for office-and more will be elected. As more women are elected, the incumbency factor will assist in their reelection until the number of elected women reaches parity with that of men." -- Book Cover.

Selected contributions to the Ninth World Shakespeare Congress, which took place in July 2011 in Prague, represent the contemporary state of Shakespeare studies in thirty-eight countries worldwide. Apart from readings of Shakespeare’s plays and poems, more than forty chapters map Renaissance contexts of his art in politics, theater, law, or material culture and discuss numerous cases of the impact of his works in global culture from the Americas to the Far East, including stage productions, book culture, translations, film and television adaptations, festivals, and national heritage. The last section of the book focuses on the afterlife of Shakespeare in the work of the leading British dramatist Tom Stoppard. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Misanthropoetics explores efforts by Renaissance writers to represent social flight and withdrawal as a fictional escape from the incongruous demands of culture. Through the invented term of its title, this book investigates the literary misanthrope in a number of key examples from Shakespeare, Jonson, Spenser, and the satirical milieu of Marston to exemplify the seemingly unresolvable paradoxes of social life. In Shakespeare's England a burgeoning urban population and the codification of social controls drove a new imaginary of revolt and flight in the figure of the literary misanthrope. This figure of disillusionment became an experiment in protesting absurd social demands, pitting friendship and family against prudent economies, testimonies of durable love against erosions of historical time, and stable categories of gender against the breakdown and promiscuity of language. Misanthropoetics chronicles the period's own excoriating critique of the illusion of resolution fostered within a social world beleaguered by myriad pressures and demands. This study interrogates form as a means not toward order but toward the impasse of irresolution, to detecting and declaring the social function of life as inherently incongruous. Robert Darcy applies questions of phenomenology and psychoanalysis, deconstruction and chaos theory to observe how the great deployers of literary form lost confidence that it could adhere to clear and stable rules of engagement, even as they tried desperately to shape and preserve it.

Misanthropoetics explores efforts by Renaissance writers to represent social flight and withdrawal as a fictional escape from the incongruous demands of culture. Through the invented term of its title, this book investigates the literary misanthrope in a number of key examples from Shakespeare, Jonson, Spenser, and the satirical milieu of Marston to exemplify the seemingly unresolvable paradoxes of social life. In Shakespeare’s England a burgeoning urban population and the codification of social controls drove a new imaginary of revolt and flight in the figure of the literary misanthrope. This figure of disillusionment became an experiment in protesting absurd social demands, pitting friendship and family against prudent economies, testimonies of durable love against erosions of historical time, and stable categories of gender against the breakdown and promiscuity of language. Misanthropoetics chronicles the period’s own excoriating critique of the illusion of resolution fostered within a social world beleaguered by myriad pressures and demands. This study interrogates form as a means not toward order but toward the impasse of irresolution, to detecting and declaring the social function of life as inherently incongruous. Robert Darcy applies questions of phenomenology and psychoanalysis, deconstruction and chaos theory to observe how the great deployers of literary form lost confidence that it could adhere to clear and stable rules of engagement, even as they tried desperately to shape and preserve it.

This book introduces statistical techniques for the particular needs of historians. The approach is practical and applied; alternative ways of resolving methodological problems are worked through. The emphasis is on applying the fundamentals of statistical theory to the specific research interests of historians and available historical sources. A special feature of the book is a discussion of the historical evolution of statistical techniques as a means of understanding their current applications and interpretations.

Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.